The Curse of Skeleton Munroe

Category: Silver Streak

  • PROBLEMATIC ROUND-UP 008

    Once again I must regretfully inform you that some comic books are problematic. Like, racially.

    the Laughing Hyenas: 

    Hey, it’s our first racial hate group, and I think I’m just going to preemptively file these under “problematic” because they’re a) not fun to talk about and b) necessitate talking about hate-crimes even if I, for example, choose not to use the panels with lynchings in them.

    The Laughing Hyenas are actually kind of a hate group by proxy, as they have been hired to keep the Black residents of the geographically-nonspecific town of Souda “in line” by murdering one of them every once in a while, and have been doing so frequently enough and/or long enough that even the local folks willing to volunteer for such a task have gotten sick of it, so boss Bull Karson had to import some Chicago toughguys to do his dirty work for him.

    Oddly, given the sheer volume of murder that the Laughing Hyenas were perpetrating, the Silver Streak doesn’t actually bring them in to the authorities ore even extra-judiciously kill them. Instead, he just dumps them on a slow boat to Rangoon. (Silver Streak Comics 013, 1941)

    the Modern Thief of Bagdad:

    Ali Hassan, aka the Modern Thief of Bagdad, is an Iraqi thief who comes to NYC to steal the Konoor Diamond, and as a result comes into conflict with Captain Battle and his young protege Hale Battle. A simple story that would ordinarily wrap up quite quickly, but this is a book-length yarn, which means that there is an extended chase sequence that occupies the 28 pages between the theft and Hassan’s arrival back in Baghdad. Some highlights:

    Chapter 1, “The Modern Thief of Bagdad!”: Hassan steals the gem, then give Battle and Hale the slip in Chinatown. Olyra, the mysterious guardian of the Konoor Diamond, is kidnapped.

    Chapter 2, “Perils of the Sargasso Sea!”: Hassan’s submarine becomes mired in sargassum and is attacked by a sea monster. Battle and Hale kill the beast. Hassan and his men dress up like ghost pirates. Olyra is rescued and then kidnapped again.

    Chapter 3, “Lost in the Underground World!”: Hassan’s plane crashes in Africa and he and Olyra are captured by cannibals (lil’ bonus racism for you there). Battle and Hale rescue them before being betrayed and dumped in a pit of quicksand. There is a brief interlude in an cave system full of monsters before it suddenly blows up. Hassan and his men dress up like ghosts. Olyra is rescued.

    Chapter 4, “House of Giants”: Battle & co track Hassan to a castle in Tibet, where they are captured and subjected to a shrink ray. They have various adventures as tiny men before resuming their original size. Olyra is kidnapped.

    I would call Hassan himself… an average amount of racist. He’s depicted in much the same generically foreign vein as I’ve seen in a South American president or a Basque fisherman (or indeed a Cape Breton fisherman at least once). As a villain, he’s pretty great: bombastic, treacherous, fond of leaving boastful notes for his enemies. If it was just him I might have skipped making this a Problematic Round-Up entry.

    It’s not just him, however, and once the story hits Chapter 5, “Magic Spell of the Arabian Nights” we get a real dose of Orientalism full in the face, as our heroes touch down in a Baghdad straight out of the Arabian Nights, complete with a wicked ruler (confusingly named Emperor Pasha Golu) who Hassan has been working for the whole time.

    It’s such a pastiche of a city, in fact, that Hale and Olyra just kind of stumble across Aladdin’s lamp and flying carpet while they are escaping from a dungeon. I suppose that all this is at least a little thematically appropriate, as Ali Hassan, the Modern Thief of Bagdad, is a reference to a movie that is a remake of a different movie that is itself a pastiche of the Arabian Nights.

    The Modern Thief of Bagdad meets his end in a pretty underwhelming manner: Captain Battle ducks as he swings a sword at him and he falls off of a balcony. A pretty terrible way to go for a villain who clearly thought that he was very cool, to be honest. The evil Pash Golu also meets his end in the process, leaving Olyra free to reveal that she is actually Olyria, Princess and true ruler of Bagdad. A truly impenetrable alias! 

    Finally, such is Hale Battle’s hunger for souvenirs that he uses his third genie with to acquire a replica of the diamond for his collection, even though for my money the real deal Lamp of Aladdin with one wish left on it would be the ultimate keepsake. (Captain Battle Comics 002, 1941)

    the King:

    The King is a fellow who gains control over a Romani group by showing them a… birthmark? tattoo? that proves his right to rule and that looks so intensely falsifiable that I am shocked there isn’t some sort two-factor authentication, or even a code phrase. And just what is is reason for exerting this control? Why, so that he can turn his new subjects into a child kidnapping ring. You can see how I would consider this problematic.

