The Curse of Skeleton Munroe

Category: Captain Battle

  • MINOR SUPER-VILLAIN 941: THE MUMMY MASTER

    (Silver Streak Comics 015, 1941)

    In a very comic book series of events, a rash of mummy thefts at the City Museum in NYC is followed by the emergence of a Nazi super-crook calling himself the Mummy Master.

    While my normal modus operandi is to lay out the story of the villains I cover in an abridged but linear fashion, here I must jump ahead to the reveal that the Mummy Master is in fact City Museum director Dr Kolb, because I need to talk about just what the heck is going on with this guy and what exactly he was thinking. 

    So: Kolb is a Nazi and he is either officially or unofficially working to hinder US defense production by targeting so-called “Dollar-a-Year Men” (a type of altruistic/patriotic rich guy explored recently in our discussion of the Death Battalion). On the surface his decision to become the Mummy Master is… not a good one, but one with a lot of thematic resonance and which uses a lot of close-at-hand resources: he has access to mummies and a ready-made HQ in the depths of the museum. He never really states it outright, but by stealing a bunch of mummies and then dressing his henchmen up like them he seems to be going for the same sort of shock factor as Herr Skull got with his Skull Men.

    The first Dollar-a-Year Man on the Mummy Master’s list is even kidnapped with the same mummy DIY philosophy: he receives a mummy case in the mail, is disturbingly cavalier about going to bed with it sitting about five feet away and is then captured by the very alive mummy inside and taken away in its former home.

    I would say that the first indication that Kolb/the Mummy Master is not a criminal genius comes at the culmination of the Henderson kidnapping. Surely the move is to dress up like movers and stick the mummy case in a truck, but the Mummy Master and his Mummy Gang just schlep the thing through the city streets. It’s like the idea of maintaining the theme is interfering with Kolb’s ability to do risk management.

    The abduction of the second man, Billings, is comparatively simple: just a bunch of fake mummies storming the guy’s office and grabbing him. It’s a dumb meathead plan, but it’s less dumb than the first, ostensibly clever plan so I must give it some credit.

    By this point, the Mummy Master’s haphazard approach to super-espionage has caught up to him and not only Captain Battle but Hale Battle and Battle associate Jane Lorrain are wandering around inside his lair – his capture is a foregone conclusion.

    Hale Battle of course takes a souvenir of the battle with the Mummy Master, in the form of a little mummy doll made out of some of his wrappings. Of note is the fact that Hale’s collection contains only the souvenirs that we have seen him collect, in contrast to other trophy displays like Green Arrow’s that are already stuffed full of trash upon their first appearance.

    Categorized in: Day Jobs (Museum Director), Fraud (Fake Mummy), Supranormal Beings (Mummies)

  • MINOR SUPER-VILLAIN 941: THE MUMMY MASTER

    (Silver Streak Comics 015, 1941)

    In a very comic book series of events, a rash of mummy thefts at the City Museum in NYC is followed by the emergence of a Nazi super-crook calling himself the Mummy Master.

    While my normal modus operandi is to lay out the story of the villains I cover in an abridged but linear fashion, here I must jump ahead to the reveal that the Mummy Master is in fact City Museum director Dr Kolb, because I need to talk about just what the heck is going on with this guy and what exactly he was thinking. 

    So: Kolb is a Nazi and he is either officially or unofficially working to hinder US defense production by targeting so-called “Dollar-a-Year Men” (a type of altruistic/patriotic rich guy explored recently in our discussion of the Death Battalion). On the surface his decision to become the Mummy Master is… not a good one, but one with a lot of thematic resonance and which uses a lot of close-at-hand resources: he has access to mummies and a ready-made HQ in the depths of the museum. He never really states it outright, but by stealing a bunch of mummies and then dressing his henchmen up like them he seems to be going for the same sort of shock factor as Herr Skull got with his Skull Men.

    The first Dollar-a-Year Man on the Mummy Master’s list is even kidnapped with the same mummy DIY philosophy: he receives a mummy case in the mail, is disturbingly cavalier about going to bed with it sitting about five feet away and is then captured by the very alive mummy inside and taken away in its former home.

    I would say that the first indication that Kolb/the Mummy Master is not a criminal genius comes at the culmination of the Henderson kidnapping. Surely the move is to dress up like movers and stick the mummy case in a truck, but the Mummy Master and his Mummy Gang just schlep the thing through the city streets. It’s like the idea of maintaining the theme is interfering with Kolb’s ability to do risk management.

