The Curse of Skeleton Munroe

Category: Fawcett Comics

  • MEDIA IN COMICS 015

    Comics love to have media in them, and I love telling you about those media.

    Music:

    Though the radio debut Roger Midas and His Melodeers is a hopeful sign for the relationship between former absentee workaholic father and snob Harvey Midas and his progeny, one can’t help but be a little cynical about the sudden success of a rich man’s passion project. (Detective Comics v1 047, 1941)

    When I detailed the musical output of the Murder Maestro in the last Media Round-Up I somehow missed that a) “I’m Getting Up in the World” was in fact written not by the Maestro but by Johnny Quick as part of a plan to trap the villain and b) it was performed by a radio ensemble called the Bandoliers. (More Fun Comics 072, 1941)

    Newspaper Columns:

    Golden Age Marvel Comics detective Ferret writes a column called “Crime Doesn’t Pay” for the Tribune. (Marvel Mystery Comics v1 004 1940)

    Radio:

    If Lester Pry’s radio gossip column is called anything other than “Lester Pry” then we get no indication of it in this Slam Bradley story. (Detective Comics v1 051, 1941)

    “The Scarlet Terror” is our first radio show featuring a pulp-style action hero, the eponymous “red-cloaked man from the planet Jupiter!” Sounds like a hoot. (Hit Comics 010, 1941)

    “The Happy Hour” features live music to delight all (but bemuse the Shining Knight). Just why the singer is dressed in a “hack comedian” outfit is unexplained but probably would have made sense to someone from the 1940s. Featuring the real-life novelty hit “the Hut-Sut Song.” (Adventure Comics 069, 1941)

    I assume that “Uncle Dan’s Kiddie Hour” is more than just a venue for sending messages to specific children over the airwaves, but that’s the part of the broadcast that we get to see as it is used by Spy Smasher as a semi-secure channel to convey information to Eve and Admiral Corby. (Whiz Comics 024, 1941)

    Alan “Green Lantern” Scott moves from radio engineer to radio presenter after his boss notices his pleasant voice and sticks him on “Man on the Street” duty. (Green Lantern v1 002, 1941)

    Further Apex Broadcasting System programming includes “What’s Your Trouble?” which involves a jury of smug-looking experts giving advice to those with problems (explained in All-American Comics 030 and then actually seen in action in Green Lantern v1 002, 1941)

    Apex also broadcasts “You the Public,” a forum for community members to tell their own stories, though only those stories that involve absolutely no controversy, as illustrated here by the unnamed Apex head choosing to let a huge slave ring go uncommented-upon rather than invite a bit of legal trouble. (All-American Comics 024, 1941)

    “You the Public” returns in All-American Comics 033 as the venue for a discussion of an ongoing conflict between unionizing cab drivers and the mob.

  • MEDIA IN COMICS 014

    Forget lost media, here are some media that only exist in comic books

    Movies: 

    A Modern Macbeth is one of innumerable in-comic movies that we never really learn anything about. Is it a musical? Is that why a singer is speaking at the premiere? Is it a reference to another movie? The only pre-1941 movie with a similar title that I can find is 1917’s A Modern Monte Cristo and that seems a bit of a stretch. (More Fun Comics 072, 1941)

    Captain Marvel stars in a film called Crusher of Crime in one of our earliest examples of a super-hero starring in a film as themselves. No clue what it’s about but we can probably assume that it’s standard 40s super-hero fare. (Whiz Comics 020, 1941)

    More intriguingly, the character of Whitey Murphy joins the Captain Marvel cast just two issues later, and dialogue between him and Billy Batson implies that not only does the real-world film The Adventures of Captain Marvel exist in the comics universe, but that both Captain Marvel and Billy Batson appeared in it and also that some or all the events of the film actually happened.