    The King is of course not the real ruler, that is not a real skull birthmark and he is no match for Dynamic Man. He turns out to be a crooked newspaper publisher named Brower who loves money more than making good plans to acquire it. (Dynamic Comics 002, 1941)

    the Dragon:

    The Dragon is a very ordinary Yellow Peril villain who is after some top secret bomber plans on behalf of an unspecified Asian nation. There are exactly four interesting things about him: 1) he is the first villain faced by Samson and David in their brief New Look era before they disappear along with most of Fox Features’ other characters during their financial trouble. 2) he is a classic calling card leaver in the form of a claw mark on the chests of men he has killed

     3) he works alongside his sister Orchid, which isn’t the rarest arrangement but is always fun to note

     4) he has these stone lions outside of his HQ that grab intruders as they come through. It’s a fun trap but never actually explained: are they some sort of mechanism, or demonic magic like the caption box suggests?

    Much of the issue in questioned is concerned with Samson chasing the Dragon and Orchid around. Once he catches up to them it’s all over. (Fantastic Comics 022, 1941)

  • PROBLEMATIC ROUND-UP 008

    Once again I must regretfully inform you that some comic books are problematic. Like, racially.

    the Laughing Hyenas: 

    Hey, it’s our first racial hate group, and I think I’m just going to preemptively file these under “problematic” because they’re a) not fun to talk about and b) necessitate talking about hate-crimes even if I, for example, choose not to use the panels with lynchings in them.

    The Laughing Hyenas are actually kind of a hate group by proxy, as they have been hired to keep the Black residents of the geographically-nonspecific town of Souda “in line” by murdering one of them every once in a while, and have been doing so frequently enough and/or long enough that even the local folks willing to volunteer for such a task have gotten sick of it, so boss Bull Karson had to import some Chicago toughguys to do his dirty work for him.

    Oddly, given the sheer volume of murder that the Laughing Hyenas were perpetrating, the Silver Streak doesn’t actually bring them in to the authorities ore even extra-judiciously kill them. Instead, he just dumps them on a slow boat to Rangoon. (Silver Streak Comics 013, 1941)

    the Modern Thief of Bagdad:

    Ali Hassan, aka the Modern Thief of Bagdad, is an Iraqi thief who comes to NYC to steal the Konoor Diamond, and as a result comes into conflict with Captain Battle and his young protege Hale Battle. A simple story that would ordinarily wrap up quite quickly, but this is a book-length yarn, which means that there is an extended chase sequence that occupies the 28 pages between the theft and Hassan’s arrival back in Baghdad. Some highlights:

    Chapter 1, “The Modern Thief of Bagdad!”: Hassan steals the gem, then give Battle and Hale the slip in Chinatown. Olyra, the mysterious guardian of the Konoor Diamond, is kidnapped.

    Chapter 2, “Perils of the Sargasso Sea!”: Hassan’s submarine becomes mired in sargassum and is attacked by a sea monster. Battle and Hale kill the beast. Hassan and his men dress up like ghost pirates. Olyra is rescued and then kidnapped again.

    Chapter 3, “Lost in the Underground World!”: Hassan’s plane crashes in Africa and he and Olyra are captured by cannibals (lil’ bonus racism for you there). Battle and Hale rescue them before being betrayed and dumped in a pit of quicksand. There is a brief interlude in an cave system full of monsters before it suddenly blows up. Hassan and his men dress up like ghosts. Olyra is rescued.

    Chapter 4, “House of Giants”: Battle & co track Hassan to a castle in Tibet, where they are captured and subjected to a shrink ray. They have various adventures as tiny men before resuming their original size. Olyra is kidnapped.

    I would call Hassan himself… an average amount of racist. He’s depicted in much the same generically foreign vein as I’ve seen in a South American president or a Basque fisherman (or indeed a Cape Breton fisherman at least once). As a villain, he’s pretty great: bombastic, treacherous, fond of leaving boastful notes for his enemies. If it was just him I might have skipped making this a Problematic Round-Up entry.

    It’s not just him, however, and once the story hits Chapter 5, “Magic Spell of the Arabian Nights” we get a real dose of Orientalism full in the face, as our heroes touch down in a Baghdad straight out of the Arabian Nights, complete with a wicked ruler (confusingly named Emperor Pasha Golu) who Hassan has been working for the whole time.

    It’s such a pastiche of a city, in fact, that Hale and Olyra just kind of stumble across Aladdin’s lamp and flying carpet while they are escaping from a dungeon. I suppose that all this is at least a little thematically appropriate, as Ali Hassan, the Modern Thief of Bagdad, is a reference to a movie that is a remake of a different movie that is itself a pastiche of the Arabian Nights.