    The abduction of the second man, Billings, is comparatively simple: just a bunch of fake mummies storming the guy’s office and grabbing him. It’s a dumb meathead plan, but it’s less dumb than the first, ostensibly clever plan so I must give it some credit.

    By this point, the Mummy Master’s haphazard approach to super-espionage has caught up to him and not only Captain Battle but Hale Battle and Battle associate Jane Lorrain are wandering around inside his lair – his capture is a foregone conclusion.

    Hale Battle of course takes a souvenir of the battle with the Mummy Master, in the form of a little mummy doll made out of some of his wrappings. Of note is the fact that Hale’s collection contains only the souvenirs that we have seen him collect, in contrast to other trophy displays like Green Arrow’s that are already stuffed full of trash upon their first appearance.

    Categorized in: Day Jobs (Museum Director), Fraud (Fake Mummy), Supranormal Beings (Mummies)

  • MINOR SUPER-VILLAIN 938: HERR SKULL

    (Silver Streak Comics 014, 1941)

    Herr Skull is the leader of the Skull Men, a band of fascist saboteurs who dress up like ghoulish skeletons in order to facilitate their crimes. Why do they have spikes on top of their heads? I do not know the answer to that. Perhaps Herr Skull just thought the look needed a bit more to really pop.

    Spike aside, the plan works! The Skull Men are terrifying enough that their victims are caught completely off guard, as these unfortunate armoured truck guards demonstrate, and those who do not manage to flee are ruthlessly killed.

    Using the defense money stolen from the armoured truck job, Herr Skull and his men embark on a campaign of death and destruction around NYC, striking at aircraft, naval and ammunition production.

    The flaw in the Skull Men’s operation is exposed by Captain Battle and sidekick Hale Battle, who almost capture them during the armoured car job but are knocked out by a gas grenade long enough for the gang to make their escape. Simply put, Herr Skull’s whole plan hinges on the Skull Men’s victims being too frightened to fight back with no apparent backup plan for if they do. When the Battle duo infiltrate their sewer lair it’s all over.

    SKULL SCORE: visible eyes make it a 4, dropping to 3 because it’s just a mask.

    Categorized in: Body (Skulls), Generica (Herrs), Ideology (Crypto-Fascists)

    Silver Streak Comics 014 is the issue in which Hale Battle starts his ongoing souvenir collection. He adds one of the Skull Men masks to it at the end of the issue…

    … but the real start of his obsession is in the cliffhanger from their previous adventure which involved sinking a u-boat and from which he retained a torpedo propeller.

  • DIVINE ROUND-UP 027

    I wonder if we’ll ever synthesize a unified theory of comic book religion out of this stuff.

    Isis:

    While attempting to thwart the magical con man Ahman-Ka-Lukor, Doctor Miracle calls upon the power of the Egyptian goddess Isis, who aids him by summoning the shade of the man whose reincarnated soul is now Ka-Lukor’s, and all so that Doctor Miracle can compare the two and make sure that he has the right man – it’s the most elaborate alternative to acquiring a photograph of the guy that I can imagine.

    Isis is depicted with a horns/sun disc/vulture headdress that is reasonably accurate to at least one era’s iconography, which is impressive enough for a just-wing-it medium like comics, but even more impressively for 1941 she is also totally topless, though also completely nipple-less.

    It’s not really anything to do with Isis, but Ka-Lukor has a cat familiar named Oasi who can turn into a lady who looks weirdly like the depiction of Isis and who caused me some confusion when I skimmed the story. I think that sh might just have represented another chance to draw a topless woman. (Champ Comics 013, 1941)

    the God of Hate: 

    The God of Hate is worshipped by the Claw’s followers at his skull castle in Tibet, and might just have the biggest head to body ratio that we have seen thusfar.

    Given the way that the God of Hate descends into the fiery pit and is then replaced with the Claw, it is possible that they are seen as aspects of the same being, that the Claw is the Earthly representative of the GoH, or even that the God works for the Claw, given the fanatical devotion that he elicits from his minions.

