The Curse of Skeleton Munroe

Category: Cliff Crosby

  • MEDIA IN COMICS 011

    I’ve heard of comics in the media, but media in comics?

    Books:

    This book is only our second example of a piece of media called Crime Does Not Pay! but I am confident in predicting that that particular phrase – the regular shouting of which appears to be the major means by which people in the 1940s discouraged children from adopting a life outside the law – is going to be the one we see the most as time goes on.

    We don’t learn too much about the contents of this particular book, but it makes a decent projectile for Robin here. (Detective Comics v1 050, 1941)

    Spider Craft, on the other hand, is pretty clearly just a reference book on spiders, albeit one with a very charming name. (Detective Comics v1 057, 1941)

    Movies:

    While attending to his extremely unruly supporting cast, Captain Terry Thunder happens upon a movie improbably being shot in North Africa in 1941. This movie is unnamed, but G.G., the director, is also responsible for the film Lost Souls, about which nothing else is known. (Jungle Comics 020, 1941)

    Radio:

    Radio Quiz show How Do You Know is your place to try your luck at winning two dollars and a big double box of Kracked Korn in a knock down quiz-off against Dolliver King. (Feature Comics 034, 1940)

    If there’s one kind of radio program that comic books love the most it’s the “man on the street” style with their handy remote microphone for all your evidence-gathering or (as seen here) confession-broadcasting needs. This particular show is called Public Opinion. (Nickel Comics 004, 1940)

    Theatre:

    The Fancy Follies of 1940 is a revue-style show that is the site of the first in a series of entertainment industry murders investigated by the Flash. (Flash Comics 002, 1940)

    Billed as a musical, In the Groove is another show plagued by crime. The Purple Trio clear things up after they manage to scrape together enough dough to get inside. (Smash Comics 015, 1940)

    Thanks to the fact that they had to pose as performers to solve the In the Groove case, the Purple Trio get their own self-titled show. The Purple Trio show probably involves more than the acrobatics we see here, but that’s all that the group gets through in this issue before they realize that a) one man has bought out the entire theatre and b) he has been murdered. (Smash Comics 016, 1940)

    This backstage conversation is all we get to see of the melodrama Remote Control, which is a real shame. What does a play with that title look like in 1940? (Crack Comics 008, 1940)

    Finally we have The Totsy Revue, attended by Johnny Thunder in one of his many attempts to impress the ever-fickle Daisy Darling, thanks to a tip that the show’s headliner Hoco tThe One and Only) is passing counterfeit money as part of his act. (Flash Comics 008, 1940)

  • GENERIC COSTUMED VILLAIN ROUND-UP 004

    They’re back! They’re costumed! They’re generic!

    Shorty Jones/ Generic Mummy: 

    It’s a sad day for me but I fear I have to classify this fake mummy as a generic costumed villain, even though he has a shortsword, one of the top swords. Ultimately, he’s just a thief named Shorty Jones who robs the museum every night and even with the power of the fake mummy on his side Shorty just isn’t interesting enough to qualify as a minor super-villain. (Detective Comics v1 053, 1941)

    Gritter: 

    Doc Savage battled this guy (real name the pretty good Gritter; posing as the amazingly-named Captain Blackstone Toy) who had a very complicated plan to blackmail the US Armed Forces. Also his chief henchman was named Fuzzy. (Doc Savage Comics 004, 1941)

    Deputy Cal: 

    This lady bandit is in fact Deputy Cal of the Twin Forks Sheriff’s office. His idea to crossdress as a major part of his holdup persona totally pays off, but unfortunately for him he completely fails to disguise himself in any other way – same distinctive horse, same clothes, a very confrontational attitude to anyone looking into the holdups rather than keeping his head down – and he swiftly gets run in by the Fargo Kid. (Feature Comics 048, 1941)

    Unnamed Killer: 

    This unnamed stablehand is that most banal of killers, a jilted suitor going after the romantic rival. But he goes to such effort! It takes two tries – with a remote-controlled sailboat and a sniper rfle – to get the guy, at which point the Red Bee impersonates him and is attacked with battleaxe, scythe, pitchfork and trap door.

    Plus he dresses up as Death for one attempt! Truly this man was as close to non-generic as it’s possible to be while still being completely forgettable. (Hit Comics 014, 1941) 

  • MINOR SUPER-VILLAIN 218: THE LIGHTNING KILLER

    (Detective Comics v1 056, 1941)

    The Lightning Killer is a neat and potentially great concept that was ill-served by being featured in a 6-page middle-of-the-book strip like Cliff Crosby’s. As presented, he’s a mysterious killer who strikes only during thunderstorms and times his shots to lightning strikes so that they go unnoticed by witnesses. Unsurprisingly, he turns out to be the meteorologist Cliff consults midway through the story, as he is the only non-cop/ non-victim/ non-protagonist character featured.

    The Lightning Killer concept is cool enough that it deserves more! BRING him BACK, I say. Have the Lightning Murders play out over a year or two in the background of an ongoing, with thunderstorms being infrequent enough that he flies just under the radar but still leave an entire city on-edge! Or a recent murder could open up an investigation that reveals decades of seemingly unconnected slayings are the work of just one man! Neat stuff!

  • MINOR SUPER-VILLAIN 098: THE INVISIBLE MAN

    (Detective Comics 041, 1940)

    What makes them a super-villain? He’s an espionage guy with an invisibility formula.

    What is interesting about them? Invisible guys are often pretty dull comic book villains, but I will give the Invisible Man/ Dr Ellis this: his cover identity is as a scientist in the team that is trying to catch him, and he’s evidently arrogant enough that he actually developed a formula for a gas that would render him visible again but assumed that investigator Cliff Crosby would not have the chemical knowhow to synthesize it. He was wrong!

  • MINOR SUPER-VILLAIN 098: THE INVISIBLE MAN

    (Detective Comics 041, 1940)

    What makes them a super-villain? He’s an espionage guy with an invisibility formula.

    What is interesting about them? Invisible guys are often pretty dull comic book villains, but I will give the Invisible Man/ Dr Ellis this: his cover identity is as a scientist in the team that is trying to catch him, and he’s evidently arrogant enough that he actually developed a formula for a gas that would render him visible again but assumed that investigator Cliff Crosby would not have the chemical knowhow to synthesize it. He was wrong!

  • MINOR SUPER-VILLAIN 093: THE SKULL

    (Detective Comics 043, 1940)

    A skull-faced propagandist operating out of the Belgian Congo, presumably Nazi but it’s pre-Pearl Harbor so he works for a “hostile power” or “the dictatorships” etc.

    The really intriguing thing about the Skull is his choice of themes – rather than go with an obvious skeleton motif like your average skull-faced goon would do, he instead opted for a Medieval theme, complete with sword-wielding henchmen and a jungle castle. I would praise him for making good and interesting choices but he’s probably a Nazi, so never mind.

    RETROACTIVE ADDENDUM: got a lot of guys named the Skull coming up so I’m going to start scoring them on how appropriate their nom de crime is. This guy is obviously SKULL SCORE: 5/5

    UNPRECIDENTED SECOND ADDENDUM: I messed up! this guy is pro war but he’s just a munitions profiteer! Sorry, skull-headed creep!