The Curse of Skeleton Munroe

Category: henchman

  • MINOR SUPER-VILLAIN 746: THE LUMINOUS EYES

    MINOR SUPER-VILLAIN 746: THE LUMINOUS EYES

    (Smash Comics 011, 1940)

    London is in the grip of terror! An ominous figure with huge glowing eyes is terrifying/attacking people in the streets and in their homes! The city is in an uproar – where could the Luminous Eyes strike next? And to make the whole situation even more confusing, the only purpose of these attacks appears to be the theft of various common items, all green.

    When there’s trouble in this particular fictional version of London, Captain Cook of Scotland Yard is the one to call, and indeed he almost corners the Luminous Eyes on his first attempt, only to lose his own green hat (and also attempt to shoot a fleeing criminal in the back, I might add). Still, this represents progress.

    Through some wild deduction that we are not really privy to, Cook arrives at the conclusion that all of this theft-of-ggreen has been preparation for an attempt to steal the Royal Crown Emeralds (not actually a part of the Crown Jewels of the United Kingdom, I checked) from the Tower of London. Further, he has deduced that the Luminous Eyes is not a man at all! Instead, he has been matching wits with an East Indian Panola (a fictional type of chimpanzee, I checked) with surgically-implanted owl’s eyes, and that the prior thefts were all part of an elaborate training regimen by the creature’s creator.

    And speaking of that creator, this is what I was talking about yesterday in the Bat entry! Is training a surgically-modified chimpanzee to steal green objects as part of an attempt to steal an emerald crown a reasonable thing to do? Of course not, unless you’re in a comic book universe. In a comic book universe, such a plan has a reasonable chance of working, and even if it doesn’t you’re only down a chimp. And an owl, I suppose. Heck, the creator of the Luminous Eyes even gets away with it!

    (it turns out that this is the 1000th post that I’ve made on this blog, and unlike many of the other Milestone Posts, this one falls on a character that I actually have a lot of affection for! Here’s to the nxt thousand!)

  • MINOR SUPER-VILLAIN 746: THE LUMINOUS EYES

    (Smash Comics 011, 1940)

    London is in the grip of terror! An ominous figure with huge glowing eyes is terrifying/attacking people in the streets and in their homes! The city is in an uproar – where could the Luminous Eyes strike next? And to make the whole situation even more confusing, the only purpose of these attacks appears to be the theft of various common items, all green.

    When there’s trouble in this particular fictional version of London, Captain Cook of Scotland Yard is the one to call, and indeed he almost corners the Luminous Eyes on his first attempt, only to lose his own green hat (and also attempt to shoot a fleeing criminal in the back, I might add). Still, this represents progress.

    Through some wild deduction that we are not really privy to, Cook arrives at the conclusion that all of this theft-of-ggreen has been preparation for an attempt to steal the Royal Crown Emeralds (not actually a part of the Crown Jewels of the United Kingdom, I checked) from the Tower of London. Further, he has deduced that the Luminous Eyes is not a man at all! Instead, he has been matching wits with an East Indian Panola (a fictional type of chimpanzee, I checked) with surgically-implanted owl’s eyes, and that the prior thefts were all part of an elaborate training regimen by the creature’s creator.

    And speaking of that creator, this is what I was talking about yesterday in the Bat entry! Is training a surgically-modified chimpanzee to steal green objects as part of an attempt to steal an emerald crown a reasonable thing to do? Of course not, unless you’re in a comic book universe. In a comic book universe, such a plan has a reasonable chance of working, and even if it doesn’t you’re only down a chimp. And an owl, I suppose. Heck, the creator of the Luminous Eyes even gets away with it!

    (it turns out that this is the 1000th post that I’ve made on this blog, and unlike many of the other Milestone Posts, this one falls on a character that I actually have a lot of affection for! Here’s to the nxt thousand!)

  • MINOR SUPER-VILLAIN 733: THE PANTHER

    MINOR SUPER-VILLAIN 733: THE PANTHER

    (Silver Streak Comics 004, 1940)

    The Panther! A murderous thief with a very cool look and a vicious set of claws! Well, okay, he does compliment his cool panther mask, panther paw gloves and shoes and pantherskin shirt with a pair of brown slacks so I’ll amend that to a mostly cool look. 

    Moderately cool looking or not, the Panther has been doing his crimes in the nonspecific New York-esque city that Ace Powers calls home and so Ace is on the case!

    And Ace Powers turns out to be the guy for the job, because he immediately figures out the Panther is in fact an unnamed asylum escapee who went mad after his face was mangled in a car accident. What he fails to intuit, to his detriment, is that the panther mask isn’t just for show but is armour plated – in his surprised state after his best haymaker fails to make an impact, Powers is nearly slashed to death by the Panther’s also-functional claws. 