    This is reinforced by the fact that Billy goes to see “The Guillotine”, the second chapter of the serial, in Captain Marvel Adventures 003 (Whiz Comics 022, 1941)

    The costume party held for the premiere of The Phantom Duelist (film) held in the castle of the Phantom Duelist (ghost) provides the opportunity for the Phantom Duelist (super-villain) to murder Reynolds (film producer, universally-hated). (Doll Man Quarterly 001, 1941)

    One of the minor recurring tropes of comics is “tough guy goes to Hollywood and finds it exhausting,” seen here as the super-hero Hercules is talked into making a sadly unnamed jungle movie and it almost kills him. (Hit Comics 010, 1941)

    Music:

    The song “Icy Igloo Blues” is the key to District Attorney Steve Malone solving a major jewel robbery case. (Detective Comics v1 053, 1941)

    The “Symphony of Death” was employed by the nefarious Doctor Death in his murders. Do music nerds in comic book universes hold Nights of Evil concerts where they play pieces like this? (Wow Comics 002, 1941)

    Speaking of which, here are six extremely on-the-nose songs composed by the Murder Maestro as part of his own efforts in the field of killing: “A Message to My Heart” (victim shot in the heart), “I’m Drowning My Sorrows” (drowned), “I’m Burning Up Over You” (set on fire), “My Sleepy-Time Pal” (poisoned, weirdly), “I’m Walking on Air” (dropped from a plane) and “I’m Getting Up in the World” (fake attempt on own life). (More Fun Comics 072, 1941)

    Newspaper Columns:

    “Walter Winkle on Broadway” is of course yet another take on the gossip column of Walter Winchell. (Feature Comics 049, 1941)

    Television:

    There are in fact Martian invaders in this Human Torch story, but since they don’t get up to any NYC-destroying I must conclude that this is an unnamed and very coincidental television program. (Marvel Mystery Comics v1 003 1940) 

  • MEDIA IN COMICS 013

    Today in Media in Comics, we’re all about the Movies:

    Movie star Dawn O’Dare returns to her home town of Holtville to premiere her new picture Love Me Forever! but the whole affair is almost undone when her understudy attempts to impersonate her and make off with the theatrical take, only to in turn be foiled by local copy boy Hap Hazard. (Lightning Comics v2 004, 1941)

    Angry Waves, a sea epic, features a found footage action scene as one of the Strange Twins rescues the other from drowning. (Hit Comics 016, 1941)

    It’s time for our first movie titled Crime Doesn’t Pay, starring police officer Sally O’Neil and featuring a real on-screen murder. (National Comics 010, 1941)

    I fear that we will only be able to evaluate all of the Gone with the Wind parody titles once we have enough of then together to compare. That said, Flown with the Breeze, here about to be attended by Allan “the Hunchback” Lanier and date, has to be one of the more goofy of the bunch. (Wow Comics 002, 1941)

    This adaptation of Ivanhoe had a troubled production thanks to an on-set protection racket. It is also distinguished by the fact that its arms and armour consultant was Justin Arthur, aka the Shining Knight. (Adventure Comics 068, 1941)

    Jungle Justice, another troubled production due to on-set criminals, boasts its own heroic consultant in the person of Congo Bill. (Action Comics v1 042, 1941)

    Though Red River Days managed to get made without any notable hiccups, its premiere in the actual town of Red River is marred by organized crime. (Adventure Comics 060, 1941)

    Thrills of Africa, is a jungle movie that gives one crook the opportunity to dress up in a gorilla suit and rob the theatre it’s playing in after posing as a statue in the lobby for who knows how long. Also, his two pals are there in blackface.

    While chasing these problematic miscreants, Hourman passes a poster for The Count of… something. Perhaps Monte Cristo? Whatever it is, it must be printed real small, given the size of that poster. (All-Star Comics 006, 1941)

    During the Dummy’s tenure ans one of the Five Fingers of the Hand, he heads off to Hollywood to run a kidnapping scheme, and of course this ends up involving a whole plethora of movies. To begin, we have Aircraft Carrier, the premiere of which is ruined when star Rex Mason is seemingly turned to stone but actually spirited away.

