The Curse of Skeleton Munroe

Category: espionage

  • MINOR SUPER-VILLAIN 981: IVAN SHARK

    (The Funnies 057, 1941)

    Ivan Shark is the arch-enemy of Captain Midnight, direct from the Captain Midnight radio show. He is the head of a nationwide network of spies and gangsters dedicated to overthrowing the US government.

    The threat of Shark and his organization is so great, in fact, that it is the impetus for the formation of Captain Midnight’s Secret Squadron, and so efficient that he is aware of the clandestine meeting between Midnight and a heavily-disguised FDR that marks the Squadron’s beginning and is able to get there in time to attempt a presidential kidnapping. 

    Like Captain Midnight, Ivan Shark has an extensive supporting cast that has been sourced from the radio show and appear as shorthand versions of themselves in the comic, including henchmen Wolf, Fang and Gardo, the latter of whom finally appears in The Funnies 061 after being mentioned in every previous issue.

    The greatest of Shark’s minions is his daughter, the amazingly-named Fury Shark. In practice she is just a standard femme fatale espionage type, but she and her father make for a very entertaining evil scheming duo.

    Like his foe Captain Midnight, this version of Ivan Shark is but a pale shadow of his radio counterpart, doomed to live out an incomplete story due to the brief duration of the Dell adaptation.

  • GENERIC COSTUMED VILLAIN ROUND-UP 039

    Those who also ran, we salute you. 

    Karl the Hermit:

    Karl, as his name implies, is a mean ol’ hermit who lives atop a mountain. He has has got himself a critter called the Thing that Walks Like a Man that he uses to act out his misanthropic impulses, such as when he sends it to kill his cousin Rushman. What is his motivation for doing all this? Don’t worry about it – he’s a crazy old hermit!

    Karl’s actions attract the attention of the Silver Streak and Meteor, and both he and the Thing end up doing a header off of a cliff. (Silver Streak Comics 015, 1941)

    Lord Garnett:

    Lord Garnett, English MP, engages in a little pigeon-based espionage on behalf of the Nazis and gets socked by the Silver Streak for his efforts. As can be deduced by his trademark braying laugh, this is the guy who later pivots into propaganda broadcasting as a Lord Haw-Haw analog, but here we are only concerned with his foray into masked spymanship. (Daredevil Comics 001, 1941)

    Anders:

    When a masked arsonist starts burning down all of a company’s buildings in a comic it’s equal odds on whether it’s corporate sabotage, extortion or insurance fraud. I guess those are the main choices in real life as well, now that I think about it. In this case it’s some pretty solvable insurance fraud, as the Anders Warehouse Company is being burned down by Mr Anders for the money. (Dynamic Comics 001, 1941)

    Mr Black:

    Mr Black, Art Supervisor of the Municipal Museum in the undefined city that Lucky Coyne calls home, has happened upon a foolproof scheme: kidnap a painter and force him to create forgeries, then sell those forgeries for beaucoup bucks. There are only two problems with this scheme: 1) Black loses his job immediately for spending museum funds on one of his own forged paintings and 2) both the museum and the painter’s daughter come to Lucky Coyne for help, leading on a severe blow to the head for Mr Black. (Dynamic Comics 002, 1941)

  • MINOR SUPER-VILLAIN 945: DR DRACULA

    (Silver Streak Comics 017, 1941) 

    With Dr Dracula, Captain Battle has now faced four Nazi or Nazi-adjacent villains in a row whose plans involve gathering up a bunch of guys and pretending to be monsters, in this case vampires. Was there a meeting about this at the regional Nazi spy headquarters or is this one of those things like when Hollywood makes two volcano movies at the same time? Maybe one guy had a good idea and the other three stole it. 

    I’d have to say that Dr Dracula has the best name and possibly the best look out of the four, but the Mummy Master’s Mummy Gang might take the gold in terms of best henchmen. 

    As a supplement to the power of fake vampirism, Dr Dracula steals a new death ray from the hapless Professor Fosdick, who then serves as the first (human) target of its instant skeletonization effect. Horrifying! And visually striking!

    (please note the fourth panel above, when Fosdick exclaims “Vampires! Vampires as large as men!” I believe him to be referring to vampire bats, which doesn’t make a huge amount of sense given what he is looking at at the time but which is the only interpretation to make much sense. It is the kind of thing that comic book people shout when vampire bats are about, after all)

    This is about the time that Captain Battle shows up to put a stop to Dr Dracula’s plans, which gives he and his men the opportunity to demonstrate that they can all fly as they engage in thrilling aerial combat vs Captain Battle and his luceflyer (Hale Battle is lagging behind and can’t be there for this fight). 