    Also: check out these guys. I’m sure that they came straight out of a National Geographic photo shoot but they also look quite cool. (Silver Streak Comics 007, 1941)

    the Great One: 

    This happens all the time when you’re a jungle adventurer: you rock up to an ancient temple to a near-forgotten god that is still worshipped with grisly rites and human sacrifice, and it turns out that there’s a big snake or other monster in there, just living it up. In this case, god of death the Great One has been played by Kadu, the Man-Eating Rat, who adventurer Lance Hale has personal beef with from a prior encounter, it seems. 

    God Style: Animist (Silver Streak Comics 011 1941)

    Moko:

    Moko is the god of a group of Tibetan bandits referred to as the Hoods, who I initially thought just had that weird yellow skin tone that comics used to render Asians with, but are later revealed or revised to be wearing cape and cowl getups. The actual worship of Moko is not detailed but does involve human sacrifice via a pit-and-pendulum style swinging blade.

    God Style: Idol (Silver Streak Comics 012, 1941)

  • DIVINE ROUND-UP 027

    I wonder if we’ll ever synthesize a unified theory of comic book religion out of this stuff.

    Isis:

    While attempting to thwart the magical con man Ahman-Ka-Lukor, Doctor Miracle calls upon the power of the Egyptian goddess Isis, who aids him by summoning the shade of the man whose reincarnated soul is now Ka-Lukor’s, and all so that Doctor Miracle can compare the two and make sure that he has the right man – it’s the most elaborate alternative to acquiring a photograph of the guy that I can imagine.

    Isis is depicted with a horns/sun disc/vulture headdress that is reasonably accurate to at least one era’s iconography, which is impressive enough for a just-wing-it medium like comics, but even more impressively for 1941 she is also totally topless, though also completely nipple-less.

    It’s not really anything to do with Isis, but Ka-Lukor has a cat familiar named Oasi who can turn into a lady who looks weirdly like the depiction of Isis and who caused me some confusion when I skimmed the story. I think that sh might just have represented another chance to draw a topless woman. (Champ Comics 013, 1941)

    the God of Hate: 

    The God of Hate is worshipped by the Claw’s followers at his skull castle in Tibet, and might just have the biggest head to body ratio that we have seen thusfar.

    Given the way that the God of Hate descends into the fiery pit and is then replaced with the Claw, it is possible that they are seen as aspects of the same being, that the Claw is the Earthly representative of the GoH, or even that the God works for the Claw, given the fanatical devotion that he elicits from his minions.

    Also: check out these guys. I’m sure that they came straight out of a National Geographic photo shoot but they also look quite cool. (Silver Streak Comics 007, 1941)

    the Great One: 

    This happens all the time when you’re a jungle adventurer: you rock up to an ancient temple to a near-forgotten god that is still worshipped with grisly rites and human sacrifice, and it turns out that there’s a big snake or other monster in there, just living it up. In this case, god of death the Great One has been played by Kadu, the Man-Eating Rat, who adventurer Lance Hale has personal beef with from a prior encounter, it seems. 

    God Style: Animist (Silver Streak Comics 011 1941)

    Moko:

    Moko is the god of a group of Tibetan bandits referred to as the Hoods, who I initially thought just had that weird yellow skin tone that comics used to render Asians with, but are later revealed or revised to be wearing cape and cowl getups. The actual worship of Moko is not detailed but does involve human sacrifice via a pit-and-pendulum style swinging blade.

    God Style: Idol (Silver Streak Comics 012, 1941)

  • MINOR SUPER-VILLAIN 930: THE BLACK DRAGON

    MINOR SUPER-VILLAIN 930: THE BLACK DRAGON

    (Silver Streak Comics 010, 1941)

    Here’s the thing about the Black Dragon: though he looms large in the early adventures of Captain Battle and is a key player in the origin of Hale Battle, he doesn’t personally do that much villainy.

    So just what is the Black Dragon’s deal? Well, he’s a magic using tyrant who lives in a secret castle in some unspecified Asian mountains, and he’s the secret mastermind behind the Axis Axian Powers, making him the guy behind WWII! Like I said above: he doesn’t personally get his hands dirty.

    So what kind of evil does the Black Dragon get up to? Mostly he captures people and turns them into monsters with his fell majicks, such as when he attempts to do so to Captain Battle, above. This attempt fails because the Black Dragon fails to think to take his prisoner’s iconic jet pack away.