    The Panther’s reign of terror comes to an end when, after a rooftop chase across a flaming building, he proves that armour plating is not a good protection against fall damage by landing square on his armoured face and instantly dying.

    What’s this? Could it be that all of that “armour can’t protect you from a fall” talk was mere propaganda courtesy of Big Parachute? Evidently so, because in the next issue of Silver Streak Comics the Panther turns out to be Just Fine. Better, even, because he demonstrates some pretty advanced super-villain thinking by setting out to avoid the mistakes of the past by recruiting some manpower (fellow inmates at the same asylum he had previously escaped from) for backup the next time he had to face Ace Powers.

    The Panther Men (as they are called) are a terrific addition to the Panther’s operation. First of all, I love any group of henchmen who are dressed in a junior version of their boss’ outfit, though the colourist has obfuscated the fact that that is the case here by rendering what is pretty clearly still their inmates’ uniforms as a golden brown. More importantly, the Panther’s somewhat-goofy open-mouthed mask looks fantastic when quadrupled – just look at that panel where they’re all sneaking up on Ace Powers yet perfectly farmed in a mirror for proof.

    The Panther Men prove to be effective backup for the Panther (aka the Panther Man at this point) – they capture Ace Powers and take him back to their weird little shed HQ to dispose of him, and he only manages to escape being buried alive by surprising the lot of them and knocking them into his would-be grave.

    But the saga of the Panther is not quite over yet! When the police dig up the crooks (did I mention that the shed had collapsed on top of the hole after the various Panther Men had fallen in it? be cause it had) in Silver Streak Comics 006, they find only the bodies of the three Panther Men, with no sign of the Panther himself.

    Examining the hole, Powers discovers a secret door that leads to the underground lair of future subject the Spook, who turns out to be the Panther’s boss, which I suppose makes the Panther Men some sort of subcontractors? This is very fun! While having the villain turn out to be working for an even greater villain isn’t a guaranteed win as far as plot twists go, it works here, even if it was clearly 100% made up when *checks credits* Harry Anderson sat down to draw this comic. 

    This is, alas, the end for the poor Panther, as the Spook is one of those terrible super-villain bosses who murder their employees for failing them, in this case for not managing to kill Ace Powers. The Panther meets his end at the blades of a triple swinging pendulum deathtrap, and although that’s not a particularly rare style of comic book murder machine this might just be the first time I’ve seen one take someone out, so that’s a final achievement for out boy.

  • MINOR SUPER-VILLAIN 689: THE MAN-MONSTER OF LONDON

    (Pep Comics 005, 1940) 

    The Man-Monster of London, aka Monk, doesn’t actually play that big a part in the plot of this Bentley of Scotland Yard story. I mean, he’s in a lot of it, but he doesn’t have a lot of volition of his own. In brief, the Rajah of Inrak (which is probably meant to be an Indian province or kingdom and not a whole country of its own) is in London to discuss some sort of treaty with the government of the UK and a fellow named Remek has been hired to prevent this meeting from taking place and the Man-Monster works for him. He’s very much the most spectacular part of the whole affair but he’s not really driving the action.

    The Man-Monster and Remek both end up being gunned down in self defense by Inspector Bentley and it’s honestly more sad than anything else – we never really get any idea of what Monk is exactly (some sort of mutant? a member of some isolated community of superhumans? just a big strong guy dyed green?), but whatever he is he clearly cares for Remek and doesn’t seem like he really chose to be a superhuman goon.

    ADDENDUM: If you bothered to read that text panel above you might have noticed that one of the potential suspects was the Prime Minister, as in the Prime Minister of England, who I assume was included purely because they were short on named characters for the suspect list this issue. This is him: not precisely Sir Neville Chamberlain (who would’ve just resigned as this issue was being put together) but close enough.

  • MINOR SUPER-VILLAIN 649: THE MONSTER

    (Funny Pages v4 008, 1940)

    Betty Thomas is the recipient of the sort of inheritance that seems to be aimed at causing trouble: her uncle Henry has left her a fortune, provided that she is of sound mind thirty days after the will reading. If she isn’t, the money goes to a secondary inheritor. This is of course the cue for someone to employ a huge hook-handed goon and start a nightly campaign of terror designed to drive her out of her gourd, and the entire rest of the Thomas clan are suspects! Is it sarcastic bad boy Bob Thomas? Crime novelist George Thomas? The sinister unnamed housekeeper? Surely it couldn’t be the saintly Dr Freman Thomas?

