The Curse of Skeleton Munroe

Category: Cyclone

  • MINOR SUPER-HERO ROUND-UP 061

    Superfolk galore! 

    the Buzzard: 

    In an unnamed New-York-alike city, the gadgeteering mayor equips a young man with a suite of devices to help him engage in a vigilante crusade against crime. Chief among these gadgets is a gas that makes whomever it touches resemble a balding, big-nosed man in thick glasses and a tailcoat – the perfect disguise! Armed with this gas, plus some clawed gloves and a heat ray, the Buzzard begins tearing his way through the city’s underworld. 

    The gas also seems to allow the Buzzard to make his shadow resemble his namesake bird, an ability that is very useful for vexing the city’s Buzzard-hating police chief who, it turns out, is also the father of the Buzzard’s secret identity. 

    I unironically love the Buzzard and his whole weird setup, and while I find most modern revivals of public domain Golden Age characters to be a pretty mixed bag, I’m pretty bummed that none of them have elevated him out of his single issue obscurity – he’s got a real weirdo charm that the fiftieth version of the Nedor characters can’t approach. (Wham Comics 002, 1940) 

    the Cyclone: 

    The Cyclone is really Peter Grant, a young man who has a fairly unique version of the Batman origin, which of course is when a tragedy inspires an obsessive dedication to training and working toward some related goal, i.e., in Batman’s case the murder of his parents inspiring his eternal war against crime. The real twist in the Cyclone’s case seems to be the total absence of a motivation: Grant just woke up one day and decided to turn his body into a living weapon to aim at evil.

    The Cyclone is presented as being a regular human and so I had been assuming that the whirlwind patterns around his lower body when he jumps around were a stylistic choice meant to represent his fantastic leaping ability. They really are some enormous jumps, however, so it’s also possible that the Cyclone is meant to have some sort of wind-assisted jumping power. He only had three adventures, alas, so we shall never know. (Whirlwind Comics 001, 1940)

    Ibis the Invincible: 

    Ibis the Invincible, aka Prince Amentep, is a 12th Dynasty Egyptian who just kind of spontaneously comes back to life after 4000 years as a mummy. Why? Well, it’s not spelled out until the 1942 Ibis the Invincible series, but spoilers: his true love had been shot with an arrow that put her to sleep for those four millennia and he put himself in a magical sleep of his own in order to be with her again. 

    Ibis achieves this state of mystic sleep with the aid of the Ibistick, a magical wand capable of very nearly anything. Much like his fellow Golden Age magical super-heroes, Ibis’ near-omnipotence can occasionally seem plot-obliteratingly powerful. 

    The key difference between Ibis and his contemporaries, however, is that the Ibistick is a small object that is constantly being lost or stolen. Further, it requires absolutely no special knowledge to be used and can be operated by both children and animals with ease. More than a few of Ibis’ greatest foes (e.g., the Hobo-Millionaire) are simply regular humans armed with his own magic wand. The caveat to all this is the fact that the Ibistick will never harm its true owner, and will in fact inflict any baleful magic cast from it at him back on its wielder. This means that Ibis is able to defeat an evil wielder of the Ibistick by merely being annoying enough that they try to turn him into a toad or gold or ice or on on memorable occasion to mind control Taia into stabbing him to death and then wait for it to backfire on them. (Whiz Comics 002, 1940)

    UPDATE 1941 

    Taia: 

    Taia is the 4000-year-sleeping love for whom Ibis the Invincible made his way to the future. After a bit of moping around the globe he manages to track down her mummy and revive her, upon which they kind of implicitly are a married couple. While I very much enjoy Taia and the dynamic she has with Ibis, she does get a pretty raw deal – being your own husband’s de facto sidekick is bad enough, but Taia very rarely gets to be anything more than a kidnap victim/bargaining chip. The few modern versions of Ibis the Invincible try to do more with her, but they still don’t do much.

    Taia is said to be cousin to “Senwosri III” who is probably meant to be Pharaoh Senusret III, given that Taia and Ibis are said to be from the 12th Dynasty. So that’s something. (Whiz Comics 002, 1940)

     

  • NOTES – JANUARY 2025

    Heaven help me, I looked forward to the 1950s issues of Planet Comics to see what the Gale Allen feature ended up like and boy oh boy do I regret it. It’s one thing to only read comics from 1940, but seeing the improvements to the form after a decade or so makes it hard to go back. But I must soldier on!

    Happy New Year!

    Infographics:

    A conceptual drawing of a spaceship and some speculative facts about space travel c.1940 (Planet Comics 009, 1940)

    Ephemera:

    This is a bit out of order seeing as I have a two week or so buffer of posts most of the time and I write the Notes bits as they occur to me, but a real theme that has emerged as I’ve read the 1940 issues of Planet Comics has been that Fiction house was just repurposing whole stories left and right, including ones that were written and drawn for characters from other comic book companies. To be clear, I don’t think that this was a shady business practice or anything, just that the industry was still new and that almost every book was an anthology title that features were being shuffled in and out of constantly – it’s no wonder that artists were left with finished stories that were no longer wanted from time to time – why not just slap a new name on the hero and publish it?

