The Curse of Skeleton Munroe

Category: Green Lantern

  • MEDIA IN COMICS 015

    Comics love to have media in them, and I love telling you about those media.

    Music:

    Though the radio debut Roger Midas and His Melodeers is a hopeful sign for the relationship between former absentee workaholic father and snob Harvey Midas and his progeny, one can’t help but be a little cynical about the sudden success of a rich man’s passion project. (Detective Comics v1 047, 1941)

    When I detailed the musical output of the Murder Maestro in the last Media Round-Up I somehow missed that a) “I’m Getting Up in the World” was in fact written not by the Maestro but by Johnny Quick as part of a plan to trap the villain and b) it was performed by a radio ensemble called the Bandoliers. (More Fun Comics 072, 1941)

    Newspaper Columns:

    Golden Age Marvel Comics detective Ferret writes a column called “Crime Doesn’t Pay” for the Tribune. (Marvel Mystery Comics v1 004 1940)

    Radio:

    If Lester Pry’s radio gossip column is called anything other than “Lester Pry” then we get no indication of it in this Slam Bradley story. (Detective Comics v1 051, 1941)

    “The Scarlet Terror” is our first radio show featuring a pulp-style action hero, the eponymous “red-cloaked man from the planet Jupiter!” Sounds like a hoot. (Hit Comics 010, 1941)

    “The Happy Hour” features live music to delight all (but bemuse the Shining Knight). Just why the singer is dressed in a “hack comedian” outfit is unexplained but probably would have made sense to someone from the 1940s. Featuring the real-life novelty hit “the Hut-Sut Song.” (Adventure Comics 069, 1941)

    I assume that “Uncle Dan’s Kiddie Hour” is more than just a venue for sending messages to specific children over the airwaves, but that’s the part of the broadcast that we get to see as it is used by Spy Smasher as a semi-secure channel to convey information to Eve and Admiral Corby. (Whiz Comics 024, 1941)

    Alan “Green Lantern” Scott moves from radio engineer to radio presenter after his boss notices his pleasant voice and sticks him on “Man on the Street” duty. (Green Lantern v1 002, 1941)

    Further Apex Broadcasting System programming includes “What’s Your Trouble?” which involves a jury of smug-looking experts giving advice to those with problems (explained in All-American Comics 030 and then actually seen in action in Green Lantern v1 002, 1941)

    Apex also broadcasts “You the Public,” a forum for community members to tell their own stories, though only those stories that involve absolutely no controversy, as illustrated here by the unnamed Apex head choosing to let a huge slave ring go uncommented-upon rather than invite a bit of legal trouble. (All-American Comics 024, 1941)

    “You the Public” returns in All-American Comics 033 as the venue for a discussion of an ongoing conflict between unionizing cab drivers and the mob.

  • MEDIA IN COMICS 012

    It’s a very literary day here in Media in Comics Land.

    Books:

    There are many potential reasons to get into super-science and super-crime, but “reading a get-rich-quick scheme in a book” is one of the better ones, as demonstrated by Wizard Wells foe Mota here and his copy of Cash in Chemistry. (Crack Comics 010, 1941) 

    Crime in the Afternoon (A J.J. van Snyde Detective Novel), enjoyed here by Nickolas, henchman to Black Condor foe the Sophisticated Lady. (Crack Comics 010, 1941)

    This book, The Ritual, has the cover of a murder mystery or other popular bit of fiction, but seeing as the man reading it is a fanatical leopard-worshipper we must allow for it being something a bit more sinister, such as instructions of conducting a human sacrifice. (Jungle Comics 020, 1941)

    As covered in the Bram Thirla entry, Billy Batson learns about the dos and don’ts of vampire hunting from a book called The Vampire Legend, written by HP Lovecraft. A different Lovecraft, perhaps, or did the regular one go in for a bit more of a reference works-based career in the Fawcett Reality? (Captain Marvel Adventures 001, 1941)

    This particular comic adventure involves Darrell “Doll Man” Dane taking exception with the fact that some roughneck are using his local library. While I must decry the classism on display here, I must also begrudgingly acknowledge that Doll Man was right: these guys were learning for all the wrong reasons, specifically as part of a school of crime that the diminutive super-hero later breaks up. 