    The Modern Thief of Bagdad meets his end in a pretty underwhelming manner: Captain Battle ducks as he swings a sword at him and he falls off of a balcony. A pretty terrible way to go for a villain who clearly thought that he was very cool, to be honest. The evil Pash Golu also meets his end in the process, leaving Olyra free to reveal that she is actually Olyria, Princess and true ruler of Bagdad. A truly impenetrable alias! 

    Finally, such is Hale Battle’s hunger for souvenirs that he uses his third genie with to acquire a replica of the diamond for his collection, even though for my money the real deal Lamp of Aladdin with one wish left on it would be the ultimate keepsake. (Captain Battle Comics 002, 1941)

    the King:

    The King is a fellow who gains control over a Romani group by showing them a… birthmark? tattoo? that proves his right to rule and that looks so intensely falsifiable that I am shocked there isn’t some sort two-factor authentication, or even a code phrase. And just what is is reason for exerting this control? Why, so that he can turn his new subjects into a child kidnapping ring. You can see how I would consider this problematic.

    The King is of course not the real ruler, that is not a real skull birthmark and he is no match for Dynamic Man. He turns out to be a crooked newspaper publisher named Brower who loves money more than making good plans to acquire it. (Dynamic Comics 002, 1941)

    the Dragon:

    The Dragon is a very ordinary Yellow Peril villain who is after some top secret bomber plans on behalf of an unspecified Asian nation. There are exactly four interesting things about him: 1) he is the first villain faced by Samson and David in their brief New Look era before they disappear along with most of Fox Features’ other characters during their financial trouble. 2) he is a classic calling card leaver in the form of a claw mark on the chests of men he has killed

     3) he works alongside his sister Orchid, which isn’t the rarest arrangement but is always fun to note

     4) he has these stone lions outside of his HQ that grab intruders as they come through. It’s a fun trap but never actually explained: are they some sort of mechanism, or demonic magic like the caption box suggests?

    Much of the issue in questioned is concerned with Samson chasing the Dragon and Orchid around. Once he catches up to them it’s all over. (Fantastic Comics 022, 1941)

  • GENERIC COSTUMED VILLAIN ROUND-UP 039

    Those who also ran, we salute you. 

    Karl the Hermit:

    Karl, as his name implies, is a mean ol’ hermit who lives atop a mountain. He has has got himself a critter called the Thing that Walks Like a Man that he uses to act out his misanthropic impulses, such as when he sends it to kill his cousin Rushman. What is his motivation for doing all this? Don’t worry about it – he’s a crazy old hermit!

    Karl’s actions attract the attention of the Silver Streak and Meteor, and both he and the Thing end up doing a header off of a cliff. (Silver Streak Comics 015, 1941)

    Lord Garnett:

    Lord Garnett, English MP, engages in a little pigeon-based espionage on behalf of the Nazis and gets socked by the Silver Streak for his efforts. As can be deduced by his trademark braying laugh, this is the guy who later pivots into propaganda broadcasting as a Lord Haw-Haw analog, but here we are only concerned with his foray into masked spymanship. (Daredevil Comics 001, 1941)

    Anders:

    When a masked arsonist starts burning down all of a company’s buildings in a comic it’s equal odds on whether it’s corporate sabotage, extortion or insurance fraud. I guess those are the main choices in real life as well, now that I think about it. In this case it’s some pretty solvable insurance fraud, as the Anders Warehouse Company is being burned down by Mr Anders for the money. (Dynamic Comics 001, 1941)

    Mr Black:

    Mr Black, Art Supervisor of the Municipal Museum in the undefined city that Lucky Coyne calls home, has happened upon a foolproof scheme: kidnap a painter and force him to create forgeries, then sell those forgeries for beaucoup bucks. There are only two problems with this scheme: 1) Black loses his job immediately for spending museum funds on one of his own forged paintings and 2) both the museum and the painter’s daughter come to Lucky Coyne for help, leading on a severe blow to the head for Mr Black. (Dynamic Comics 002, 1941)

  • REAL PERSON ROUND-UP 023

    It’s an Axis-heavy Round-Up this time, for reasons which will soon become clear.

    Adolf Hitler:

    Daredevil Comics 001 might not have been the first comic book to feature its title character physically attacking Adolf Hitler on the front cover, but it makes up for this in sheer volume of different characters who are getting in on the act. And the comic itself is also 100% concerned with super-heroes beating up and otherwise inconveniencing Hitler.

    Hitler’s first appearance in the comic proper also includes a rogue’s gallery of Third Reich figures, including Josef Goebbels, Heinrich Himmler, Hermann Goering, Admiral von Roeder* and General Walther von Brauchitsch. Also present: the fortune teller who supposedly advised Hitler on a day-to-day basis.

    *more on him later 

    Though Daredevil is present to merely spy on the well-attended meeting above, he is found out and has to punch out not just Hitler but Goering and Goebbels as well in order to make his escape.