    In his second appearance, in Silver Streak Comics 011, the Black Dragon captures Captain Battle’s assistant Jane Lorrain and offers her the creep villain’s choice of becoming his queen or being transformed into a monster. He then attempts to take on Captain Battle in hand-to-hand combat and is quickly disabused of any illusions he might have had about his martial prowess. 

    The reason that the Black Dragon is so personally unimpressive as a villain is that all of his important evil works are done by Deaglos, giant bird-men that he makes out of captives. Monstrous humanoid mutates are nothing new in comics even this early in their history, but the Deaglos have one very cool feature that almost feels like it comes from a Vertigo-era New Weird comic: they are created using the spirits of the extinct dodo and so are immune to death.

    (the Deaglos also have field commanders referred to a “your cluckness,” which is very fun)

    By Silver Streak Comics 012: Captain Battle gets on the right page and realizes that if he cuts off the Black Dragon from his Deaglo supply he will have little to no ability to do evil. Plus the Deaglos are technically also victims, so his prior solutions of horrifically melting them with his dissolvo ray or using their inexplicable vulnerability to radio waves to kill them all are no very heroic acts. Accordingly, he brews up a “de-witcher solution” and applies it to a captive Deaglo, restoring him to his human form of Major Ling Fu.

    Captain Battle and the Major then go on to blast all the other Deaglos with the de-witcher, which coincidentally places a hostile force within the very walls of the Black Dragon’s fortress (this is where Hale Battle comes from).

    In his final act as a super-villain, the Black Dragon responds to this invasion by making what is probably the funniest evil exit of the Golden Age. “Ha Ha-Haaaaaa!” *strikes evil pose* *sinks into floor* *is never seen again*. I can’t endorse the whole thing where he started World War Two, but this exit really engenders a lot of affection for the guy in my heart.

    Categorized in: Animals (Dragons), Henchmen (Deaglos), Supercrime (Attempted World Conquest) 

  • MINOR SUPER-HERO ROUND-UP 080

    It’s a sidekick-heavy brew this time, chums.

    the Silver Streak **UPDATE**:

    It’s been a gradual thing but the Silver Streak has been getting closer and closer to not just going real fast and jumping far but actually flying. I don’t know if you can actually pinpoint the moment he made the transition but he is definitely on the “is flying” side of the equation by Silver Streak Comics 010, 1941. 

    Mercury:

    Although Whiz, King of Falcons is an exemplary sidekick to the Silver Streak, comic books are nothing if not prone to trends, and the trend for 1941 was for super-heroes to get kid sidekicks. And although there is only so much you can do to stand out among an army of gee-whillikering blonde boys, Mercury, aka the Boy Streak, aka Mickey O’Toole, does have a couple of aspects worth highlighting:

    The first of these things is his origin story. Mickey O’Toole is the appropriately hard-hitting son of the late boxer Slugger O’Toole, who was murdered mid-match because he wouldn’t take a dive. Mickey now shines shoes in order to provide for his widowed mother and disabled sister Mary. A sad tale indeed.

    The remarkable thing about Mickey’s sad backstory and struggling family the fact that it and they never come up again. Mickey starts hanging out with the Silver Streak and his family woes go right out the window. There’s even a hint at the end of his debut appearance that he will get the chance to bring the man who killed his father to justice, but writing duties on “Silver Streak” transfer from Bob Wood to Don Rico with the probably-pseudonymous Rex Richards in between and Mercury’s backstory gets lost in the shuffle.

    The second thing to note about Mercury is the origin of his powers: Silver Streak gives him a shot of secret super juice. Not anything to write home about in and of itself – every third super-hero is on some sort of serum or powder or elixir, after all – but because the common knowledge about this kid is that he got his powers from a Silver Streak blood transfusion. I myself asserted this in my entry on the guy! I mean, it’s not like we’re out there getting the origin of the Flash wrong or something but it is an interesting example of how misinformation can become more prevalent than fact (also this kind of clears up the mysterious origin of the Silver Streak’s own powers: he took the juice!) (Silver Streak Comics 011, 1941)

    Meteor:

    The third thing about Mercury is the fact that after two issues he is replaced by Meteor, the Boy Speed-King and no two of the half dozen nerds who care about this kind of thing can agree on whether Mercury and Meteor are the same kid with two different names or two different kids with no explanation of where the first one went or the second one came from, with the argument fr the second position boiling down to the fact that they never say that the two are the same. 