    These wing suits are very cool and more importantly… way more strategically valuable than the death ray that they just stole? Like, yes: the death ray can instantly kill any target, but so can a good sniper, and you certainly could deploy more good snipers easily if you had flying infantry, right?

    Having made his getaway, Dr Dracula gets down to the serious business of sabotaging American war production by turning people into goofy skeletons. Prof Fosdick must have had a sense of humour, because while the ray dissolves clothing it selectively leaves props such as cigarettes or blankets behind so that every tragic ray-gun death looks just a little bit funny.

    Dr Dracula meets his end when Captain Battle throws a steel net over him and the death ray explodes. This is what happens when you steal an experimental piece of technology and kill the inventor, folks. 

    Hale Battle must of course have his souvenir, and what better or more striking object is there than one of the false vampires’ wing suits?

  • MINOR SUPER-VILLAIN 945: DR DRACULA

    (Silver Streak Comics 017, 1941) 

    With Dr Dracula, Captain Battle has now faced four Nazi or Nazi-adjacent villains in a row whose plans involve gathering up a bunch of guys and pretending to be monsters, in this case vampires. Was there a meeting about this at the regional Nazi spy headquarters or is this one of those things like when Hollywood makes two volcano movies at the same time? Maybe one guy had a good idea and the other three stole it. 

    I’d have to say that Dr Dracula has the best name and possibly the best look out of the four, but the Mummy Master’s Mummy Gang might take the gold in terms of best henchmen. 

    As a supplement to the power of fake vampirism, Dr Dracula steals a new death ray from the hapless Professor Fosdick, who then serves as the first (human) target of its instant skeletonization effect. Horrifying! And visually striking!

    (please note the fourth panel above, when Fosdick exclaims “Vampires! Vampires as large as men!” I believe him to be referring to vampire bats, which doesn’t make a huge amount of sense given what he is looking at at the time but which is the only interpretation to make much sense. It is the kind of thing that comic book people shout when vampire bats are about, after all)

    This is about the time that Captain Battle shows up to put a stop to Dr Dracula’s plans, which gives he and his men the opportunity to demonstrate that they can all fly as they engage in thrilling aerial combat vs Captain Battle and his luceflyer (Hale Battle is lagging behind and can’t be there for this fight). 

    These wing suits are very cool and more importantly… way more strategically valuable than the death ray that they just stole? Like, yes: the death ray can instantly kill any target, but so can a good sniper, and you certainly could deploy more good snipers easily if you had flying infantry, right?

    Having made his getaway, Dr Dracula gets down to the serious business of sabotaging American war production by turning people into goofy skeletons. Prof Fosdick must have had a sense of humour, because while the ray dissolves clothing it selectively leaves props such as cigarettes or blankets behind so that every tragic ray-gun death looks just a little bit funny.

    Dr Dracula meets his end when Captain Battle throws a steel net over him and the death ray explodes. This is what happens when you steal an experimental piece of technology and kill the inventor, folks. 

    Hale Battle must of course have his souvenir, and what better or more striking object is there than one of the false vampires’ wing suits?

  • MINOR SUPER-VILLAIN 943: HERR DEATH

    (Silver Streak Comics 016, 1941)

    This issue continues the trend of Captain Battle foes being fascist spies who are weaponizing fear by dressing up as the undead. In this case Herr Death is, as the name implies, a desiccated corpse version of Death, accompanied by a horde of the walking dead (not, I must stress, zombies. This is more “the dead have come out of their graves” kind of thing which, yes, would be classified as zombie behaviour now but which used to be its own spooky thing).

    Herr Death has improved on the formula employed by Herr Skull and the Mummy Master before him in a couple of ways. Firstly, his men are not just spooky looking but fitted with bulletproof vests in order to showcase their supernatural fortitude (lucky for them the “destroy the brain” aspect of fighting the undead doesn’t enter the public consciousness for a little while yet). Secondly, Herr Death is far more proactive than his contemporaries and he is very willing to mix it up with his scythe.

    Herr Death also has a very thematic cemetery lair featuring a sick-ass corpse whirlpool for disposing of interlopers such as Captain and Hale Battle. I can’t imagine that it’s too much fun to hang around in between missions but oooh, the atmosphere!

    On the negative side, Herr Death and his men are particularly bad at concealing the fact that they are Nazis, from the fact that his name includes the telltale Herr to his minions yelling “himmel!” and so forth the whole time. This really gives the game away to anyone who is paying attention, such as Captain Battle for instance.