    Hitler’s second major humiliation in the issue comes at the hands claws of the Claw. He makes a deal with the giant villain on behalf of his Japanese allies, but the Daredevil gets involved in and ruins the whole operation.

    Hitler has to pay a hefty bribe just to get out with his skin intact. This is a fine illustration of why most villains don’t negotiate this sort of thing in person.

     

    Finally, the suprisingly hands-on Hitler is coordinating a Nazi invasion of Africa when the Daredevil and jungle hero Lance Hale get involved, giving the Daredevil the opportunity to land two more punches and a boomerang-assisted trip on the dictator.

    Lance Hale, meanwhile, pranks Hitler by giving him a shave with an incredibly accurate arrow, then almost body slams him to death before he is interrupted by Nazis. (Daredevil Comics 001, 1941) 

    Benito Mussolini: 

    A sad cameo from Il Duce after a portion of his fleet is sunk by the British. (Daredevil Comics 001, 1941) 

    Heinrich Himmler:

    Is Blackout’s Nazi foe Heinrich Himmel meant to be a version of Himmler or is it just a very Nazi collection of syllables? Hard to say. (Captain Battle Comics 001, 1941) 

    Hermann Goering: 

    Like Hitler, Goering is surprisingly willing to lead from the front in this issue. He loses a dogfight with Cloud Curtis and almost kills himself over it. (Daredevil Comics 001, 1941)

    Josef Goebbels:

    Goebbels, meanwhile, steals a codebreaking machine devised by by boy inventor Dickie Dean.

    He doesn’t manage to hang onto it for long before he gets beaten up and mummified by Dean and the Daredevil (and Zip Todd, of course). (Daredevil Comics 001, 1941)

    the Koh-i-noor Diamond: 

    Once more a big ol’ gem is given a name that sounds like “Koh-i-noor,” in this case the (baseball-sized!) Kohnoor Diamond. (Captain Battle Comics 002, 1941)

    Lord Haw-Haw: 

    Lord Garnett here is a bit of a rarity as he starts out as a masked spy who will be appearing in the next Generic Costumed Villain Round-Up and then, after shooting Whiz, King of Falcons (see the next Catalogue of Wounds) flees to Germany and takes up a career in propaganda broadcasting, where his distinctive and annoying laugh earns him the epithet “Lord Hee-Haw.”

    His new career doesn’t last very long, as he is shot down by the Silver Streak while doing some aerial broadcasting. (Daredevil Comics 001, 1941)

    Admiral von Roeder:

    Who is von Roeder is a very good question, because I can find no evidence that he actually existed. There are four plausible explanations for this:

    1. He’s a fictional Nazi who somehow got conflated with real ones. 

    2. There was an Admiral von Roeder but he was only noteworthy for exactly the length of time it took for this comic to be written and he thereafter sank into such obscurity that he is no longer remembered.

    3. The state of internet search is so wretched that a moderately obscure Nazi is currently unsearchable.

    4. They couldn’t come up with a real Nazi Admiral and so just made one up. 

    Regardless of his actual historicity, this von Roeder is beaten up by both Daredevil and a time-travelling Pirate Prince. (Daredevil Comics 001, 1941) 

    Winston Churchill: 

    Churchill invites both Daredevil and Silver Streak (and the most obnoxious version of Whiz, King of Falcons) to No. 10 Downing St to solicit their help with the war effort. (Daredevil Comics 001, 1941)

    More of this kind of thing

  • REAL PERSON ROUND-UP 023

    REAL PERSON ROUND-UP 023

    It’s an Axis-heavy Round-Up this time, for reasons which will soon become clear.

    Adolf Hitler:

    Daredevil Comics 001 might not have been the first comic book to feature its title character physically attacking Adolf Hitler on the front cover, but it makes up for this in sheer volume of different characters who are getting in on the act. And the comic itself is also 100% concerned with super-heroes beating up and otherwise inconveniencing Hitler.

    Hitler’s first appearance in the comic proper also includes a rogue’s gallery of Third Reich figures, including Josef Goebbels, Heinrich Himmler, Hermann Goering, Admiral von Roeder* and General Walther von Brauchitsch. Also present: the fortune teller who supposedly advised Hitler on a day-to-day basis.

    *more on him later 

    Though Daredevil is present to merely spy on the well-attended meeting above, he is found out and has to punch out not just Hitler but Goering and Goebbels as well in order to make his escape.

    Hitler’s second major humiliation in the issue comes at the hands claws of the Claw. He makes a deal with the giant villain on behalf of his Japanese allies, but the Daredevil gets involved in and ruins the whole operation.

    Hitler has to pay a hefty bribe just to get out with his skin intact. This is a fine illustration of why most villains don’t negotiate this sort of thing in person.

