The Curse of Skeleton Munroe

Category: Novelty Press

  • MONSTER, CRITTER AND CREATURE ROUND-UP 004

    Everyone likes a good monster now and then.

    Horned Cat:

    With every one of these round-ups I accrue more evidence that the Slightly Different Big Cat is one of the classic monster types, as seen here when Congo Jack is confronted with this horned green feline in the mystical Valley of Vango in the Congolese jungle.

    As a bonus, a few steps later he has to deal with another classic: the carnivorous plant, or in this case flesh-eating bush. (Lightning Comics v2 004, 1941)

    Croco-Tiger:

    As further evidence, here’s Power Nelson fending off a strangely plush-looking croco-tiger in the wilds of the planet Pluvius in the far-flung year 1982 CE. For those like me who like to see a comic book creature survive now and then, worry not for the yellow pool this beast is being flung into merely shrinks it to kitten size, which is hopefully something that it can adapt to.

    Pluvius also features its own type of carnivorous plant, in this case some sort of tentacle (or possibly tendril?) based predator. (Prize Comics 003, 1940)

    Cannibal Tree:

    Rex Dexter of Mars and gal pal Synde have their own run-in with a carnivorous plant, the so-called cannibal tree, on an unnamed extrasolar planet. (Mystery Men Comics 018 1941)

    Dodman’s Serpent:

    Though the practice is now frowned upon in zoological circles, I can’t help but love the sound of an eponymous species name, and especially when the species in question is some sort of monster. Dodman’s Serpent is great because it has the lovely rhythm of an eponym without actually being named after some guy named Dodman who will later be cancelled and require a lot of textbooks to be reprinted. Instead, it is named after its hunting grounds near Dodman’s Point in Cornwall. Or its former hunting grounds, I suppose, since it made the mistake of attacking a ship containing the Black Knight. (The Funnies 049, 1940)

    Dragon:

    I really like this dragon, which spent its days peacefully eating maidens in an unnamed European kingdom until the Golden Knight showed up and slayed it. It has all the weird goofiness of the dragons that you see in Medieval illustrations from before the concept of what such a beast looks like was really codified. (Fantastic Comics 010, 1940)

    Dragons:

    These dragons, by contrast, are just a bunch of weird lizards that the Green Sorceress keeps in a cave and throws her enemies to. I really like them. (Blue Bolt v1 001, 1940)

    Drazil:

    Here we see Neptina associate Norma Kane be ambushed and nearly killed by a very cool-looking undersea reptile called a drazil. As is often the case with long-necked creatures, the drazil is vulnerable to having its head chopped off.

    Norma really was having a day of it, as immediately before the drazil attack, she was ambushed by this heinous looking crustacean which is referred to only as a “sea-beast.” (Champ Comics 011, 1940)

    Dream Plants:

    During one of the Green Sorceress’ many attempts to conquer the whole of the underground world, she employs dark majicks and weird science to move her armies through the Fourth Dimension. While pursuing her there, Blue Bolt is nearly killed by a Dream Plant, a carnivorous plant with the ability to project sexy illusions to lure its prey closer.

    Later, a second, airborne species of dream plant that forgoes the illusory lures in favour of active hunting almost does for the Green Sorceress herself before Blue Bolt spears it in its conspicuous weak point. (Blue Bolt v1 005, 1940) 

    Jungle Horse:

    Finally we have the jungle horse, potentially the only non-hostile species present on the Gorikon in the Negative Universe, or at least the only one encountered by Meteor Martin during his time there. These peaceful animals just hang around waiting to act as beasts of burden for passing humanoids – a truly selfless species. (Amazing-Man Comics 025, 1941)

  • MONSTER, CRITTER AND CREATURE ROUND-UP 003

    I hope everyone likes monsters as much as I do because there are a whole lot of them to cover.

    Beaked Tyros:

    When polar explorer Anthony Conrad gets lost in an Arctic storm and falls through a hole in the pack ice, he reasonably expects to meet his demise. Instead, he falls into the subterranean kingdom of Artica and is chosen by the elderly Artican king – also a stranded former surface explorer – as his successor. 