    Six-Gun Serenade, a Western, features occasional Vigigilante sidekick Billy Gunn as an extra.

    While Vigilante is visiting Billy on-set, he gets involved in the latest kidnap attempt on the nearby set of sports film Touchdown Blues.

    The crooks’ getaway then takes then through the set of Bars and Stripes, which may or may not be a patriotic prison movie.

    Finally, the Dummy’s men are run to ground on the set of jungle picture Tropic Doom. (Leading Comics 001, 1941)

  • MEDIA IN COMICS 012

    It’s a very literary day here in Media in Comics Land.

    Books:

    There are many potential reasons to get into super-science and super-crime, but “reading a get-rich-quick scheme in a book” is one of the better ones, as demonstrated by Wizard Wells foe Mota here and his copy of Cash in Chemistry. (Crack Comics 010, 1941) 

    Crime in the Afternoon (A J.J. van Snyde Detective Novel), enjoyed here by Nickolas, henchman to Black Condor foe the Sophisticated Lady. (Crack Comics 010, 1941)

    This book, The Ritual, has the cover of a murder mystery or other popular bit of fiction, but seeing as the man reading it is a fanatical leopard-worshipper we must allow for it being something a bit more sinister, such as instructions of conducting a human sacrifice. (Jungle Comics 020, 1941)

    As covered in the Bram Thirla entry, Billy Batson learns about the dos and don’ts of vampire hunting from a book called The Vampire Legend, written by HP Lovecraft. A different Lovecraft, perhaps, or did the regular one go in for a bit more of a reference works-based career in the Fawcett Reality? (Captain Marvel Adventures 001, 1941)

    This particular comic adventure involves Darrell “Doll Man” Dane taking exception with the fact that some roughneck are using his local library. While I must decry the classism on display here, I must also begrudgingly acknowledge that Doll Man was right: these guys were learning for all the wrong reasons, specifically as part of a school of crime that the diminutive super-hero later breaks up. 

    Titles on display include: The Art of Murder, Famous Crimes, How to Win Friends, Jiu-Jitsu, Right and Wrong and The Way of All Flesh. (Feature Comics 047, 1941)

    Comics:

     

    Golden Age comics companies loved to depict their characters reading their own comics, which is why it is not at all unusual that Doiby Dickles here is reading a copy of Flash Comics in an issue of All-American. What is unusual is that rather than describing one of the actual features in Flash, Doiby has apparently been reading some alternate version of the book that exists in the DCU and involves a character named “Colosso.” (All-American Comics 032, 1941)

    Magazines:

    Though modern depictions of the original Dr Mid-Nite tend to categorize him as a crime novelist, his original job post-blindness was in writing for the crime pulps, and more precisely for Crime and Detective Tales. (All-American Comics 025, 1941)

    Freedom Magazine is one of those patriotically-named publications that any good citizen of the 21st Century must immediately suspect of being a cynical way to whitewash fascism, but no, this one seems to be on the up-and-up. They give Les Watts, Radio Amateur a prize for being a cool teen!. (Flash Comics 023, 1941)

    Peep Magazine, on the other hand, is merely concerned with the news, and is willing to help out patriotic hero Don Glory to get it. (Hit Comics 011, 1941)

    It’s possible that Scoop Magazine is entertainment-focused, as they send a photographer to cover this publicity-stunt party in support of a play by a new writer. A party that inspires the Masked Man’s murder spree! (Batman Comics 008, 1941)

    Movie Mag and Screen Stars are just two of the publications covering the meteoric rise of movie star Portia Storme, aka Julie Madison, the former fiance of Bruce Wayne. (Detective Comics 049, 1941)

  • MEDIA IN COMICS 012

    It’s a very literary day here in Media in Comics Land.