     

    Finally, the suprisingly hands-on Hitler is coordinating a Nazi invasion of Africa when the Daredevil and jungle hero Lance Hale get involved, giving the Daredevil the opportunity to land two more punches and a boomerang-assisted trip on the dictator.

    Lance Hale, meanwhile, pranks Hitler by giving him a shave with an incredibly accurate arrow, then almost body slams him to death before he is interrupted by Nazis. (Daredevil Comics 001, 1941) 

    Benito Mussolini: 

    A sad cameo from Il Duce after a portion of his fleet is sunk by the British. (Daredevil Comics 001, 1941) 

    Heinrich Himmler:

    Is Blackout’s Nazi foe Heinrich Himmel meant to be a version of Himmler or is it just a very Nazi collection of syllables? Hard to say. (Captain Battle Comics 001, 1941) 

    Hermann Goering: 

    Like Hitler, Goering is surprisingly willing to lead from the front in this issue. He loses a dogfight with Cloud Curtis and almost kills himself over it. (Daredevil Comics 001, 1941)

    Josef Goebbels:

    Goebbels, meanwhile, steals a codebreaking machine devised by by boy inventor Dickie Dean.

    He doesn’t manage to hang onto it for long before he gets beaten up and mummified by Dean and the Daredevil (and Zip Todd, of course). (Daredevil Comics 001, 1941)

    the Koh-i-noor Diamond: 

    Once more a big ol’ gem is given a name that sounds like “Koh-i-noor,” in this case the (baseball-sized!) Kohnoor Diamond. (Captain Battle Comics 002, 1941)

    Lord Haw-Haw: 

    Lord Garnett here is a bit of a rarity as he starts out as a masked spy who will be appearing in the next Generic Costumed Villain Round-Up and then, after shooting Whiz, King of Falcons (see the next Catalogue of Wounds) flees to Germany and takes up a career in propaganda broadcasting, where his distinctive and annoying laugh earns him the epithet “Lord Hee-Haw.”

    His new career doesn’t last very long, as he is shot down by the Silver Streak while doing some aerial broadcasting. (Daredevil Comics 001, 1941)

    Admiral von Roeder:

    Who is von Roeder is a very good question, because I can find no evidence that he actually existed. There are four plausible explanations for this:

    1. He’s a fictional Nazi who somehow got conflated with real ones. 

    2. There was an Admiral von Roeder but he was only noteworthy for exactly the length of time it took for this comic to be written and he thereafter sank into such obscurity that he is no longer remembered.

    3. The state of internet search is so wretched that a moderately obscure Nazi is currently unsearchable.

    4. They couldn’t come up with a real Nazi Admiral and so just made one up. 

    Regardless of his actual historicity, this von Roeder is beaten up by both Daredevil and a time-travelling Pirate Prince. (Daredevil Comics 001, 1941) 

    Winston Churchill: 

    Churchill invites both Daredevil and Silver Streak (and the most obnoxious version of Whiz, King of Falcons) to No. 10 Downing St to solicit their help with the war effort. (Daredevil Comics 001, 1941)

    More of this kind of thing

  • REAL PERSON ROUND-UP 022

    REAL PERSON ROUND-UP 022

    What percentage of these people knew that they had ever been portrayed in a comic book, you reckon?

    Adolf Hitler:

    Hitler gets beaten up by the Silver Streak after he captures and attempts to kill Meteor. (Silver Streak Comics 016, 1941)

    A particularly parodic version of Hitler deploys a super weapon that is ultimately thwarted by Dickie Dean.  (Silver Streak Comics 017, 1941) 

    Charles Biro:

    Gangster Chick Biro almost gets killed by his boss the Domino but is saved when Presto Martin takes his place. (Silver Streak Comics 009, 1941)

    Genghis Khan:

    The Bingham Boys and their friends hunt down the Sword of Genghis Khan to a Tibetan lamasery, where the Grand Lama claims to be the descendant of the Khan and thus entitled to conquer the world. Our heroes beat up the would-be Khan and spirit the sword away to an American museum. (Silver Streak Comics 016, 1941)

    George Roussos: 

    It’s a classic case of slapping your fellow comic book creator’s name on a background sign as “Presto Martin” scribe Bob Wood uses Roussos’ name on an apartment building. (Silver Streak Comics 010, 1941)

    Next issue of the same strip features the headline “Roussos Does it Again! Famous Cartoonist Meets Second Deadline! I can hardly wait to read Roussos’ work in Daredevil Comics to see if he shoots back. 

