![](\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjeZ7HVClXOd0NwhT2oycDwY0k-tKDFEZlI6066DCB7zDNGUcoPP2Ky64vIlwrRN_xOwkwAZDts43hoIHHL9kmXflp6UIUkq9qGljx0y8jlS6KsffxEiQ_Lafa1Rgx3pFXrrk_Yze-pXIFOxY_RHWMF1mQ88HmUVzHEo8hSU-zq9Koqj4mgeiMDGFl-T8xg\/w640-h594\/766a%20comrade%20ratski%20speed%20009%201940.JPG\" "\\"comrade")
<\/a><\/div>\n<\/p>\n<\/a><\/div>\n<\/p>\nComrade Ratski’s first appearance is fairly undistinguished as far as comic book spymasters go. Sent to subvert US war preparations, Ratski targets an airplane factory operating out of Hollywood, California (for some damn reason) and sensibly decides to do so under the guise of a war movie shoot next door, though at the point that you have all of the equipment required for such an attack in place, why bother going through with the “we’re just filming a movie” deception? For the love of the game, of course.<\/p>\n
Ratski’s major distinguishing feature in this appearance is the fact that he is a pseudo-Soviet rather than the usual pseudo-Nazis who are the mainstay of the spy plot at this time. <\/p>\n
<\/a><\/div>\nShock Gibson of course does not like all of this factory bombing, and Comrade Ratski, like Baron von Kampf<\/a> before him, ends up stranded in the middle of the ocean. And he’s even more pessimistic about his chances at rescue!<\/p>\n<\/p>\n <\/p>\n <\/p>\n Ratski returns in Speed Comics<\/i> 010 and immediately starts to collect top scientists from top universities: Dr Bronson from Yarvard, Prof Capchek from Rinceton, and… somebody from Hale. His goal? Force them to invent at gunpoint so that he can use their creations to destroy America<\/p>\n<\/p>\n <\/p>\n Dr Bronson creates an earthquake machine which Ratski uses to attack democratic hub Western City. Ratski then makes the bizarre decision to send his men out to loot and plunder in the chaos, which is how Shock Gibson learns the location of Ratski’s base after using the tried-and-true method of capturing a henchman and threatening to kill them unless they talk.<\/p>\n<\/p>\n <\/p>\n But even if Gibson hadn’t done so, Ratski just can’t stop signposting his location: after Prof Capchek develops an arthropod-enlarging serum Ratski just starts releasing giant beetles and flies from his front door in a way that I would call “highly visible.”<\/p>\n<\/p>\n Though Gibson does fight his way through various flies and spiders to make his way to Ratski’s mountain fastness, the Comrade’s ultimate undoing comes at the jaws of a freshly enlarged (and adorable!) cockroach with no sense of loyalty. He survives the encounter, but only with the help of a very ambitious mountain lion.<\/p>\n<\/p>\n Shock Gibson rescues Capchek and some guy we’ve never seen before, possibly the Hale man. Bronson is unaccounted for. <\/p>\n <\/p>\n Like Baron von Kampf before him, Comrade Ratski’s final appearance is in Speed Comics<\/i> 011 when the two team up in a version of the Soviet\/Nazi manouvres in Poland and Eastern Europe, though I don’t know quite enough about contemporary opinions on WWII to say if the fact that Ratski is clearly just exploiting von Kampf for cheap labour courtesy of his Zombie minions is further extrapolation of this relationship or just the writer favouring one villain over the other as the real heel.<\/p>\n <\/p>\n For an epic team-up between two men sworn to conquer and\/or destroy the United States of America, the stakes on the Ratski\/von Kampf plan are pretty minimal – essentially it’s just some run-of-the-mill piracy, only done by one-eyed green guys made of animal parts and flying a dirigible. <\/p>\n <\/p>\n <\/p>\n More than anything this issue is an exercise in making the zombies look cool while also making Shock Gibson look cool: the Zombies are parachuting! The Zombies are firing a machine gun! Shock Gibson is posing on top of a whale! Shock Gibson is protecting<\/i> the whale!<\/p>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n<\/a><\/div>\n