    Books:

    There are many potential reasons to get into super-science and super-crime, but “reading a get-rich-quick scheme in a book” is one of the better ones, as demonstrated by Wizard Wells foe Mota here and his copy of Cash in Chemistry. (Crack Comics 010, 1941) 

    Crime in the Afternoon (A J.J. van Snyde Detective Novel), enjoyed here by Nickolas, henchman to Black Condor foe the Sophisticated Lady. (Crack Comics 010, 1941)

    This book, The Ritual, has the cover of a murder mystery or other popular bit of fiction, but seeing as the man reading it is a fanatical leopard-worshipper we must allow for it being something a bit more sinister, such as instructions of conducting a human sacrifice. (Jungle Comics 020, 1941)

    As covered in the Bram Thirla entry, Billy Batson learns about the dos and don’ts of vampire hunting from a book called The Vampire Legend, written by HP Lovecraft. A different Lovecraft, perhaps, or did the regular one go in for a bit more of a reference works-based career in the Fawcett Reality? (Captain Marvel Adventures 001, 1941)

    This particular comic adventure involves Darrell “Doll Man” Dane taking exception with the fact that some roughneck are using his local library. While I must decry the classism on display here, I must also begrudgingly acknowledge that Doll Man was right: these guys were learning for all the wrong reasons, specifically as part of a school of crime that the diminutive super-hero later breaks up. 

    Titles on display include: The Art of Murder, Famous Crimes, How to Win Friends, Jiu-Jitsu, Right and Wrong and The Way of All Flesh. (Feature Comics 047, 1941)

    Comics:

     

    Golden Age comics companies loved to depict their characters reading their own comics, which is why it is not at all unusual that Doiby Dickles here is reading a copy of Flash Comics in an issue of All-American. What is unusual is that rather than describing one of the actual features in Flash, Doiby has apparently been reading some alternate version of the book that exists in the DCU and involves a character named “Colosso.” (All-American Comics 032, 1941)

    Magazines:

    Though modern depictions of the original Dr Mid-Nite tend to categorize him as a crime novelist, his original job post-blindness was in writing for the crime pulps, and more precisely for Crime and Detective Tales. (All-American Comics 025, 1941)

    Freedom Magazine is one of those patriotically-named publications that any good citizen of the 21st Century must immediately suspect of being a cynical way to whitewash fascism, but no, this one seems to be on the up-and-up. They give Les Watts, Radio Amateur a prize for being a cool teen!. (Flash Comics 023, 1941)

    Peep Magazine, on the other hand, is merely concerned with the news, and is willing to help out patriotic hero Don Glory to get it. (Hit Comics 011, 1941)

    It’s possible that Scoop Magazine is entertainment-focused, as they send a photographer to cover this publicity-stunt party in support of a play by a new writer. A party that inspires the Masked Man’s murder spree! (Batman Comics 008, 1941)

    Movie Mag and Screen Stars are just two of the publications covering the meteoric rise of movie star Portia Storme, aka Julie Madison, the former fiance of Bruce Wayne. (Detective Comics 049, 1941)

  • MEDIA IN COMICS 011

    I’ve heard of comics in the media, but media in comics?

    Books:

    This book is only our second example of a piece of media called Crime Does Not Pay! but I am confident in predicting that that particular phrase – the regular shouting of which appears to be the major means by which people in the 1940s discouraged children from adopting a life outside the law – is going to be the one we see the most as time goes on.

    We don’t learn too much about the contents of this particular book, but it makes a decent projectile for Robin here. (Detective Comics v1 050, 1941)

    Spider Craft, on the other hand, is pretty clearly just a reference book on spiders, albeit one with a very charming name. (Detective Comics v1 057, 1941)

    Movies:

    While attending to his extremely unruly supporting cast, Captain Terry Thunder happens upon a movie improbably being shot in North Africa in 1941. This movie is unnamed, but G.G., the director, is also responsible for the film Lost Souls, about which nothing else is known. (Jungle Comics 020, 1941)

    Radio:

    Radio Quiz show How Do You Know is your place to try your luck at winning two dollars and a big double box of Kracked Korn in a knock down quiz-off against Dolliver King. (Feature Comics 034, 1940)