    Same issue features Roussos’ Army & Navy Store, with a “Jerry Robinson, Prop.” thrown in for good measure. (Silver Streak Comics 011, 1941)

    George Washington: 

    Deploys his personal agent Dan Dearborn to escort a gunpowder shipment and help protect it from capture by the British. (Silver Streak Comics 008, 1941)

    George Rogers Clark: 

    That gunpowder is transported downriver by Clark, a Revolutionary War hero whom I was unfamiliar with and whose Wikipedia page is predictably fraught. (Silver Streak Comics 008, 1941)

    Captain John Neville: 

    Commander of the Fort Pitt garrison at Pittsburgh, where he briefly meets Dan Dearborn. (Silver Streak Comics 008, 1941)

    Mao Zedong: 

    He doesn’t play a direct role in the story, but Mao Tung here is definitely a stand-in for Mao Zedong, aka Mao Tse-tung. Captain Battle saves him from an assassination attempt by a Japanese spy. (Captain Battle Comics 001, 1941)

    Samuel Goldwyn:

    Goldbyn, head of Paragold Film Studios, is a classic stand-in for Sam Goldwyn of MGM. (Silver Streak Comics 017, 1941)

    Unknown News Broadcaster Jimmie Fidler: 

    As you can see, above, I was initially unable to find the reference point for Jimmy Fiddle here. The problem is that I have been conditioned to think a certain way about these stand-in names, so I spent a lot of effort looking for “James Diffle” and “John Oboe” and so forth, and didn’t even consider that it might be something as simple as “Jimmie Fidler” until I remembered that we had already encountered a Jimmy Fiddle and filed him under Unknown. 

    Sorry for disrespecting your 50+ year media career, Jimmie Fidler. In my defense, you retired when I was three years old. (Silver Streak Comics 009, 1941) 

  • ALIENS AND SO FORTH ROUND-UP 030

    Luvverly aliens and so forth for ye today, guv.

    the Freaks: 

    Silver Streak, investigating a series of mysterious murders, follows a lead to the aptly-named Fantasy Isle in the Pacific Ocean. 

    The inhabitants of Fantasy Isle probably don’t refer to themselves as “the Freaks” but as that is the only thing that they are called in-story I suppose that we must go with it. They are a heterogeneous collection of humanoid who have isolated themselves from the world, presumably due to the threat of persecution, which would make them fairly sympathetic characters if a) they didn’t routinely sink passing ships and imprison their crew in deep dank dungeons, and b) their king didn’t respond to the threat of exposure by attempting to destroy the entirety of North America.

    As so often happens when a nonhuman group threatens the lives of a human one, the Silver Streak’s solution involves mass murder, in this case by dumping the entire population into the ocean. One can only hope that a few of them made it, for anti-genocide reasons.

    It’s hard to tell if the Freaks are supposed to be one species with several different morphologies or several different small populations banding together for mutual benefit. Either way, there are a few recurring types. From top to bottom we have: imp type, weird bird man type, tentacle man type and suction cup lizard man type. The king and that three-eyed guy seem to be unique, but maybe there are more of them lurking around in the shadows. (Silver Streak Comics 007, 1941) 

    Gargantuans:

    The Gargantuans are military expansionists who you expect to be big but are in fact regular sized. Instead, they are at or close to the maximum number of facial affectations that an alien species can have, including green skin covered in little spines, antennae, big pointy ears, fangs, a skeleton nose, satanic eyebrows and in the case of their leader Lobar a matching goatee and mustache.

    The Gargantuans come very close to destroying Earth’s space fleet and turning the planet into a military base, until Lobar makes the mistake of bringing Cosmic Carson onto his flagship and getting within reach of his Earthman fists. (Big 3 001, 1940) 

    Mercurians:

    The Red Panther is helping his pal Toni Beltan test her orbital Stratoplane when it goes haywire and rockets them to Mercury. There, they encounter two types of Mercurians: the Giant Mercurians, who wear cool heat-resistant armour that kind of makes them look like beetles and are enslaved by the Surface Mercurians, big-headed imps who are led by a fellow named Kogh and are frankly assholes.

    Kogh has the Red Panther and Toni tossed in a hole to be devoured by the giant bats of Sub-Mercury, only to unexpectedly benefit when the bats all end up dead at the barrel of the Panther’s Atomic converter, thus opening the riches of the underground to exploitation by the resource-poor Surface Mercurians. To his credit, Kogh then has enough grace to allow the duo to return home. (Jungle Comics 010, 1940)

    Giants:

    One of the lost sci-fi tropes is that of the typical kind of humanoid life that you’d find on each planet of the Solar System. Mercury is hot so you get fire guys or other heat-adapted species there; Venus is either a giant swamp or a “primitive” planet so you get a lot of semi-aquatic lizard guys there etc etc. This is all to say that you don’t get ’em any more but because Jupiter is a great big planet one of the standard kinds of Jovians you would see in sci-fi is the giant humanoid, like these fellows, who are conveniently and simply called Giants.