    Once they’re no longer actively drowning in a skeleton whirlpool, Captain Battle and Hale are able to round up Herr Death with little difficulty. Bulletproof vests aren’t too effective against four good ol’ American fists.

    Hale Battle must of course grab his souvenir, and he of course chooses Herr Death’s scythe as the coolest possible option. I don’t think that it’s applicable here since Herr Death did so very many crimes, but this may just be the first time that we’ve seen someone take a murder weapon as a trophy, which makes me wonder just how many super-villain trials have been ruined because a key piece of evidence is sitting in a cave somewhere?

  • MINOR SUPER-VILLAIN 940: THE PARSON

    (Silver Streak Comics 014, 1941)

    The Parson is a weird little dude who takes over a gang of opportunistic London-based looters who have been taking advantage of the ongoing Blitz to make big bucks off of the misfortune of their fellows. Though the gang is initially against the notion of, again, a little weird dude muscling in on their racket, the Parson presses the issue with his powers of hypnotic domination, the source of which is as mysterious and unexplained as the reason for his nom de guerre. 

    (note the backward-speak in the above panel – this is the only instance of him using Zatara-style “magic words” in the story. After this it’s just big-eye hypnotism)

    We do, however know the Parson’s motivation for taking over the gang: he is in fact a Nazi agent working to destabilize London by encouraging the gang to greater and more violent crime, and he reports directly to – a very rude – Adolf Hitler.

    This is a Daredevil comic, which means that the Daredevil has to be in it, which means that he has to get to London somehow. This is achieved by having Bart “the Daredevil” Hill fly a bomber across the Atlantic to the British on a lark. Once he is on the ground, his super-hero intuition is strong enough that he immediately tracks the gang to their bunker lair.

    Though the Parson gets briefly gets the upper hand with a little quick hypnotism, the Daredevil’s willpower proves too great to be suppressed for long and he swiftly batters the whole gang into submission.

    A final note: though the Parson’s men are low-down dirty thieves and murderers, they are still unwilling to work with a Nazi, to their moderate credit.

    Categorized in: Ideology (Nazis), Power (Mind Control), Professions (Religious)

  • MINOR SUPER-VILLAIN 940: THE PARSON

    (Silver Streak Comics 014, 1941)

    The Parson is a weird little dude who takes over a gang of opportunistic London-based looters who have been taking advantage of the ongoing Blitz to make big bucks off of the misfortune of their fellows. Though the gang is initially against the notion of, again, a little weird dude muscling in on their racket, the Parson presses the issue with his powers of hypnotic domination, the source of which is as mysterious and unexplained as the reason for his nom de guerre. 

    (note the backward-speak in the above panel – this is the only instance of him using Zatara-style “magic words” in the story. After this it’s just big-eye hypnotism)

    We do, however know the Parson’s motivation for taking over the gang: he is in fact a Nazi agent working to destabilize London by encouraging the gang to greater and more violent crime, and he reports directly to – a very rude – Adolf Hitler.

    This is a Daredevil comic, which means that the Daredevil has to be in it, which means that he has to get to London somehow. This is achieved by having Bart “the Daredevil” Hill fly a bomber across the Atlantic to the British on a lark. Once he is on the ground, his super-hero intuition is strong enough that he immediately tracks the gang to their bunker lair.

    Though the Parson gets briefly gets the upper hand with a little quick hypnotism, the Daredevil’s willpower proves too great to be suppressed for long and he swiftly batters the whole gang into submission.

    A final note: though the Parson’s men are low-down dirty thieves and murderers, they are still unwilling to work with a Nazi, to their moderate credit.

    Categorized in: Ideology (Nazis), Power (Mind Control), Professions (Religious)

  • MINOR SUPER-VILLAIN 927: THE HIGH ONE

    (Silver Streak Comics 009, 1941)

    The High One is a fascist spy chief cum mad scientist who has been using an advanced poison to wage a surprisingly successful campaign to kill of the upper echelons of the US government. This has brought him into conflict with Bart Benson, aka Secret Agent X-101, who is soon captured by the High One’s agents and bundled off to his HQ in the small town of Newburgh to be gloated at and then executed.

    Though the High One is clever, he ultimately falls prey to pride: X-101 is able to lure him close enough by insulting him to get ahold of him, get free and chuck him out one of his ostentatiously huge windows. After that it’s a simple matter of bringing down a planeload of poison before it gets to Washington DC and the whole operation is over.

    I would like to note that before the High One is taken out he does manage to kill the US Secretary of State, which is a bit more of an impact than even super-villains are usually able to pull off. Is this in fact Henry L. Stimson or just some generic comic book man? Impossible to say unless we treat the Lev Gleason Comics Universe as a coherent thing and he shows up in, like, a Daredevil story some day.