    If there’s one kind of radio program that comic books love the most it’s the “man on the street” style with their handy remote microphone for all your evidence-gathering or (as seen here) confession-broadcasting needs. This particular show is called Public Opinion. (Nickel Comics 004, 1940)

    Theatre:

    The Fancy Follies of 1940 is a revue-style show that is the site of the first in a series of entertainment industry murders investigated by the Flash. (Flash Comics 002, 1940)

    Billed as a musical, In the Groove is another show plagued by crime. The Purple Trio clear things up after they manage to scrape together enough dough to get inside. (Smash Comics 015, 1940)

    Thanks to the fact that they had to pose as performers to solve the In the Groove case, the Purple Trio get their own self-titled show. The Purple Trio show probably involves more than the acrobatics we see here, but that’s all that the group gets through in this issue before they realize that a) one man has bought out the entire theatre and b) he has been murdered. (Smash Comics 016, 1940)

    This backstage conversation is all we get to see of the melodrama Remote Control, which is a real shame. What does a play with that title look like in 1940? (Crack Comics 008, 1940)

    Finally we have The Totsy Revue, attended by Johnny Thunder in one of his many attempts to impress the ever-fickle Daisy Darling, thanks to a tip that the show’s headliner Hoco tThe One and Only) is passing counterfeit money as part of his act. (Flash Comics 008, 1940)

  • MEDIA IN COMICS 009

    MEDIA IN COMICS 009

    I hope you like media from comics, because I certainly do and I am going to keep doing these.

    Comics:

    Bullied bootblack Timothy Smith just wants to buy a comic book with his last nickel and he has a whole selection of Fox Features titles to choose from, but what draws his eye is a book called The Land of Magic, a comic so fantastical and majestical that he wishes himself away to live inside its pages the next time he gets beaten up. (Green Mask v1 007, 1941)

    We never actually see the Colossal Guy comic book, but this Colossal Guy superfan is evidence enough that he is a character with get-up and go. Enough to inspire Captain Bruce Blackburn to invent his alter ego of the Destroying Demon, in fact. (Feature Comics 039, 1940)

    “Ripley’s Believe it or Not” had enough cultural caché in its time that there are innumerable plays on it in comics, just as there were imitators in real life. These mostly differ by how successful a play on the name they have: “Don’t You Doubt It,” as consulted by Eve Colby as part of one of Spy Smasher’s cases, is about average. (Whiz Comics 005, 1940)

    Magazines:

    I have a lot of affection for the concept behind Jim Dolan, two-fisted magazine editor, who solves crimes and then writes about them for Daring Detective Magazine. The magazine itself is fine. (Slam-Bang Comics 001, 1940)

    Movies:

    We never learn more about The Big Snatch other than that it is a mystery thriller. The big joke here is of course that the star of the film is comics creator Joe Devlin. (Smash Comics 014, 1940)

    Likewise, we never learn much about the Western Hearts of the Range other than the fact that it starred the blowhard Sheriff O’Toole. (All-American Comics 021, 1940)

    Melody of 1941 here is likely a play on Broadway Melody of 1940 and as such a musical, and stars a couple of classic mixed-up name actors in Tyrone Taylor (Tyrone Power/ Robert Taylor) and Myrna Rogers (Myrna Loy/ Ginger Rogers). (Detective Comics v1 046 1940)

    We have no information at all about Old Bill. It has a pretty big premiere for a movie with such a drab name, so it must have something going for it. (Action Comics v1 028, 1940)

    Oriental Horror is the name of the hit movie that made Barry Moore’s name just before he quit acting, moved back to Center City to become a police scientist and adopted the identity of the Scarlet Seal based on the yellowface character he played in the movie. I would venture a guess that the film is not considered an enduring classic in the present day DC Universe. (Smash Comics 016, 1940)

    She Made Him Love Her! is the name of a romantic movie attended by Sisty and Dinky, aka the daughter of the future Red Tornado and the brother of teen cartoonist Scribbly, aka the future Cyclone Kids, after the former falls in undying love with the latter. And to be fair to her the duo are canonicall later married, so this is a proven tactic. Eventually.

