(More Fun Comics 052-054, 1940)
The Wizard is the kind of guy you get in comics who develops a robot army and a few different types of rays, destructive and otherwise, and immediately turns around and takes over (what I assume to be) his home town. I do appreciate that he looks like someone who has been sitting in a basement or a cave soldering robot faces for twenty years, but it’s no excuse for incivility.
(More Fun Comics 052-054, 1940)
The Wizard is the kind of guy you get in comics who develops a robot army and a few different types of rays, destructive and otherwise, and immediately turns around and takes over (what I assume to be) his home town. I do appreciate that he looks like someone who has been sitting in a basement or a cave soldering robot faces for twenty years, but it’s no excuse for incivility.
(Detective Comics 046, 1940)
Love this guy. The head of a gang of smugglers who looks like a goldfish and is sensitive about it and tortures his foes by imprisoning them in a huge goldfish bowl where they have to stand for days or drown and the only thing to eat is what raw goldfish they can catch and they eventually go mad? Terrific.
All that but it’s actually a mask and the Goldfish is actually a frustrated former actor? So much better.
UPDATE: In a rare callback, a remnant of the Goldfish’s gang is the antagonist of the ‘Spy’ story in Detective Comics 048. Neat!
(Detective Comics 043, 1940)
A skull-faced propagandist operating out of the Belgian Congo, presumably Nazi but it’s pre-Pearl Harbor so he works for a “hostile power” or “the dictatorships” etc.
The really intriguing thing about the Skull is his choice of themes – rather than go with an obvious skeleton motif like your average skull-faced goon would do, he instead opted for a Medieval theme, complete with sword-wielding henchmen and a jungle castle. I would praise him for making good and interesting choices but he’s probably a Nazi, so never mind.
RETROACTIVE ADDENDUM: got a lot of guys named the Skull coming up so I’m going to start scoring them on how appropriate their nom de crime is. This guy is obviously SKULL SCORE: 5/5
UNPRECIDENTED SECOND ADDENDUM: I messed up! this guy is pro war but he’s just a munitions profiteer! Sorry, skull-headed creep!
(Detective Comics 042, 1940)
The Painter of Death (never actually called that in-comic, sadly) engaged in a campaign against the subjects of paintings by up-and-coming portraitist Antal. He first attacked the painting of the person and then killed them in the same manner: via dart, arrow, gunshot etc. Eventually, Bruce “Batman” Wayne commissioned a painting from Antal and used it to set a trap which netted Wylie, an art collector who had invested heavily in Antal’s work and saw the murders as a way to raise the value of his investment via morbid publicity.
Though Wylie bumped himself off at the end of the adventure, the bullet-riddled Antal portrait of Bruce Wayne sticks around to become one of the minor stock trophies in the Batcave. The Painter of Death or Prophetic Portraits Case is also mentioned a couple of times as Batman and Robin’s “first big case” and the reason for their fame. Does this reflect some attitude of the creators about the story itself or is it just a plot contrivance? I have no idea!
(Detective Comics 042, 1940)
The Painter of Death (never actually called that in-comic, sadly) engaged in a campaign against the subjects of paintings by up-and-coming portraitist Antal. He first attacked the painting of the person and then killed them in the same manner: via dart, arrow, gunshot etc. Eventually, Bruce “Batman” Wayne commissioned a painting from Antal and used it to set a trap which netted Wylie, an art collector who had invested heavily in Antal’s work and saw the murders as a way to raise the value of his investment via morbid publicity.
Though Wylie bumped himself off at the end of the adventure, the bullet-riddled Antal portrait of Bruce Wayne sticks around to become one of the minor stock trophies in the Batcave. The Painter of Death or Prophetic Portraits Case is also mentioned a couple of times as Batman and Robin’s “first big case” and the reason for their fame. Does this reflect some attitude of the creators about the story itself or is it just a plot contrivance? I have no idea!
(Detective Comics 041, 1940)
A common or garden-variety masked counterfeiter, the Masked Man operated out of an all-boys’ school, leading to him being the first solo foe of an undercover Dick “Robin” Grayson. Mostly. Batman shows up at the end for a punch or two.
(Detective Comics 036, 1940)
The Spider, a notorious jewel thief, is in reality nightclub owner Durand. But Durand is in reality (shocked gasp) suburbanite Roberta Roberts!
While the original thought process behind the character was likely no more complex than “I bet it would be fun to draw a lady in a bra and false mustache,” a few different narrative jump to the modern mind, the first being that Durand/ the Spider is the true identity of a trans man, with Roberta Roberts being maintained as a convenient cover story. Or perhaps Roberta simply has to adopt these male identities (including, it is mildly implied, a fictional husband) in order to succeed in the worlds of business and crime. Either version of this story could be pretty great in the hands of the right writer. BRING BACK the Spider, I say.
I also find myself shipping two characters for maybe the first time ever? Speed Saunders is a rare Golden Age lawman character with a presence in (somewhat) modern comics, having been made cousin to the original Hawkgirl and grandfather to the 2000s version of same. There’s a non-zero if very low chance of him showing up in flashbacks to the 40s and 50s and I keep picturing him introducing “my associate, Durand” to people and thinking that it’s adorable. Is this what all the people on Tumblr see in making fictional characters kiss in their minds?
(Batman Comics 004, 1940)
What makes them a super-villain? I’ve already stated multiple times that pirates get a free pass. Old-timey cosplay pirates get double marks.
What is interesting about them? Blackbeard is actually a frustrated former actor turned gang boss, and if you don’t think that I don’t want more of that in comics you don’t know me very well. Bring back Blackbeard and make him a method actor.
(Batman Comics 003, 1940)
The Ugliest Man in the World, AKA Larry Larrimore, was originally Carlson, a college student who was accidentally injected with a weird fluid during a frat hazing gone wrong. His face mutated and deformed, he lost his friends, fiancé and frat and vowed revenge. Years later, having developed a version of the uglification drug which also rendered its victims’ minds pliant he embarked on a campaign of revenge against both those who had deformed and rejected him and society itself, using his Ugly Mob to destroy beautiful people and works of art alike before being stopped by Batman and gunned down by the cops.
Neadless to say I think this dude should be brought back. Rejected outsider is great villain fodder and as much as I love this guy smashing Greek marbles at the head of his Ugly Mob a more nuanced take on the relative value of attractive and unattractive people in our society would be aces too.