    As part of the coronation process, Anthony must prove his mettle to his prospective subjects, and step two of that process is Thrilling Arena Combat with the horrible beaked tyros “Lord of Artica’s Jungles,” and I love this thing. Though it looks like just another low-rent carnosaur at first glance, upon closer examination it has many bizarre features, including weird bird legs, thin, unpleasant-looking teeth, radially-symmetrical hands that are possibly equipped with suckers on the palms, and skin that is described as “hairy” in the caption box. Truly this is a strange and wonderful beast that sadly must be chopped up in service to the story. (Cyclone Comics 001, 1940)

    the Beast:

    When asked to prove his worthiness to wed the Princess Ahloo, our hero Abdallah knows exactly what to do: ride directly to a nearby valley full of dinosauroids and slay one of them. Though one of the pteranodon-adjacent flying reptiles that confront him when he enters the valley would probably be sufficient to satisfy Ahloo’s father, Abdallah instead opts to battle a creature referred to only as the Beast, a possibly-fire-breathing, possibly-carnivorous sauropodoid that give him a truly heroic-level challenge. And it works! He gets the girl! (Funny Pages v2 003, 1937)

    the Birds:

    These vulture-monsters come very close to destroying the Blue Bolt on his very first adventure. They are only prevented from doing so, in fact, because they work for the Green Sorceress and she has become infatuated with Our Hero here on sight.

    I’m always a big fan of these kinds of monster birds that up the ante on deadliness by throwing most of the birdliness of the creature out the window and instead give them the body plan of a griffin. Really great stuff and my only note is that some of the tails are very unpleasant to look at. (Blue Bolt v1 001, 1940)

    Bolu:

    Meg and Mickey are two children who have access to a magical time-travel stone and use it to just kind of blunder around throughout history. In this particular instance they have ended up in the Stone Age and are only saved from being eaten by some uncharitable portrayals of our collective ancestors by the appearance of a dinosaur, called Bolu by the cavemen and of course far, far more out of place than two 20th Century kids could ever hope to be. There is some indication that the bolu was summoned by the Spirit of the Stone to save the two from becoming dinner, but if that’s the case then why do the cavemen already know about it? (The Comics 007, 1938)

    Carnicantileia:

    The swamp-dwelling carnicantileia briefly menaces Flip Falcon and his associates during one of his early adventures when he mostly uses his fantastic time-and-space machine to go to Mars. It’s a pretty impressive snake-style beast, and as such it’s a real shame that it is killed in such a goofy way, by having a big rock thrown down its gullet. (Fantastic Comics 003, 1940)

    Carnivoplant:

    The carnivoplant is a classic man-eating plant, subtype seaweed, that almost kills adventurer Kinks Mason before it in turn is preyed upon by a swarm of phosphomites. And just what are phosphomites, you may ask? Contextually, they are small glowing creatures that eat carnivoplants, and that is all the information we get. (Fight Comics 001, 1940)

    Cave Monster:

    Modern day cowboy hero Bull’s-Eye Bill and his companions meet this cave reptile while pursuing an outlaw, and as I previously observed, it was clearly meant to set up an adventure into a prehistoric underground world that subsequent creators chose not to take advantage of. 

    As for the one beast that we do get to see fight some cowboys, I really appreciate how lizardy it looks, as well as how it seems to be posing for maximum dramatic effect in every panel, even when killing a guy or writhing around in its death throes. (Target Comics v1 007, 1940)

    the Ozix:

    Someday
    when I post a picture of a creature that is just a big cat with some extra stuff stapled onto it in one of these round-ups I will be able to refer to it
    as a standard type of creature, but I simply haven’t done the work yet.
    The ozix, then, is a beast with the body of a leopard and the head of a
    crocodile – how novel a concept! Adventurer Congo Jack must slay this
    one during his adventures under the earth. (Lightning Comics v2 002,
    1941) 

    Dakk:

    Returning to the adventures of King Anthony in the sub-Arctic world of Artica, here we see him as he is about to tour his kingdom on the back of a domesticated dakk, and I must say that I like the very beast-of-burden look that they have given to this creature’s head. Sadly, this particular dakk has been poisoned as part of an attempt to assassinate the new king.

    This assassination attempt is only partially successful, as Anthony survives the fall into the jungles of Artica but is then placed in further peril at the claws of the various creatures that live there, such as this amazing giraffe-patterned water lizard.

    Though he escapes the lizard, Anthony is almost immediately attacked by a great horned tigrid, which is is of course a regular tiger with two little horns on its head, and another example of what I was talking about in the ozix entry.