    The movie itself might be loosely based on the film They Knew What They Wanted, or I might be grasping at straws. (All-American Comics 012, 1940)

  • MEDIA IN COMICS 008

    MEDIA IN COMICS 008

    We’re not out of the extremely crusty scan woods yet, but the media of comics must be recorded, folks. Hang in there.

    Books:

    When Diamond Jack defeats his early foe the Witch and transforms her book of magic into 1000 Ways to Cook Spinach, there is one big unanswered question: did this spinach cookbook already exist or did his ring magically compile 1000 recipes on its own? (Slam-Bang Comics 001, 1940)

    Early Batman foe the Wolf, meanwhile, got his start after suffering a head trauma and fixating on the crime thriller he was reading, titled The Crime Master. (Batman Comics v1 002, 1940)

    Human Knowledge, a book compiled by the sinister Professor Universe that contains “every fact known to man” is used by Slaughter Slade to imbue his assistant Dr Allirog with the mind of a human genius. (Special Edition Comics 001, 1940)

    Usually when you hear about a reclusive scholar writing a book about how “sinister persons or forces plan to deliberately stave off the return of national prosperity” you’re in for some paranoid fascist rantings, but in this case it’s the early 40s, so the sinister forces discussed in Prosperity’s Foe *are* the fascists. (Superman Comics 004, 1940)

    Wretched Marine character Strut Warren attempts to peddle a book called The Jolly Homemakers’ Manual around Bali in an attempt to win a prize, a typically tiresome adventure for the character. (Fight Comics 016, 1941)

    When a mysterious virus called the Purple Plague starts ravaging Metropolis, Clark Kent and his pal Professor Henry Travers his the library to research a historical instance of the same disease, in a book also called The Purple Plague. It turns out that the Ultra Humanite had also checked out the same book and that it had given him the idea to unleash the modern plague in imitation of the original. (Action Comics v1 019, 1939)

    Movies:

    Air Circus is a airplane stunt-heavy film that is plagued by accidents while filming until pilot Gary Hawkes gets involved and exposes the scheming director’s plot to scuttle the production and then turn a quick buck by buying up the incomplete footage. (More Fun Comics 039, 1939)

    Its the same old story: a film called The General’s Daughter shoots some scenes at the Army installation where Skip Schuyler works, there’s a series of incidents and then Skip has to save the day. Not too sure what the movie is supposed to be about. (Adventure Comics 043, 1939)

    It may be the crustiest and crunchiest lowest quality scan here, but Public Enemy #13 is a pretty fun name for a movie and I think that that makes up for it, at least a little. (More Fun Comics 040, 1939)

    Newspaper Columns:

    “Around the Avenue” is one of those old-school society gossip columns that they used to have in papers, and while Rennie McCavoy here is playing into Wesley Dodds’ hands by writing him up as a wild party dude/ potential victim for the story’s villain, it’s hard to respect the journalistic effort involved in seeing a guy being quietly drunk at a nightclub and pouncing on him like this. (Adventure Comics 044, 1939)

  • ALIENS AND SO FORTH ROUND-UP 032

    Aliens (and So Forth) abound!

    Birdmen:

    The Birdmen inhabit Sunev, which is either a planet that orbits perilously close to Earth or a second moon of Earth, and which was supposedly formed out of a piece of our planet which broke away in the distant past. Sunev has never been discovered because of some pseudoscientific gibberish about light rays, but space explorer Zephyr Jones and his assistant Corky Grogan make landfall there while testing out Jones’ experimental rocket ship.