    With that in mind, I am 100% confident in saying that this first Crash Parker story started life as a Cyclone story over at Quality Comics – the setup of colonizing a new planet after a space race and even the look of the evil Martian king are dead giveaways. Good news for fans of Cyclone, the character who appeared in 4 comics in 1940, I guess. (Planet Comics 009, 1940)

    Honours:

    American pilot Ted O’Neil is given an unspecified medal for bringing down an Axis superweapon. (Prize Comics 004, 1940)

    Names:

    The third case tackled by Fox Features mid tier hero the Eagle is catching a gang of pickpockets, and that gang’s lead is named Ben Dread, which I think is unnecessarily cool. Save the good names for more interesting criminals, I say. (Science Comics 003, 1940) 

    Drawn Without Reference:

    This might just be the bold new look the narwhal have been looking for. (Science Comics 008, 1940)

  • NOTES – JANUARY 2025

    Heaven help me, I looked forward to the 1950s issues of Planet Comics to see what the Gale Allen feature ended up like and boy oh boy do I regret it. It’s one thing to only read comics from 1940, but seeing the improvements to the form after a decade or so makes it hard to go back. But I must soldier on!

    Happy New Year!

    Infographics:

    A conceptual drawing of a spaceship and some speculative facts about space travel c.1940 (Planet Comics 009, 1940)

    Ephemera:

    This is a bit out of order seeing as I have a two week or so buffer of posts most of the time and I write the Notes bits as they occur to me, but a real theme that has emerged as I’ve read the 1940 issues of Planet Comics has been that Fiction house was just repurposing whole stories left and right, including ones that were written and drawn for characters from other comic book companies. To be clear, I don’t think that this was a shady business practice or anything, just that the industry was still new and that almost every book was an anthology title that features were being shuffled in and out of constantly – it’s no wonder that artists were left with finished stories that were no longer wanted from time to time – why not just slap a new name on the hero and publish it?

    With that in mind, I am 100% confident in saying that this first Crash Parker story started life as a Cyclone story over at Quality Comics – the setup of colonizing a new planet after a space race and even the look of the evil Martian king are dead giveaways. Good news for fans of Cyclone, the character who appeared in 4 comics in 1940, I guess. (Planet Comics 009, 1940)

    Honours:

    American pilot Ted O’Neil is given an unspecified medal for bringing down an Axis superweapon. (Prize Comics 004, 1940)

    Names:

    The third case tackled by Fox Features mid tier hero the Eagle is catching a gang of pickpockets, and that gang’s lead is named Ben Dread, which I think is unnecessarily cool. Save the good names for more interesting criminals, I say. (Science Comics 003, 1940) 

    Drawn Without Reference:

    This might just be the bold new look the narwhal have been looking for. (Science Comics 008, 1940)

  • MINOR SUPER-VILLAIN 678: AMNOZO

    (National Comics 003, 1940) 

    Cyclone is an extremely minor Quality Comics future spaceman hero of the year 3000 who, in National Comics 001, participates in a competition between the planets of the solar system to see which one gets to colonize the newly discovered planet Vito. He wins of course, and the remainder of his four appearances are spent dealing with various threats to the new colony, including at least one civilization native to the planet, because colonialism. Do they leave once they realize that the planet is not, in fact, free real estate? Reader, they do not.

    But enough interpreting space opera through a historical lens, check out Cyclone’s sky skis, possibly the greatest personal flight device in the history of sci fi: little planes that you strap to your feet! And as a bonus, what is possibly the most appetizing food pill I have ever seen.

    Cyclone’s explorations are interrupted when he and his paramour Joy Sue Mary stumble upon an ancient, Ancient Egyptian style tomb, remnant of yet another civilization endemic to this uninhabited, ready-to-colonize planet. Even more troubling: the tomb’s occupant is not a mummy but Amnozo, a living man! He’s been waiting for people to show up so that he could… rule them? It’s a bit unclear.

    What is clear is that Amnozo is pulling the classic Creep’s Gambit of attempting to kill off the male protagonist so that he can capture and “romance” (or in this case “marry”) the female protagonist – we’ve seen it all a thousand times before. This is however a very nice rendition of the crushy room style of deathtrap.

    Amnozo fold like a house of cards once Cyclone’s troops show up to see what happened to him, despite a last-ditch attempt to roast them all with sick blue flame. What an achievement: waiting 4000 years only to end up rotting in whatever repurposed woodshed Cyclone’s colonial government is using as a jail just because you couldn’t not be a horrible creep to the first woman you saw.

    Also: does Amnozo’s loincloth not have a back?