    Personally, I lean toward the “one kid, two names” hypothesis, as it’s slightly cleaner. Why invent a whole new kid? (Silver Streak Comics 013, 1941)

    Categorized in: Elements (Mercury), Locations (Space Places), Origins (Sidekicks) 

    Whiz, King of Falcons **UPDATE**: 

    Whiz, King of Falcons, the Silver Streak’s original sidekick, in perhaps his final appearance before he is supplanted by one or more flying kids, demonstrates the heretofore-unseen ability to talk. And to be an annoying smartass, if I’m honest. Whiz returns later on in Silver Streak’s career, so it’ll be interesting to see if he retains this ability. (Daredevil Comics 001, 1941) 

    Captain Battle:

    Captain Battle: patriotic hero, scientist, former soldier and in fact World War One veteran, in which conflict he lost his left eye. Lest we think him too old, the text is at pains to reassure us that he was in fact the youngest person to fight in the Great War, which I think is supposed to make him seem tough but mostly instills a deep horror in my being. Particularly after I looked it up and found that that would make him something like seven years old, at least until a few issues later when they clarify that he was the youngest member of the American Expeditionary Forces, making him a comparatively venerable 12 or so.

    Like many patriotic heroes there isn’t a lot going on with Captain Battle beyond his love of country, but here are all of the interesting trappings of his character:

    1. His assistant, Jane Lorrain: she’s got a rhyming name and she’ll push back on sexist language. Like many potentially interesting female supporting cast members she is pretty thoroughly sidelined once Battle gets a sidekick.

    2. His patriotism. Not only is he dedicated to the defense of the US but he has sworn to only defend the US. He helps save a British fleet in his first appearance explicitly because they act as a buffer between the Axis Axian Powers and America. Presumably he would otherwise let them be destroyed. Every once in a while when he is not directly helping an American he gets kind of huffy about it.

    3. His gadgets, while not unique, have very cool names, including the Curvoscope (remote viewer), the Dissolvo (death ray pistol) and the Luceflyer (jetpack). The Dissolvo is also really disgusting, as it melts its target into a quivering pile of goo. (Silver Streak Comics 010, 1941)

    Captain Battle gets a couple of issues of his own comic in 1941 and for precisely one story he makes an extremely feeble attempt at having a secret identity with no consideration for the fact that a) there aren’t a lot of guys running around with eye patches in any given area, which makes the usual secret id excuses appear even more ridiculous and b) Captain Battle’s real name is in fact Captain Battle. “You know, I never see Captain Battle and Captain Battle in the same room together…” Ridiculous.

    If I’m honest the story in question has a couple of indications that it originally starred another character and Captain Battle was a late addition, and if that is the case then the secret identity stuff is just a holdover from that. (Captain Battle Comics 001, 1941)

    Categorized in: Accessories (Various), Origins (Patriotic Heroes), Origins (WWI Vets)

    Hale Battle:

    The prevailing trend in 1941 was for super-heroes to have sidekicks and so Captain Battle eventually gets a sidekick. But just how does he acquire a boy? Very simply! See, Battle’s recurring foe the Black Dragon (tune in tomorrow for that jerk) had a thing where he turned people into giant bird-man minions called Deaglos, and the final Captain Battle/Black Dragon confrontation the surviving Deaglos were all restored to their human forms. Most of them were adult men who had lives to return to, but among them was one unclaimed boy.

    Note that the boy gives his name as “Nathan Hale” and Captain Battle immediately renames him “Hale Battle.” This is weird. It’s a weird thing to do. Particularly as “Nathan Hale” is a very patriotic American name, which Battle should totally be into! Also note just how small this kid is. This doesn’t last long, as he is definitely around the thirteen to fifteen year-old range that most Golden Age sidekicks fall into and is drawn to look more like it as time passes.

    Hale Battle is among the minority of Golden Age sidekicks who aren’t recruited as sidekicks but who insist upon becoming them. Not that Captain Battle puts up much resistance – once Hale gets this poor war refugee to sew him a uniform he’s got the job.

    Aside from these small points of interest, Hale Battle is one of the most generic sidekicks in comics. He does have a minor obsession with collecting souvenirs of his adventures, which is something I in turn enjoy writing about, but if I’m honest he approaches it without joy. It feels like an attempt to have more of a personality than a hobby. (Silver Streak Comics 012, 1941)

    Categorized in: Origins (Amnesiacs), Origins (Sidekicks)