    Titles on display include: The Art of Murder, Famous Crimes, How to Win Friends, Jiu-Jitsu, Right and Wrong and The Way of All Flesh. (Feature Comics 047, 1941)

    Comics:

     

    Golden Age comics companies loved to depict their characters reading their own comics, which is why it is not at all unusual that Doiby Dickles here is reading a copy of Flash Comics in an issue of All-American. What is unusual is that rather than describing one of the actual features in Flash, Doiby has apparently been reading some alternate version of the book that exists in the DCU and involves a character named “Colosso.” (All-American Comics 032, 1941)

    Magazines:

    Though modern depictions of the original Dr Mid-Nite tend to categorize him as a crime novelist, his original job post-blindness was in writing for the crime pulps, and more precisely for Crime and Detective Tales. (All-American Comics 025, 1941)

    Freedom Magazine is one of those patriotically-named publications that any good citizen of the 21st Century must immediately suspect of being a cynical way to whitewash fascism, but no, this one seems to be on the up-and-up. They give Les Watts, Radio Amateur a prize for being a cool teen!. (Flash Comics 023, 1941)

    Peep Magazine, on the other hand, is merely concerned with the news, and is willing to help out patriotic hero Don Glory to get it. (Hit Comics 011, 1941)

    It’s possible that Scoop Magazine is entertainment-focused, as they send a photographer to cover this publicity-stunt party in support of a play by a new writer. A party that inspires the Masked Man’s murder spree! (Batman Comics 008, 1941)

    Movie Mag and Screen Stars are just two of the publications covering the meteoric rise of movie star Portia Storme, aka Julie Madison, the former fiance of Bruce Wayne. (Detective Comics 049, 1941)

  • MEDIA IN COMICS 012

    It’s a very literary day here in Media in Comics Land.

    Books:

    There are many potential reasons to get into super-science and super-crime, but “reading a get-rich-quick scheme in a book” is one of the better ones, as demonstrated by Wizard Wells foe Mota here and his copy of Cash in Chemistry. (Crack Comics 010, 1941) 

    Crime in the Afternoon (A J.J. van Snyde Detective Novel), enjoyed here by Nickolas, henchman to Black Condor foe the Sophisticated Lady. (Crack Comics 010, 1941)

    This book, The Ritual, has the cover of a murder mystery or other popular bit of fiction, but seeing as the man reading it is a fanatical leopard-worshipper we must allow for it being something a bit more sinister, such as instructions of conducting a human sacrifice. (Jungle Comics 020, 1941)

    As covered in the Bram Thirla entry, Billy Batson learns about the dos and don’ts of vampire hunting from a book called The Vampire Legend, written by HP Lovecraft. A different Lovecraft, perhaps, or did the regular one go in for a bit more of a reference works-based career in the Fawcett Reality? (Captain Marvel Adventures 001, 1941)

    This particular comic adventure involves Darrell “Doll Man” Dane taking exception with the fact that some roughneck are using his local library. While I must decry the classism on display here, I must also begrudgingly acknowledge that Doll Man was right: these guys were learning for all the wrong reasons, specifically as part of a school of crime that the diminutive super-hero later breaks up. 

    Titles on display include: The Art of Murder, Famous Crimes, How to Win Friends, Jiu-Jitsu, Right and Wrong and The Way of All Flesh. (Feature Comics 047, 1941)

    Comics:

     

    Golden Age comics companies loved to depict their characters reading their own comics, which is why it is not at all unusual that Doiby Dickles here is reading a copy of Flash Comics in an issue of All-American. What is unusual is that rather than describing one of the actual features in Flash, Doiby has apparently been reading some alternate version of the book that exists in the DCU and involves a character named “Colosso.” (All-American Comics 032, 1941)

    Magazines:

    Though modern depictions of the original Dr Mid-Nite tend to categorize him as a crime novelist, his original job post-blindness was in writing for the crime pulps, and more precisely for Crime and Detective Tales. (All-American Comics 025, 1941)

    Freedom Magazine is one of those patriotically-named publications that any good citizen of the 21st Century must immediately suspect of being a cynical way to whitewash fascism, but no, this one seems to be on the up-and-up. They give Les Watts, Radio Amateur a prize for being a cool teen!. (Flash Comics 023, 1941)

    Peep Magazine, on the other hand, is merely concerned with the news, and is willing to help out patriotic hero Don Glory to get it. (Hit Comics 011, 1941)

    It’s possible that Scoop Magazine is entertainment-focused, as they send a photographer to cover this publicity-stunt party in support of a play by a new writer. A party that inspires the Masked Man’s murder spree! (Batman Comics 008, 1941)

    Movie Mag and Screen Stars are just two of the publications covering the meteoric rise of movie star Portia Storme, aka Julie Madison, the former fiance of Bruce Wayne. (Detective Comics 049, 1941)

  • MEDIA IN COMICS 010

    Is the media in comics any good, do you think? Do super-heroes get to watch good movies?

    Movies:

    Arizona Nights is a Western being produced by King Studios when a climactic gunfight scene is used as cover for a real-life murder. Detective Sergeant Carey clears up the mystery (it was the cameraman) but we never learn if the footage of a man dying in real life was used for the added verisimilitude. (More Fun Comics 052, 1940)

    Call of the North, a Mounted Police picture by Pioneer Films, is not marred by murder, but if the Quality Universe IMDb userbase is on the ball the trivia section for the movie includes the fact that several of the mountie actors were used as backup by RCMP Sergeant Reynolds in the apprehension of a kidnapper. (Feature Comics 037, 1940)

    Dread Castle has a place in comic book history as the film that drove Basil Karlo over the edge and into the persona of Clayface, as he saw the attempt to remake a movie that he saw as one of his greatest roles as an insult to him personally. Both Dread Castles are medieval films about a murderous hunchback called the Terror – not a terribly exciting prospect without the excitement of all the real-life murder that went on during production of the second one. (Detective Comics v1 040, 1940)

    The other Basil Karlo role that we learn about in his initial appearance is the one that he takes his criminal moniker and appearance from, a movie seemingly also called Clayface. (Detective Comics v1 040, 1940)

    Music:

    Is “Star Dust” Clark Kent’s favourite song as he claims it is while big-dogging this club maître d’? I sure hope so. No idea what kind of song it is, but you can slow dance to it. (Superman Comics v1 007, 1940)

    Newspaper Columns:

    “Town Talk” is the kind of snotty gossip column that inspired a thousand murder mystery plots. In this case, columnist Walt Willard turns up dead and Steel Sterling has to comb through the wealth of suspects to figure out whodunnit. (Jackpot Comics 004, 1941)

    “Around the Town with Joe E. Brown” is your standard gossip column-as-exposition-vector, though why the writer has the same name as an old-time film comedian is unknown to me. (Special Edition Comics 001, 1940)

    Paul Pryer, writer of the imaginatively-titled “Paul Pryer’s Column” is one of those comic book celebrities who I am certain is based on a real person, but whether it’s just someone like Walt Winchell or there’s a Paul Prowler out there just waiting for me to learn about him is up to chance. (All-Star Comics 003, 1940) 

    Meanwhile: “Society,” the most pragmatically-named society column of all time. (Batman Comics v1 001, 1940)

    We don’t get to actually see “Tom Peeping’s Column” in this Minute Movies strip, but I like to imagine that it features a cheeky little cartoon of the writer with big binoculars at the top. (Flash Comics 004, 1940)

    Newsreels:

    I don’t know enough about newsreels to know if they normally had titles, but the Ace Films company is trying to capitalize on their beautiful camerawoman “Dot Daring,” aka Beautia Sivana and so chooses to call this one Flirting with Death. (Whiz Comics 010, 1940)

  • CATALOGUE OF WOUNDS 003

    It’s a dangerous ol’ job, heroing. Thus, the Catalogue of Wounds!