    Finally, after stumbling upon the roots of the conspiracy against him and dealing with them violently, King Anthony makes his way home on a humble unicorn. (Cyclone Comics 003, 1940) 

    the Storm Monster:

    A giant reptilian beast that plagues an African village on a yearly basis (during a huge storm, natch), the Storm Monster meets its end after swallowing Kaänga whole, upon which he carves his way free of its guts with his trusty knife. (Jungle Comics 021, 1941)

  • CATALOGUE OF WOUNDS 010

    CATALOGUE OF WOUNDS 010

    I’m beginning to think that the super-hero scene is pretty hazardous.

    the Blue Bolt: 

    The Blue Bolt’s first outing against the Green Sorceress is marred by the fact that he gets near-fatally clawed by her vulturoid monsters. (Blue Bolt v1 001, 1940)

    the Cloak: 

    Jeff Cardiff, aka the Spy-Master, aka the Spay-Chief and the future Cloak, gets a classic skull crease. On purpose! This is the way that that goon chose to knock him out! Such confidence! (Big Shot 002, 1940)

    Jeff’s choice to adopt the Cloak identity comes after his identity as a government man gets around and enemy agents start gunning for him. Specifically, they gun him in the left shoulder. Twice! (Big Shot 015, 1941)

    Being a costumed super-hero is no guarantee that you won’t be shot, however, and Jeff gets his skull creased once more on his third outing as the Cloak. (Big Shot 018, 1941)

    the Flame:

    The Flame turns off his bullet-melting heat aura for just an instant to pick up a lady in need and gets his skull creased by a bullet. (The Flame 007, 1941)

    Phantasmo:

    Phantasmo is one of the last super-heroes who one would expect to get injured, seeing as how his whole deal is supposed to be sending out a huge, invulnerable astral form to fight crime. Nevertheless, he keeps on starting adventures in his very vulnerable human body, and so he inevitably gets shot in the left shoulder. (The Funnies 061, 1941)

    Skyman:

    Skyman dodges a bullet at close range – an impressive feat – but he still gets a bloody gash across his enormous chest. (Big Shot 003, 1940)

    Zanzibar the Magician:

    Zanzibar takes an arrow in the right shoulder courtesy of a dastardly Walrus Man. (Mystery Men Comics 005, 1939)

    A couple of years later but the same shoulder: Zanzibar is shot. (Mystery Men Comics 023, 1941)

     And what Golden Age super-hero goes very long without getting his head creased by a bullet? (The Flame 006, 1941)

  • MEDIA IN COMICS 004

    It’s an all-movies episode of Media in Comics!

    Movies:

    London Strikes Back – Hard! is the film follow-up to London Can Take It, with both featuring an actor playing costumed vigilante London and the narration of Marc Holmes, London’s secret identity. As a bonus, please note the wild nasal apparatus that Imperial Studios required to put a toothbrush mustache on the actor playing Hitler. (Daredevil Comics 005, 1941)

    We don’t too much of the action of Wild Mesa as it is filmed on the ranch of cowboy hero Bull’s-Eye Bill, as the issues in question are much more concerned with the interpersonal conflict between Bill and film star Tex O’Conner. Seems to be a regular-ass Western. (Target Comics v1 009, 1940)

    And now for some more Fantastic Feature Films content, as discussed in the last Media in Comics round-up: 

    Musical genius Gorevski, driven mad by a progressive paralysis in his right arm and the perceived infidelity of his wife, turns his strange musical abilities to crime in The Music Monster. (Target Comics v1 004, 1941)

    Big city gangsters steal a rain-making machine and get mixed up in backwoods hijinks in the execrable hillbilly comedy Ezekiel’s Ark. (Target Comics v1 005, 1941) 

    The Blue Zombie, a film about mad science being turned against warmongers, turned up in a minor super-hero round-up a while back. (Target Comics v1 006, 1941)

    The House of Horror is kind of a horror movie and kind of a crime movie, about a young couple who stumble into a gang hideout while visiting a relative and get fake haunted. (Target Comics v1 007, 1941)

    In Wedding Present, a gangster tries to go straight for love, only to be dragged back in and ultimately meet his end thanks to his own twisted mind. (Target Comics v1 008, 1941)

    Boomerang is the tale of a heroic reporter fighting to clear his lover’s father from a political frameup (the boomerang in question being the fact that the source of the smear campaign has his own career ruined). (Target Comics v1 009, 1941)

