The Curse of Skeleton Munroe

Category: Betty Ross

  • MINOR SUPER-HERO ROUND-UP 094

    Super-heroes, coincidentally arranged in ascending order of notability!

    Kalkor:

    A faithful priest of Isis c.1000 BC, Kalkor is restored to life at the same time as Nagana, the Queen of Evil, as a foil to her power. He is empowered with the same immortality and comic book magic as Nagana so that he may combat her effectively (and perhaps as a way for Isis to make up for crushing him to death as a byproduct of collapsing a temple on Nagana to put an end to her evil ways).  

    Important note: though many Golden and Silver Age super-heroes may act like they have taken a vow of celibacy, Kalkor is one of the few who may have actually done so, as part of his Christianity-influenced version of Isis-worship. (Fantastic Comics 022, 1941)

    Kalkor is not really a super-hero in the traditional sense – he doesn’t roam around looking for guys mugging old ladies or Fifth Columnists sabotaging munitions factories. Instead, he follows Nagana around and foils whatever scheme she pursues in her ongoing effort to conquer the world. And like many characters who operate purely in reference to the actions of others, Kalkor is kind of dull.

    In order to get around our era more easily, Kalkor adopts the funny-about-twenty-years-ago-our time alias of John Kerry. He also seems to shop at the same Big Coat Store as fellow Fox super-hero Samson.

    Categorized in: Day Job (Priest), Origin (Divine Empowerment, Mystic Mutate, Resurrected Mystic Champion)

    the Gladiator:

    The Gladiator is Dan Kenneth, a “famous art connoisseur.” This baffled me hardcore until I realized that there was a pretty good chance that he was in fact an art conservationist or something like that, and sure enough a critical aspect of the villain’s scheme in his first outing is having Kenneth “recondition” a painting he has just bought, and in his second and final appearance they just go ahead and call him an art dealer.

    Kenneth gets mixed up in an overly-complicated plot by the aforementioned client to steal his own painting and still get cash – not insurance fraud but a second, stupider thing, see the upcoming entry on the Monster for further details – that is in fact so ridiculous that he can’t even convince the police to help him out. What else can he do but engage in a bit of vigilante justice in such a situation. He puts on a Roman gladiator outfit that he happens to have laying around, grabs his favourite cestus and bowling pin and sets out to meet his destiny. And then, as so frequently happens, the one-time foray into vigilante justice becomes a full-fledged hobby. (Fantastic Comics 023, 1941)

    Categorized in: Activities (Gladiators), Day Job (Art Dealer), Powers (Weapons Master)

    the Avenger:

    The Avenger is maybe the third most popular Street & Smith pulp character, and as such was adapted to comics in the early 40s and again every time the old gang gets together for another shot at the comics page in DC Front Line or wherever. Alas, just like his pulp career, none of the Avenger’s forays into comic books last very long, especially as compared to those of Doc Savage or the Shadow.

    Maybe I’m wrong, but the problem with comic book adaptations of the Avenger always seems to be that they take a premise like “solder of fortune loses family to criminals and thus sets out to balance the scales, armed with face that can be moulded like putty, a gun called Mike, a knife called Ike and a diverse cast of assistants called Justice Inc” and boil it down to “unsmiling widower tackles depressing crime.” (Shadow Comics v1 002, 1940)

    Categorized in: Accessories (Sidekicks), Origin (Mental Mutate, Motivated by Loss), Power (Moldable Face)

    Betty Ross:

    Betty Ross, aka Agent X-13, is a government agent who first appears as the seemingly-elderly-but-really beautiful guardian of the curio shop that conceals the super-soldier facility where Steve Rogers becomes Captain America (okay, it’s not 100% clear that this is Betty Ross in the original comics, but retcons have firmly established that it is). She goes on to take part in many of Captain America and Bucky’s Golden Age adventures – more, in fact, than the original Cap/Bucky duo (retcons again, being deployed to explain how they kept having adventures after they were supposedly frozen and dead, respectively. Or frozen and frozen, depending on the retcon). Late in the WWII era she even adopts a costumed identity of her own: Golden Girl.

    Betty plays a big enough role in these Golden Age comics that I was tempted to give her a full-fledged Super-Hero page such as characters like Lois Lane or Alfred will probably get but alas, she has been almost entirely replaced by Peggy Carter in comics published in the Silver Age and beyond. Is this because she shares a name with the Hulk’s love interest (who she was made the great aunt of in yet another retcon)? Possibly! (Captain America Comics 001, 1940)

    Categorized in: Accessories (Rubberoid Mask), Day Job (FBI Agent), Team Membership (FBI)

  • MINOR SUPER-VILLAIN 307: RA THE AVENGER

    MINOR SUPER-VILLAIN 307: RA THE AVENGER

    (Captain America Comics 008, 1941) 

    Ra the Avenger is actually Henry Sanders, an explorer who discovered and eventually sold the fabulous Egyptian Ruby of the Nile, then dressed up in faux Ancient Egyptian gear to murder all who stood in his way on a quest to steal it back again.