    The Birdmen of Sunev have one of those advanced and peaceful societies that function with the rigidity and ruthlessness of a military dictatorship populated by political naifs. As such, the ambitious Birdman Roudo is able to frame Zephyr and Corky and have them sentenced to death for supposedly collaborating with…

    Parrotmen:

    The Parrotmen! These ancestral enemies of the Birdmen are just kind of caveman versions of them – they don’t even have colourful plumage to justify the name (I know that these images are from a recoloured version but I checked and the original is like this too). Despite the fact that the Birdmen have a roughly Medieval level of technology (castles, steel, swords) they have not yet been able to come up with a way to contend with a bunch of big guys with clubs, and it’s up to Zephyr and Corky to blow them away with the tommy gun that they very sensibly thought to bring along on their space adventure. (Daring Mystery Comics 002, 1940)

    Center People:

    The Center People are one of the many intelligent species that populate the far-off Asteroid Djung. Their king, Goro, has allied with the Djunga King Leon against space heroes Captain Venture and the Planet Princess Zyra. Despite being depicted as spear-wielding ape-men who perform human sacrifice to a pool of lava, they are also armed with a selection of high-tech devices such as Goro’s Mind-Ray Projector, which he uses to briefly compel Captain Venture into his service. This dichotomy is not explored before the Center Person society is devastated by a volcanic eruption. (Master Comics 019, 1941)

    Core Creatures:

    The adventures of sci-fi hero Blaze Barton take place on an Earth ravaged by a freak orbital shift that brought it too close to the Sun in the year 50029 CE (or sometimes 3000 CE or 5029 CE). Blaze and a small human population survived this event by sheltering in a specially-built heat-proof city, and now must rebuild civilization on a radically altered world. 

    One of the first and greatest challenges faced by Blaze et al is the emergence of the underground-dwelling Core Creatures from the great cracks that have developed in the planet thanks to the rapid changes in temperature it has experienced. 

    The Core Creatures, and their king in particular, have an implacable hostility toward the human population, but also indulge in that hoary old trope of being super hot for human women. I do appreciate the fact that they appear to choose their king based on who has the most creepy skull face. (Hit Comics 001, 1940)

    I try and I try to keep these entries at a reasonable four species length, but I am vexed at every turn. Two issues after the Core Creatures breach the surface, Blaze & Co turn the tables and explore the subterranean world, where they encounter:

    Mud Monsters and Rock Men:

    While the Rock Men act as supplementary antagonists to the Core Creatures over the next couple of issues, the Mud Monsters only appear in this single panel. This is a shame, because they are by far the more visually interesting of the two groups. At least the fact that they live in such close proximity to the Rock Men allows us to speculate that they might be related species? That’s kind of fun. (Hit Comics 003, 1940)

    Like so many nonhuman societies, the Rock Men have a monarchy. There are better ways to live, guys!

    Pretty People of the Jewelled Caves: 

    The Pretty People are a bunch of foppish hotties who live in a state perpetual danger between the nations of the Core Creatures and Rock Men, and who survive by playing the two groups off of one another. They are also monarchists. As the most human-looking and least hostile group, these are the ones who the surface humans end up allying with.

    Speaking of alliances, the Core Creature and Rock Man Kings forge one in order to attack the Pretty People and are only driven off thanks to the intervention of the humans and their ray guns. Blaze Barton personally kills the Core Creature king here, ending the Core threat for good. (Hit Comics 003, 1940)

    Crustmen:

    In one final addendum, I reckon that these Crustmen, who attack the surface as part of a coordinated strike on humanity with a group of hostile Martians, are meant to be the Core Creatures. Given the differences in name and appearance I choose to believe that they are a related but distinct species of hostile sub-Earth humanoid.  (Hit Comics 007, 1941)

  • ALIENS AND SO FORTH ROUND-UP 032

    Aliens (and So Forth) abound!

    Birdmen:

    The Birdmen inhabit Sunev, which is either a planet that orbits perilously close to Earth or a second moon of Earth, and which was supposedly formed out of a piece of our planet which broke away in the distant past. Sunev has never been discovered because of some pseudoscientific gibberish about light rays, but space explorer Zephyr Jones and his assistant Corky Grogan make landfall there while testing out Jones’ experimental rocket ship.