    Sword of Destiny is a very weird horror movie in which an American couple buy a house that once belonged to Mexican war hero General Santa Guerrero, only to find that instead of dying twenty years earlier as everyone had believed he had instead been trapped in the building’s basement, eating rats and house painters. The titular sword of destiny is Guerrero’s own that had been left hanging over the fireplace and is ultimately used to slay him. (Target Comics v1 010, 1941)

    Oddly featured just two issues after the last one, this Boomerang is a story about a man trying to commit the perfect murder and then himself dying when rigor mortis causes his victim to posthumously shoot him back. (Target Comics v1 011, 1941)

  • MEDIA IN COMICS 003

    We’ve hit a rich seam of comic book movies this time, by Jove.

    Movies:

    Eaglets of America is a film about flying cadets, filmed at the same field that aspiring pilot Lucky Byrd trains at. There is some unpleasantness with a lecherous leading man, alas, but it all gets sorted by the end. (Target Comics v1 002, 1940)

    The 1933 film the Prizefighter and the Lady, starring boxer Max Baer opposite Myrna Loy, was a real touchstone back during the heyday of boxing comics. Given enough appearances, and boxer would end up in Hollywood in a sports romance with a variably terrible name. Hot Fists and Hot Lips, starring Kayo Ward, might just have the worst title of them all. (Pep Comics 008, 1940)

    Much like all those times that two volcano movies or two asteroid movies come out in quick succession, Miracle Movies and Bee Pictures are each working on a “lion picture” at the same time, only while Leo, King of Beasts makes it to theatres o sink or swim on its own merit, Jungle King is never completed due to the fact that its producer resorts to murder to get his movie out first. (Fight Comics 007, 1940)

    There’s no romance plot (on-panel, at least), but Pardon My Glove starring Kayo Kirby is absolutely another riff on The Prizefighter and the Lady. (Fight Comics 004, 1940)

    The Mad Martian may not get anything approaching a plot synopsis, but it has the distinction of being the inspiration for villain Red Dugan to commission the creation of a monstrous minion. (Blue Ribbon Comics 003, 1940)

    Though it was announced as being the subject of the next instalment of actress Diana Deane’s comic, War Nurse never actually appeared due to the strip being cancelled. A shame as I was really curious about the amount of dripping blood and what that might presage. (Funny Pages v1 004, 1940) 

    Like long-running comic strip Minute Movies, the concept of ‘Fantastic Feature Films’ is that of a series of movies acted by a recurring stable of actors. It’s a very fun idea that only lasts a double handful of issues, alas.

    The plot of Dance of Death involves a plot to assassinate a Hitler analog using an exotic dancer’s prop bubble that has been filled with gas. Interestingly, the plot is less concerned with making sure that the plot succeeds than it is with trying to foil it so that the dancer doesn’t get into trouble. (Target Comics v1 003, 1940)

    Devil’s Dust concerns an outcast Frenchman whose harsh treatment has made him a misanthrope and who only turns his supply of metal-dissolving dust to the cause of world peace after a gregarious American calls him “pal.” (Target Comics v1 002, 1940)

    The Maskless Axeman is a very strange film about a tuxedo-clad executioner who works for a Hitler analog and who driven mad by a fake haunting in order to save the life of a dancer accused of spying. (Target Comics v1 001, 1940)

    Radio:

    I like a good DJ name, and I appreciate just how tired “Stay-Up Dan, the All-Night Music Man” looks. (The Face 001, 1941)

  • MEDIA IN COMICS 002

    Fictional books, fictional movies, fictional stage shows: it’s media in comics time! 

    Books:

    Dexter, a friend of Ellsworth “the Sphinx” Forrester, has written a book titled Who’s Who in Murder which is one of those grand exposes that causes everyone in crimedom to attempt to kill the author before they can publish. That’s gotta be great publicity. (Exciting Comics 010, 1941)

    While Guns Make Dust is very plot relevant in this Ellery Queen mystery, as a doped-up stamp thief hides his prize in one of three copies in a local bookstore and subsequently murders several people in search of the right one, we never learn much about the book itself. I think it’s a Western, personally. (Crackajack Funnies 024, 1940)

    We learn even less about Life of Lee, the book that gives DA Tom Kerry the idea that solves a big murder case. Could this be a biography perhaps? Of Robert E. Lee? (Big Shot Comics 007, 1940)