    Golo, ruler of the Giants, has succumbed to arrogance and issued a challenge to the rest of the Solar System to meet his Giant army in personal combat, seemingly as a precursor to a campaign of wholesale conquest. His challenge is met by the Red Comet, who, despite Golo’s initial disbelief, is able to employ his nigh-limitless power to grow extra-huge and lay waste to the Giant forces.

    Golo himself gets away pretty lightly with a mere bop on the snoot for his hubris. Hopefully the hundreds of dead soldiers outside of his palace are enough of a lesson in humility to curb his warlike instincts in the future. (Planet Comics 003, 1940)

  • ALIENS AND SO FORTH ROUND-UP 030

    ALIENS AND SO FORTH ROUND-UP 030

    Luvverly aliens and so forth for ye today, guv.

    the Freaks: 

    Silver Streak, investigating a series of mysterious murders, follows a lead to the aptly-named Fantasy Isle in the Pacific Ocean. 

    The inhabitants of Fantasy Isle probably don’t refer to themselves as “the Freaks” but as that is the only thing that they are called in-story I suppose that we must go with it. They are a heterogeneous collection of humanoid who have isolated themselves from the world, presumably due to the threat of persecution, which would make them fairly sympathetic characters if a) they didn’t routinely sink passing ships and imprison their crew in deep dank dungeons, and b) their king didn’t respond to the threat of exposure by attempting to destroy the entirety of North America.

    As so often happens when a nonhuman group threatens the lives of a human one, the Silver Streak’s solution involves mass murder, in this case by dumping the entire population into the ocean. One can only hope that a few of them made it, for anti-genocide reasons.

    It’s hard to tell if the Freaks are supposed to be one species with several different morphologies or several different small populations banding together for mutual benefit. Either way, there are a few recurring types. From top to bottom we have: imp type, weird bird man type, tentacle man type and suction cup lizard man type. The king and that three-eyed guy seem to be unique, but maybe there are more of them lurking around in the shadows. (Silver Streak Comics 007, 1941) 

    Gargantuans:

    The Gargantuans are military expansionists who you expect to be big but are in fact regular sized. Instead, they are at or close to the maximum number of facial affectations that an alien species can have, including green skin covered in little spines, antennae, big pointy ears, fangs, a skeleton nose, satanic eyebrows and in the case of their leader Lobar a matching goatee and mustache.

    The Gargantuans come very close to destroying Earth’s space fleet and turning the planet into a military base, until Lobar makes the mistake of bringing Cosmic Carson onto his flagship and getting within reach of his Earthman fists. (Big 3 001, 1940) 

    Mercurians:

    The Red Panther is helping his pal Toni Beltan test her orbital Stratoplane when it goes haywire and rockets them to Mercury. There, they encounter two types of Mercurians: the Giant Mercurians, who wear cool heat-resistant armour that kind of makes them look like beetles and are enslaved by the Surface Mercurians, big-headed imps who are led by a fellow named Kogh and are frankly assholes.

    Kogh has the Red Panther and Toni tossed in a hole to be devoured by the giant bats of Sub-Mercury, only to unexpectedly benefit when the bats all end up dead at the barrel of the Panther’s Atomic converter, thus opening the riches of the underground to exploitation by the resource-poor Surface Mercurians. To his credit, Kogh then has enough grace to allow the duo to return home. (Jungle Comics 010, 1940)

    Giants:

    One of the lost sci-fi tropes is that of the typical kind of humanoid life that you’d find on each planet of the Solar System. Mercury is hot so you get fire guys or other heat-adapted species there; Venus is either a giant swamp or a “primitive” planet so you get a lot of semi-aquatic lizard guys there etc etc. This is all to say that you don’t get ’em any more but because Jupiter is a great big planet one of the standard kinds of Jovians you would see in sci-fi is the giant humanoid, like these fellows, who are conveniently and simply called Giants.

    Golo, ruler of the Giants, has succumbed to arrogance and issued a challenge to the rest of the Solar System to meet his Giant army in personal combat, seemingly as a precursor to a campaign of wholesale conquest. His challenge is met by the Red Comet, who, despite Golo’s initial disbelief, is able to employ his nigh-limitless power to grow extra-huge and lay waste to the Giant forces.

    Golo himself gets away pretty lightly with a mere bop on the snoot for his hubris. Hopefully the hundreds of dead soldiers outside of his palace are enough of a lesson in humility to curb his warlike instincts in the future. (Planet Comics 003, 1940)

  • MINOR SUPER-VILLAIN 925: THE IRON-JAW

    MINOR SUPER-VILLAIN 925: THE IRON-JAW

    (Silver Streak Comics 009, 1941)

    The US is being rocked by a series of explosions targeting munitions factories and other facilities contributing to national defense, and not even the speed of the Silver Streak is enough to combat the organizational skills and coordination of the mysterious mastermind behind them. It is only by sheer coincidence that he happens upon an imperilled security guard from a plant in Georgia and learns from him that the men who blew up his workplace were under command of a mysterious figure called “Iron-Jaw” and that they all work for the “Axes Government”.