    Green Lantern:

    While tied up in a burning house, Green Lantern must thrust his hands into the flames to escape. (All American Comics 031, 1941)

    Hawkgirl: 

    Hawkgirl is shot in the back by an agent of Mister X while acting as a Hawkman decoy on her very first outing in costume (All-Star Comics 005, 1941)

    Hawkman:

    Shot in the left shoulder by Alexander the Great. (Flash Comics 002, 1940)

    Shot in – I think – the left shoulder again while working on the case of the Hand. (Flash Comics 015, 1941) 

    Shot in the right shoulder for a change, as Carter Hall. (Flash Comics 019, 1941) 

    Perhaps Hawkman preferentially takes bullets to the left shoulder because he took an arrow there during his original incarnation as Prince Khufu. (Flash Comics 001, 1940)  

    Speaking of Prince Khufu, he (along Princess Shiera, off-panel) is famously stabbed by the evil Hath-Set. Hey, a fatal wound is still a wound. (Flash Comics 001, 1940)

    the Human Torch:

    During one of the periods in which the Human Torch is being hunted by the law, he takes a police slug to his right arm. (Marvel Mystery Comics v1 011, 1940)

    the King: 

    Gets his scalp creased by a bullet. (Flash Comics 003, 1940)

    And again a year later. (Flash Comics 016, 1941)

    Aquatic toughie the Scarlet Mermaid gives the King a fashionable bullet wound in the left shoulder while making her escape. (Flash Comics 019, 1941)

    the Pied Piper: 

    Shot in the right arm while wrasslin’ with the Black Panther’s panther. (Cat-Man Comics 004, 1941)

  • MINOR SUPER-VILLAIN 255: BALDY

    (Green Lantern v1 002, 1941)

    What can I say about Baldy? To start: he’s not really a bald guy, but a guy in a bald cap. That’s about as clever as he gets, if I’m honest.

    Okay, that might be a bit mean, but Baldy tries my patience. After seeing so many good villain ideas wasted on six-page nothing-stories over and over, it’s kind of galling for Baldy here to get a whole book-length tale of his own. 

    Baldy is the crooked vice-president of a mortgage company who uses various strongarm tactics to enrich the company and himself. That’s it, barring a couple of colourful Italian stereotypes and a subplot about depressed lawyers. There’s lots of gunplay and Doiby Dickles bopping guys on the head but ultimately it all comes down to mortgages.

    I do appreciate the self-seriousness of a guy with such a goofy nom de crime but it doesn’t make up for anything, Baldy.

  • MINOR SUPER-VILLAIN 148: THE SPIDER

    (All American 028, 1941)

    Just a weird little creep with a drug that can mind control someone and then kill them. The Spider hits on a scheme where he is paid by ne’er-do-wells to have their rich relatives write them back into their wills and then mysteriously keel over – and he would have gotten away with it, too, if it weren’t for Green Lantern and his pesky pals.

  • MINOR SUPER-VILLAIN 148: THE SPIDER

    (All American 028, 1941)

    Just a weird little creep with a drug that can mind control someone and then kill them. The Spider hits on a scheme where he is paid by ne’er-do-wells to have their rich relatives write them back into their wills and then mysteriously keel over – and he would have gotten away with it, too, if it weren’t for Green Lantern and his pesky pals.

  • MINOR SUPER-VILLAIN 147: THE LEADER

    (All American Comics 025, 1941)

    A masked man running a gang of saboteurs to ruin production of war goods as a US steel plant in the name of a vague Cause – at this time most likely fascism – is pretty run-of-the-mill for 1941, but it turns out that the Leader’s real scheme is to drive down the steel mill’s stock price so that he can gain a controlling interest and make big bucks! He’s just duping the fascists-or-maybe-anarchists-or-communists into doing his bidding! The real villain was capitalism all along!

    Sadly for the Leader, his tale of villainy ends like so many that take place in steel mills: with him plummeting into an open vat of molten metal.