    As we have established, there are many faux Hitlers in comics. Much more rare is the Hitler-alike who has written his own Mein Kampf analog, but such a one is Nargoff, aka the Leader, whose book The New Order is ultimately weaponized against him by the Spirit. (The Spirit, “The Leader,” 29 December, 1940)

    Magazines:

    Roving photographer Fran Frazer works for Strife magazine, an obvious play on LIFE but one which neatly justifies the action-packed lifestyle of the comic book photog. (Top-Notch Comics 009, 1940)

    Movies:

    Real-life animal trainer Clyde Beatty plays some role in the fictional film Jungle Drama, but what it is we cannot say, other than the fact that it involves a lion. (Crackajack Funnies 023, 1940)

    “Gabby Scoops” was a short-lived strip that was an awkward hybrid of goofy humour and crime action that ended after the titular hero went Hollywood and starred in the movie It’s a Scoop! (Crackajack Funnies 030, 1940)

    Shadow Devils, an espionage thriller with an unusual name, is one of those comic book movies that goes on shooting even after female lead Norda Noll is shot dead on-camera. Detective Charlie Chan eventually sorts it all out: it’s all about horse racing somehow. (Big Shot Comics 001, 1940)

    Dick Cole, aka the Wonder Boy, is roped into doing the stunts for a movie called Shining Star over his summer vacation. Interpersonal conflicts and murder attempts stretch the filming over a couple of issues, but it does eventually get made. It’s even well received, despite being an incoherent hodgepodge of action setpieces! (Blue Bolt v1 005, 1940)

    Theatre:

    Like the movie that finishes production despite death an calamity, the play that continues its run while actor after actor is killed on stage is a real staple of the Golden Age mystery comic. Espionage is such a play, albeit with only one murder and a series of near-misses as the show’s conductor fires poisoned darts out of his baton at those who he sees as standing between him and his love of the female lead. (Keen Detective Funnies v2 007, 1939)

  • CATALOGUE OF WOUNDS 008

    CATALOGUE OF WOUNDS 008

    Everybody gets shot now and then.

    the Bronze Terror: 

    The Bronze Terror is shot in the left arm during his first adventure by the wicked Scar Thornton, which gives him an excuse to show off his penchant for knocking out crooks’ teeth. (Daredevil Comics 002, 1941)

    Whiz, King of Falcons: 

    Whiz is shot through the left wing by a Lord Haw-Haw analog, and since this is the one issue in which he has the power of speech, he gets to complain about it. (Daredevil Comics 001, 1941)

    Trojak the Tiger Man: 

    Clawed across the chest by a lion. (Daring Mystery Comics 002, 1940)

    the Mask:

    The Mask gets his head creased by a bullet. (Exciting Comics 007, 1941)

    Sub-Zero: 

    Sub-Zero has an eventful 1941: first he gets shot in the right shoulder while parachuting… (Blue Bolt v1 012, 1941)

     … then breaks his right leg while in pursuit of a suspect… (Blue Bolt v2 001, 1941

    … and finally gets his skull creased by some trigger-happy miscreants.  (Blue Bolt v2 005, 1941

    the White Rider:

    The White Rider gets himself generically shot during his very first attempt to mete out vigilante justice, and it’s a lucky thing for him that he has Super Horse or there wouldn’t be a second. (Blue Bolt v1 001, 1940)

    Dr Miracle:

    Dr Miracle takes a thrown stiletto to the right shoulder while he is physically merger with his manservant Akim, which might also make this a stiletto to Akim’s shoulder as well. The physics of the situation are unclear. (Champ Comics 012, 1941)

    the Sphinx:

    Though he has in the past proved himself broadly invulnerable, the Sphinx is not immune to getting his skull creased by a bullet. (Exciting Comics 008, 1941) 

  • CATALOGUE OF WOUNDS 008

    CATALOGUE OF WOUNDS 008

    Everybody gets shot now and then.

    the Bronze Terror: 

    The Bronze Terror is shot in the left arm during his first adventure by the wicked Scar Thornton, which gives him an excuse to show off his penchant for knocking out crooks’ teeth. (Daredevil Comics 002, 1941)

    Whiz, King of Falcons: 

    Whiz is shot through the left wing by a Lord Haw-Haw analog, and since this is the one issue in which he has the power of speech, he gets to complain about it. (Daredevil Comics 001, 1941)

    Trojak the Tiger Man: 

    Clawed across the chest by a lion. (Daring Mystery Comics 002, 1940)

    the Mask:

    The Mask gets his head creased by a bullet. (Exciting Comics 007, 1941)

    Sub-Zero: 

    Sub-Zero has an eventful 1941: first he gets shot in the right shoulder while parachuting… (Blue Bolt v1 012, 1941)

     … then breaks his right leg while in pursuit of a suspect… (Blue Bolt v2 001, 1941

    … and finally gets his skull creased by some trigger-happy miscreants.  (Blue Bolt v2 005, 1941

    the White Rider:

    The White Rider gets himself generically shot during his very first attempt to mete out vigilante justice, and it’s a lucky thing for him that he has Super Horse or there wouldn’t be a second. (Blue Bolt v1 001, 1940)

    Dr Miracle:

    Dr Miracle takes a thrown stiletto to the right shoulder while he is physically merger with his manservant Akim, which might also make this a stiletto to Akim’s shoulder as well. The physics of the situation are unclear. (Champ Comics 012, 1941)

    the Sphinx:

    Though he has in the past proved himself broadly invulnerable, the Sphinx is not immune to getting his skull creased by a bullet. (Exciting Comics 008, 1941) 

  • DEMONIC ROUND-UP 002

    DEMONIC ROUND-UP 002

    Look out! Its demons!

    Lucifer: 

    Dastardly voodoo man the Voodoo Man has this version of Lucifer possess a young woman for some dang reason. He’s got a pretty good look with the sideburns and all, but is surprisingly easy to chase away with an anemically-presented crucifix. (Weird Comics 006, 1940)

    the Unholy One: 

    The Unholy One is an infernal servant of some kind who has been summoned as a sort of demonic search engine by the Green Sorceress. He appears in the early Simon & Kirby days of Blue Bolt, so he gets an appropriate level of gravitas and “this guy’s face is too gross to show you” angles to render him nice and memorable. I like him! (Blue Bolt v1 005, 1940)

    Unnamed Being: 

    If I’m honest I must admit that I have no idea what this guy is. Heroic former uggo Sir Champion encounters him while searching an extradimensional dreamscape for his liege/lover Camilla after she is abducted to there by the wizard Thoth. He is generally helpful, but “capricious, horned extradimensional being” equals “demon” in my eyes. Plus he’s nude! (Jungle Comics 011, 1940)

    the Fire-Devil:

    Perhaps you will recall our old friend the Witch-Master, lord of the witches of Salem. Well, he in turn serves this fellow, who is referred to as the Fire-Devil throughout the adventure due to the fact that he is summoned out of a bonfire. The various titles that the Witch-Master gives him – Great King of Evil, Great King of Inferno, etc – indicate that he is held in some esteem, but the fact that he can’t endure the “level stare” of preteen Mark Kent does diminish this somewhat.

    Also humiliating: the fact that a simple bucket of water is sufficient to banish him back to the underworld. (Slam-Bang Comics 005, 1940) 

  • FASCIST GOON CLEARING HOUSE 010

    Will we ever run out of fascist goons? 

    the Green Shirts:

    The Green Shirts’ claim to fame is their army of the resurrected dead, which they employ in their attempted takeover of the US. Or it would be, that is, if the test run of the resurrection device hadn’t resulted in the death of its inventor and incidentally the creation of the super-mummy Mystico, who ultimately ends up destroying the Green Shirts in a very satisfyingly cyclical kind of way. (Startling Comics 001, 1940)

    the Group/ the Superior Council: 

    The Group, a home-grown collection of fascist malcontents, acts as a front and recruiting arm for the Superior Council, the US arm of the espionage corps of the nation of Zatvia, a classic Nazi Germany stand-in. US secret agent Q-13 successfully infiltrates both groups in succession and foils them so hard that head honcho Miltor explodes. (Super Mystery Comics v1 002, 1940)

    the Green Tie Society: 

    Despite the Green Tie Society’s better-than-average name they’re just another miserable little German-American Bund analog who manage to drag out an adventure with the new, human-faced White Streak for three interminable issues before being rounded up and tossed in the klink. They don’t even have the good graces to wear green ties! (Target Comics v1 010, 1940)

    the Guardists: 

    A fifth column attempting to capture Aruba’s oil fields for the Nazis under the command of Dutch traitor Captain Kliefer, the Guardist movement is smashed by American ace the Lone Eagle. (Thrilling Comics 009, 1940)