    The Birdmen of Sunev have one of those advanced and peaceful societies that function with the rigidity and ruthlessness of a military dictatorship populated by political naifs. As such, the ambitious Birdman Roudo is able to frame Zephyr and Corky and have them sentenced to death for supposedly collaborating with…

    Parrotmen:

    The Parrotmen! These ancestral enemies of the Birdmen are just kind of caveman versions of them – they don’t even have colourful plumage to justify the name (I know that these images are from a recoloured version but I checked and the original is like this too). Despite the fact that the Birdmen have a roughly Medieval level of technology (castles, steel, swords) they have not yet been able to come up with a way to contend with a bunch of big guys with clubs, and it’s up to Zephyr and Corky to blow them away with the tommy gun that they very sensibly thought to bring along on their space adventure. (Daring Mystery Comics 002, 1940)

    Center People:

    The Center People are one of the many intelligent species that populate the far-off Asteroid Djung. Their king, Goro, has allied with the Djunga King Leon against space heroes Captain Venture and the Planet Princess Zyra. Despite being depicted as spear-wielding ape-men who perform human sacrifice to a pool of lava, they are also armed with a selection of high-tech devices such as Goro’s Mind-Ray Projector, which he uses to briefly compel Captain Venture into his service. This dichotomy is not explored before the Center Person society is devastated by a volcanic eruption. (Master Comics 019, 1941)

    Core Creatures:

    The adventures of sci-fi hero Blaze Barton take place on an Earth ravaged by a freak orbital shift that brought it too close to the Sun in the year 50029 CE (or sometimes 3000 CE or 5029 CE). Blaze and a small human population survived this event by sheltering in a specially-built heat-proof city, and now must rebuild civilization on a radically altered world. 

    One of the first and greatest challenges faced by Blaze et al is the emergence of the underground-dwelling Core Creatures from the great cracks that have developed in the planet thanks to the rapid changes in temperature it has experienced. 

    The Core Creatures, and their king in particular, have an implacable hostility toward the human population, but also indulge in that hoary old trope of being super hot for human women. I do appreciate the fact that they appear to choose their king based on who has the most creepy skull face. (Hit Comics 001, 1940)

    I try and I try to keep these entries at a reasonable four species length, but I am vexed at every turn. Two issues after the Core Creatures breach the surface, Blaze & Co turn the tables and explore the subterranean world, where they encounter:

    Mud Monsters and Rock Men:

    While the Rock Men act as supplementary antagonists to the Core Creatures over the next couple of issues, the Mud Monsters only appear in this single panel. This is a shame, because they are by far the more visually interesting of the two groups. At least the fact that they live in such close proximity to the Rock Men allows us to speculate that they might be related species? That’s kind of fun. (Hit Comics 003, 1940)

    Like so many nonhuman societies, the Rock Men have a monarchy. There are better ways to live, guys!

    Pretty People of the Jewelled Caves: 

    The Pretty People are a bunch of foppish hotties who live in a state perpetual danger between the nations of the Core Creatures and Rock Men, and who survive by playing the two groups off of one another. They are also monarchists. As the most human-looking and least hostile group, these are the ones who the surface humans end up allying with.

    Speaking of alliances, the Core Creature and Rock Man Kings forge one in order to attack the Pretty People and are only driven off thanks to the intervention of the humans and their ray guns. Blaze Barton personally kills the Core Creature king here, ending the Core threat for good. (Hit Comics 003, 1940)

    Crustmen:

    In one final addendum, I reckon that these Crustmen, who attack the surface as part of a coordinated strike on humanity with a group of hostile Martians, are meant to be the Core Creatures. Given the differences in name and appearance I choose to believe that they are a related but distinct species of hostile sub-Earth humanoid.  (Hit Comics 007, 1941)