    It is of course the saintly Dr Freman Thomas, who like his employee the Monster learns the hard way that the Arrow doesn’t cotton to gaslighting in his New York.

  • MINOR SUPER-VILLAIN 649: THE MONSTER

    (Funny Pages v4 008, 1940)

    Betty Thomas is the recipient of the sort of inheritance that seems to be aimed at causing trouble: her uncle Henry has left her a fortune, provided that she is of sound mind thirty days after the will reading. If she isn’t, the money goes to a secondary inheritor. This is of course the cue for someone to employ a huge hook-handed goon and start a nightly campaign of terror designed to drive her out of her gourd, and the entire rest of the Thomas clan are suspects! Is it sarcastic bad boy Bob Thomas? Crime novelist George Thomas? The sinister unnamed housekeeper? Surely it couldn’t be the saintly Dr Freman Thomas?

    It is of course the saintly Dr Freman Thomas, who like his employee the Monster learns the hard way that the Arrow doesn’t cotton to gaslighting in his New York.

  • MINOR SUPER-VILLAIN 564: THE GHOST OF WINTER RANCH

    MINOR SUPER-VILLAIN 564: THE GHOST OF WINTER RANCH

    (The Funnies 030, 1939)

    This fellow is from a story starring Gene Autry, singing cowboy. It’s printed in a comic put out by Dell that mostly features reprints of comic strips and that’s probably what this is? Even though online sources suggest that the first Gene Autry comic strip started in 1940 and this came out in 1939? Ultimately, these are mere details. The important fact is that this is my most favourite style of putting a film cowboy actor in an adventure comic: the real Gene Autry is just riding around in the Western US – Montana, in this case – with some sixguns and a guitar, having adventures but also doing all of the singing and movies that are his bread and butter. It’s somehow slightly less plausible than when they just drop Tom Mix or Buck Jones into the Old West with no justification but the weirdness makes it fun.

    As for the comic itself, we find one “Rowel” Collins (I had to look this one up – a rowel is the pointy wheely bit on a spur, so this is just a more Western version of calling someone Spike) who has just discovered that the mine full of useless ore that he sold as part of his former ranch is in fact a mine full of extremely valuable pitchblende and since Rowel Collins is a dastardly character (just look at his evil mustache!) he vows to get the money that the mine is worth by hook or by crook.

    Lucky for Rowel, there are a lot of local superstitions for him to take advantage of: the ranch is situated on a piece of land called the Devil’s Ironing Board; the pitchblende is in the Devil’s Cave and crucially the ranch is supposed to be haunted (by a cow leg-stealing ghost?). Rowel immediately heads to a nearby shack to activate his old crony Smoky Plants.

    Smoky, as the glowing Ghost of Winter Ranch, only really takes one pass at scaring off ranch owners Dan and Peg Winters and since they have the moral support of Gene “ain’t scared of no ghosts” Autry Rowel has to resort to gunplay and kidnapping to force the sale.

    Rowel and Smoky almost get away with it, in fact, but it turns out that hatching a scheme to sell a mine full of radioactive ore and knowing anything about radiation are two different things and they both end up dropping dead of radiation poising due to the radium they used to make the Ghost’s glowing robes. It’s terrible, terrible poetic justice.

  • MINOR SUPER-VILLAIN 564: THE GHOST OF WINTER RANCH

    (The Funnies 030, 1939)

    This fellow is from a story starring Gene Autry, singing cowboy. It’s printed in a comic put out by Dell that mostly features reprints of comic strips and that’s probably what this is? Even though online sources suggest that the first Gene Autry comic strip started in 1940 and this came out in 1939? Ultimately, these are mere details. The important fact is that this is my most favourite style of putting a film cowboy actor in an adventure comic: the real Gene Autry is just riding around in the Western US – Montana, in this case – with some sixguns and a guitar, having adventures but also doing all of the singing and movies that are his bread and butter. It’s somehow slightly less plausible than when they just drop Tom Mix or Buck Jones into the Old West with no justification but the weirdness makes it fun.

    As for the comic itself, we find one “Rowel” Collins (I had to look this one up – a rowel is the pointy wheely bit on a spur, so this is just a more Western version of calling someone Spike) who has just discovered that the mine full of useless ore that he sold as part of his former ranch is in fact a mine full of extremely valuable pitchblende and since Rowel Collins is a dastardly character (just look at his evil mustache!) he vows to get the money that the mine is worth by hook or by crook.