    The High One is also notable for having employed a femme fatale spy named Sandra who served as a recurring foil for Secret Agent X-101 and who is a part of that rarefied sisterhood of recurring female villains who ultimately get away with it because the feature that they appear in has been cancelled. So long Sandra; have fun hanging out with Fraulein Doktor’s Daughter and Illyria, Queen of Spies.

    Categorized in: Alphanumeric (One), Espionage (Crypto-Fascist Spies), Real Folk (Henry L. Stimson)

  • MINOR SUPER-VILLAIN 927: THE HIGH ONE

    (Silver Streak Comics 009, 1941)

    The High One is a fascist spy chief cum mad scientist who has been using an advanced poison to wage a surprisingly successful campaign to kill of the upper echelons of the US government. This has brought him into conflict with Bart Benson, aka Secret Agent X-101, who is soon captured by the High One’s agents and bundled off to his HQ in the small town of Newburgh to be gloated at and then executed.

    Though the High One is clever, he ultimately falls prey to pride: X-101 is able to lure him close enough by insulting him to get ahold of him, get free and chuck him out one of his ostentatiously huge windows. After that it’s a simple matter of bringing down a planeload of poison before it gets to Washington DC and the whole operation is over.

    I would like to note that before the High One is taken out he does manage to kill the US Secretary of State, which is a bit more of an impact than even super-villains are usually able to pull off. Is this in fact Henry L. Stimson or just some generic comic book man? Impossible to say unless we treat the Lev Gleason Comics Universe as a coherent thing and he shows up in, like, a Daredevil story some day.

    The High One is also notable for having employed a femme fatale spy named Sandra who served as a recurring foil for Secret Agent X-101 and who is a part of that rarefied sisterhood of recurring female villains who ultimately get away with it because the feature that they appear in has been cancelled. So long Sandra; have fun hanging out with Fraulein Doktor’s Daughter and Illyria, Queen of Spies.

    Categorized in: Alphanumeric (One), Espionage (Crypto-Fascist Spies), Real Folk (Henry L. Stimson)

  • GENERIC COSTUMED VILLAIN ROUND-UP 036

    Every one of them a disappointment to their parents. 

    Mr Axis: 

    He may just be a regular Nazi spy* lurking around Washington DC and disrupting trade deals between the US and the rubber-rich nation of Rumbia, but his name is Mr Axis! Such a perfect name for a fascist super-villain and yet one that seemingly was only used once**. Patriotic super-hero Miss Victory really puts the boots to him in her debut adventure. (Captain Fearless Comics 001, 1941)

    * Technically by my usual metrics I’d call this guy a crypto-fascist of no clear national origin but c’mon: his name is Mr Axis.

    **Except that he does reappear in Captain Aero Comics 011, in which this story is retold unchanged but with different art. Weird stuff.

    Categorized Under: Crime as Theme (Fascism), Generica (Misters)

    the Arson Ring:

    Considering the fact that his feature is called “Blaze Baylor and the Arson Ring” I really expected super arson investigator Blaze Baylor to be contending with the same group of arsonists – a ring, if you will – throughout his adventures. This is not in fact the case, or at least it is not supported in the text. Blaze does battle the Arson Ring in his first outing and they are heavily implied to be the ones who killed his dad Smoky Baylor, so that’s something. (Cat-Man Comics 001 1941)

    Categorized under: Crime as Theme (Arson), Generica (Rings), Narrative Footballs (Origin Guys)

    Igor and his Mother:

    This unnamed woman and her son Igor live in poverty on the outskirts of an unnamed city and come into conflict with the Black Widow after turning their inborn talents (Igor being very strong and his mother so ugly that she can stop a man’s heart) to crime. Igor ends up being shot by the Black Widow, while his mother dies in an attempt to burn their hovel down and kill the hero. (Cat-Man Comics 001 1941)

    Karl von Keilman: 

    Though you might think that Karl von Keilman is a mad or criminal scientist from the way he dresses, this is in fact stolen valour as it is Karl’s brother Abner who is the scientific mind of the family. Abner is the one responsible for creating the Dolls of Death, self-propelled and self-guided bombs that he had intended to turn over to the War Department before Karl showed up, killed him and started using them to blow up defense factories.

    Karl didn’t reckon, however, on the fact that his brother was friends with the Deacon and so a super-heroic nose would be poked into his business. He also never learned not to get into an indoor fight when your weapon of choice is exploding dolls. (Cat-Man Comics 002, 1941)

    Categorized under: Accessories (Little Robots), Murder (Fratricides)