Lotta visually striking characters this time, plus Pioneer.
Pioneer:
Pioneer is a man of limited education and experience (and possibly intellect) who has seemingly lived his entire life at the bottom of the inescapable Death Gorge in Yellowstone Park. He comes into contact with the outside world when a trio of fleeing gangsters crash their car near his home and he nurses them back to health. The three then take Pioneer with them once they manage to attract help from outside of the gorge, with little real justification other than to use him as cover if they attract fire from police.
Pioneer’s morality is simple enough that his disdain for killing cannot be alleviated with the promise of cash, and he captures his three erstwhile companions when they commit a murder while robbing a bank. Our final view of him is as he wanders into New York City traffic while clutching five thousand dollars in reward money, and since he never appears again I suppose we must assume that he was immediately flattened by a car. This is where my “Pioneer might be a stupid” theory comes from, as the man had just completed a car trip from Yellowstone to NYC, which takes at least 33 hours today. You’re telling me that he didn’t take in the fact that you might want to stay out of the way of these things in all that time?
As presented, Pioneer is not really a super-hero. He’s presented as one, but his one adventure is taken up almost entirely with origin stuff, which in itself is interesting because we don’t actually learn just how he came to be in that gorge in the first place. I suppose he would have worked like a more benevolent version of the Incredible Hulk, travelling from town to town dispensing rough justice and broken English. If he hadn’t been hit by all those cars, that is. (Daredevil Comics 002, 1941)
Categorized in: Origin (Unknown)
the Bronze Terror:
After his father is railroaded into a murder sentence in the corrupt Western town of Redfield, athletic wunderkind and hotshot lawyer Jeff Dixon returns home to help prove his innocence.
Despite his legal background, Jeff turns to vigilante justice almost immediately, presumably due to the fact that all of the town’s officials are in the pocket of Scar Thornton, the real killer. Dixon’s chosen identity, the Bronze Terror, probably deserves a spot in the next Problematic Round-Up, but I’m giving him a reprieve because this comic is the definition of a well-meaning attempt to have a non-white character star in a comic that is still bogged down in all the tropes of in this case the Western genre (the name of the strip is “Real American No. 1,” for gosh sakes) and if I banished characters for that I recon that this space would feature a non-white super-hero some time in the 70s. If then.
So, while on the plus side the Bronze Terror is a an entertaining and highly competent character who looks terrific (and is detail-oriented enough to get a mask for his horse so that it can also look cool), the negatives include:
– all of the other Native American characters other than Jeff’s love interest Lilly being broad ethnic caricatures
– Jeff’s status as a super-hero hanging on the fact that he went off and got a white man’s education, which is a pretty frequent trope in comics with Native American protagonists and stands as a counterpart to that of the white adventurer bringing his expertise to the jungle
– yes, the costume looks great but I think that the broad objection that Native peoples have to the cultural appropriation of things like the war bonnet probably also applies to their use by comic book super-heroes. This one is going to keep coming up – American Eagle debuts at Marvel in 1981, and he’s wearing one
(Daredevil Comics 002, 1941)
Categorized in: Body (Emotions – Terror), Elements (Alloys – Bronze), Problematic Characters
London:
London is a masked vigilante dedicated to stymieing the forces of Nazi Germany as they attempt to conquer Great Britain. Conceptually, he seems to have been built around the catch phrase “London can take it!” and while the name is certainly unique it does introduce some confusion as the character London is based out of the city of London.
I appreciate London’s costume: while the combination of a mask and a suit or tuxedo is nothing new in comics, this might just be the first time I’ve seen a suit paired with a cape and cowl. Plus the cursive “L” symbol is cute.
London is in actuality radio broadcaster Marc Holmes, who reports on his own costumed exploits as an employee of the BBC. He works closely with the British military and London law enforcement in both his civilian and costumed identities. (Daredevil Comics 002, 1941)
Categorized in: Locations (Specific), Origin (Patriotic Characters)
Pat Patriot:
Another in the seemingly endless parade of patriotic WWII super-heroes, Pat Patriot has the requisite flag based costume and dedication to Truth, Justice and the American Way, plus the clunky and also ominous-if-you-know-history sobriquet “America’s Joan of Arc.”
An aircraft factory worker who kicks up a bit too much fuss about plant conditions and gets fired, Pat proceeds to unearth a conspiracy by her foreman to send aircraft engines to the Axis, all while wearing a patriotic costume from a play that she was in earlier in the evening. She has a mean right hook and a variety of skills (airplane piloting, marksmanship, etc) that see her through.
In a truly American moment, Pat gets her super-hero name because her coworkers cannot conceive of someone being called the outlandishly foreign Patricia Patrios, and so rename her on the spot. (Daredevil Comics 002, 1941)
Although Pat starts out as a worker in an airplane factory in an unidentified part of the US her career as a patriotic vigilante renders her unfit for a typical 9-5 job. By Daredevil Comics 006 she appears to be working as a newspaper reporter but whether that will continue to be her occupation as 1942 rolls around is anyone’s guess.
Categorized in: Abstract Concepts (Patriotism), Origin (Patriotic Characters)