    Even with this information under his belt, the Silver Streak still loses two more factories to the Iron-Jaw before finally running down some of his men in Boston and discovering the secret of their great organizational abilities: a super-miniaturized (for the 40s) radio set used to relay orders to the Axes forces in America. By following the instructions coming from a captured unit, the Streak and Whiz are finally able to get the jump on the Iron-Jaw’s men and prevent the destruction of a plant in Pittsburgh, though the mastermind remains on the loose.

    The Iron-Jaw returns in Silver Streak Comics 010 with a new set of goals – the focus is now on shutting down media criticism of the Axes. To that end, the Silver Streak is drawn away via a report of a potential bombing in Chicago while Iron-Jaw is grabbing the real target, broadcaster Kitty Doyle, in NYC.

    This is Silver Streak we’re talking about here, so he returns in time to interrupt the kidnapping in progress. the mysterious Iron-Jaw is revealed to be a moderately cool-looking/ moderately goofy-looking/ fairly spiky humanoid robot. With a gold finish, no less – so much for thematic consistency.

    Though Iron-Jaw briefly gets the upper hand, even a super strong, very pointy robot is no match for the world’s fastest man and it takes a fatal header onto the streets of Manhattan below.

    Here’s something about the Iron-Jaw: in its first appearance, all it does is talk, while in its second it is completely mute. This dovetails interestingly with something that Kitty reports after its defeat, that investigation of the robot indicates that it was controlled by trans-oceanic radio waves originating from the Axes government. Which seems to indicate that the Iron-Jaw was merely operating as the mouth and hands of one or more spymasters in some comic book pastiche of Germany, which in turn means that this is one of the few times in Golden Age comics in which the villain gets away at the end!* Neat!

    *excluding all of the recurring villains who get away all the time, of course. 

    Finally, Silver Streak and Whiz get to meet FDR to get his congratulationss, plus a Congressional Medal of Honor!

    Categorized in: Body (Jaws), Elements (Iron), Origins (Robots) 

  • MINOR SUPER-VILLAIN 925: THE IRON-JAW

    (Silver Streak Comics 009, 1941)

    The US is being rocked by a series of explosions targeting munitions factories and other facilities contributing to national defense, and not even the speed of the Silver Streak is enough to combat the organizational skills and coordination of the mysterious mastermind behind them. It is only by sheer coincidence that he happens upon an imperilled security guard from a plant in Georgia and learns from him that the men who blew up his workplace were under command of a mysterious figure called “Iron-Jaw” and that they all work for the “Axes Government”.

    Even with this information under his belt, the Silver Streak still loses two more factories to the Iron-Jaw before finally running down some of his men in Boston and discovering the secret of their great organizational abilities: a super-miniaturized (for the 40s) radio set used to relay orders to the Axes forces in America. By following the instructions coming from a captured unit, the Streak and Whiz are finally able to get the jump on the Iron-Jaw’s men and prevent the destruction of a plant in Pittsburgh, though the mastermind remains on the loose.

    The Iron-Jaw returns in Silver Streak Comics 010 with a new set of goals – the focus is now on shutting down media criticism of the Axes. To that end, the Silver Streak is drawn away via a report of a potential bombing in Chicago while Iron-Jaw is grabbing the real target, broadcaster Kitty Doyle, in NYC.

    This is Silver Streak we’re talking about here, so he returns in time to interrupt the kidnapping in progress. the mysterious Iron-Jaw is revealed to be a moderately cool-looking/ moderately goofy-looking/ fairly spiky humanoid robot. With a gold finish, no less – so much for thematic consistency.

    Though Iron-Jaw briefly gets the upper hand, even a super strong, very pointy robot is no match for the world’s fastest man and it takes a fatal header onto the streets of Manhattan below.

    Here’s something about the Iron-Jaw: in its first appearance, all it does is talk, while in its second it is completely mute. This dovetails interestingly with something that Kitty reports after its defeat, that investigation of the robot indicates that it was controlled by trans-oceanic radio waves originating from the Axes government. Which seems to indicate that the Iron-Jaw was merely operating as the mouth and hands of one or more spymasters in some comic book pastiche of Germany, which in turn means that this is one of the few times in Golden Age comics in which the villain gets away at the end!* Neat!

    *excluding all of the recurring villains who get away all the time, of course. 

    Finally, Silver Streak and Whiz get to meet FDR to get his congratulationss, plus a Congressional Medal of Honor!

    Categorized in: Body (Jaws), Elements (Iron), Origins (Robots)