    Lucky for Rowel, there are a lot of local superstitions for him to take advantage of: the ranch is situated on a piece of land called the Devil’s Ironing Board; the pitchblende is in the Devil’s Cave and crucially the ranch is supposed to be haunted (by a cow leg-stealing ghost?). Rowel immediately heads to a nearby shack to activate his old crony Smoky Plants.

    Smoky, as the glowing Ghost of Winter Ranch, only really takes one pass at scaring off ranch owners Dan and Peg Winters and since they have the moral support of Gene “ain’t scared of no ghosts” Autry Rowel has to resort to gunplay and kidnapping to force the sale.

    Rowel and Smoky almost get away with it, in fact, but it turns out that hatching a scheme to sell a mine full of radioactive ore and knowing anything about radiation are two different things and they both end up dropping dead of radiation poising due to the radium they used to make the Ghost’s glowing robes. It’s terrible, terrible poetic justice.

  • MINOR SUPER-VILLAIN 562: THE HARBINGERS OF DEATH

    (Wonderworld Comics 008, 1939)

    As part of Yarko the Great’s second encounter with Death, he and the hapless Madame Punai journeyed to a sort of pastiche underworld (e.g., their journey took them through the Biblical Valley of Death but also involved this unnamed boatman ferrying them across the River Styx). And as with any good underworld pastiche there are some allegorical foes to get past before their goal is reached – the Harbingers of Death!

    Like I said, these guys are allegorical demon guardians, so there isn’t much more to them than the expression of their allegory. First Pain, aka Burning Pain, appears to crush Yarko to his burning body. Good allegory! Pain can overwhelm you – though in a more in-depth work perhaps Yarko would be left with a burn or other lingering reminder of this battle rather than walking away unscathed after hurling pain into the abyss.

    Fear appears next, and I really appreciate that he himself is a fearful creature rather than the more common monstrous fear-beasts that inflict fear by being big and spiky. Like Pain, Fear cannot stand up to Yarko’s overwhelming machismo and slinks back into the shadows from whence it came.

    Finally, Horror is a master of the jump scare and as someone who is particularly vulnerable to that tool of the filmmaker’s art I really appreciate seeing him (them?) be flung off a cliff, probably not to their doom due to being a demon but at the very least to their major inconvenience.

    And there you have it: three lil’ henchmen, three anthropomorphic personifications, three notches in Yarko the Great’s belt.

  • MINOR SUPER-VILLAIN 557: DEATH

    (Wonderworld Comics 003, 1939)

    Like I said in the Devil’s entry yesterday: Death and the Devil have teamed up as a sort of Yarko the Great Revenge Squad because Yarko saves so many live and souls, respectively. I also mentioned that Death did all of the legwork toward getting Yarko just where they wanted him, and here that is: Death kills a seemingly random London man then delivers him to the police, leaving only a calling card behind.

    The discovery that the calling card’s address was that of a cemetery is enough to convince Inspector Drake of Scotland Yard that this is a case for Yarko the Great, and… obviously Drake is right because even the most well-trained officer is going to have a hard time dealing with Death himself, but have some gumption, man. Try to track down where the card was printed or something before abdicating all responsibility.

    Yarko makes his way to Death and the Devil’s Limehouse lair, where he is promptly captured, put in a deathtrap, escapes and banishes the Devil back to the netherworld. Death takes more of a background role in this latter part of the adventure, but that’s okay because he looks great – mostly quite cool but a bit sleazy too, because this ain’t your regular Death, this is Bad Boy Death.

    In the end, the Devil having been vanquished, Death just leaves. Yarko can’t actually affect him, and there’s even some hinting that the man in the car was not killed so much as dies naturally and was just used as bait, which implies that Death has no way of affecting someone who isn’t about to die anyway. He does kill a reluctant henchman who refuses to go up against Yarko, but maybe he was about to die too – working for the Devil has to be a dangerous profession, right?

    Death returns in Wonderworld Comics 008 after a Madame Punjai finds the creatively-named Golden Amulet, which compels his service. Punjai is obsessed with her lost youth and beauty and because of this commands Death to kill the young and beautiful Carla Dennis, a former passing acquaintance. This is done seemingly on a whim? There’s no real exploration of Madame Punjai’s plans, whether toward regaining her lost youth or revenging herself on the beautiful women of the world.

    Yarko the Great of course becomes involved in these shenanigans and the more-hapless-than-evil Madame Punjai is tricked into trading her life for that of Carla’s. Death is again cheesed off about this. BUT WHY IS HE? He’s going to get basically everyone eventually, even in a comic book world with immortals and so forth. Why care? Is this a Discworld style Death who gets into human roles like hobbies? Maybe.