    That is, unfortunately, about all we can say about this guy because he’s one of those fellas who gets punched out and hauled off to jail without really spelling out the Why of their turn to costumed villainy.  An educated guesser might suppose that he sold the gem unwillingly due to some critical need and was determined to get it back. Or maybe the gem holds some sort of  curse that drives him to recover and return it? That’s fun, let’s go with that! It even clears up some of the fuzziness about the distinction between Ra  the god and the pharaoh who was buried with the gem: they must be the same, a magician powerful enough to be conflated with a god and to impose his will on a tomb robber thousands of years in the future. What a cool story I’ve read into this (though a bit of a bleak future for Sanders, possessed and locked up in a US prison)!

  • MINOR SUPER-VILLAIN 307: RA THE AVENGER

    (Captain America Comics 008, 1941) 

    Ra the Avenger is actually Henry Sanders, an explorer who discovered and eventually sold the fabulous Egyptian Ruby of the Nile, then dressed up in faux Ancient Egyptian gear to murder all who stood in his way on a quest to steal it back again.

    That is, unfortunately, about all we can say about this guy because he’s one of those fellas who gets punched out and hauled off to jail without really spelling out the Why of their turn to costumed villainy.  An educated guesser might suppose that he sold the gem unwillingly due to some critical need and was determined to get it back. Or maybe the gem holds some sort of  curse that drives him to recover and return it? That’s fun, let’s go with that! It even clears up some of the fuzziness about the distinction between Ra  the god and the pharaoh who was buried with the gem: they must be the same, a magician powerful enough to be conflated with a god and to impose his will on a tomb robber thousands of years in the future. What a cool story I’ve read into this (though a bit of a bleak future for Sanders, possessed and locked up in a US prison)!

  • SUPER-VILLAIN YEARBOOK: RED SKULL 1941

    (Captain America Comics 007, 1941)

    What was the Red Skull up to in 1941?

    As mentioned in the Red Skull II entry, this here is the real deal bad guy we all know and love to hate, still running around being a total stinker to this day. In-comic there is of course no indication of this, as the decision to differentiate the two was made years later when someone figured that the top Nazi villain worked better as a German guy than an American fascist. Consequently this is a pretty scant Yearbook entry, as most of the Red Skulling for the year was done by another guy.

    Intended or not, this Red Skull has it a bit more together than his semi-predecessor: for one, he has a much creepier mask and has supplemented the red skull calling card with an audible element: Chopin’s Funeral March. AND! He engages with that finest of comic book traditions by wearing a rubberoid mask over his regular mask! Batman eat your heart out.

    As far as actual crimes go… he kills a couple of guys and briefly frames Captain America for kidnapping a General. Mediocre.

    SKULL SCORE: 3/5, just like the other guy. It ain’t gonna change until he melts his face off in… I want to say the early 80s?

    RED SKULL 1941

    BODY COUNT: 2

    END-OF-YEAR STATUS: Presumed dead

  • SUPER-VILLAIN YEARBOOK: RED SKULL 1941

    (Captain America Comics 007, 1941)

    What was the Red Skull up to in 1941?

    As mentioned in the Red Skull II entry, this here is the real deal bad guy we all know and love to hate, still running around being a total stinker to this day. In-comic there is of course no indication of this, as the decision to differentiate the two was made years later when someone figured that the top Nazi villain worked better as a German guy than an American fascist. Consequently this is a pretty scant Yearbook entry, as most of the Red Skulling for the year was done by another guy.

    Intended or not, this Red Skull has it a bit more together than his semi-predecessor: for one, he has a much creepier mask and has supplemented the red skull calling card with an audible element: Chopin’s Funeral March. AND! He engages with that finest of comic book traditions by wearing a rubberoid mask over his regular mask! Batman eat your heart out.

    As far as actual crimes go… he kills a couple of guys and briefly frames Captain America for kidnapping a General. Mediocre.

    SKULL SCORE: 3/5, just like the other guy. It ain’t gonna change until he melts his face off in… I want to say the early 80s?

    RED SKULL 1941

    BODY COUNT: 2

    END-OF-YEAR STATUS: Presumed dead

  • MINOR SUPER-VILLAIN 302: THE FANG

    (Captain America Comics 006, 1941)

    Comics history seems to have taken the Fang as a Japanese agent but I’m pretty sure that as written he’s a Chinese American gang boss who’s working for the Japanese against the Chinese government. Either way, he’s your basic pulp holdover Asian gang boss with swarms of fanatical hatchet-man and a pronounced lack of humanity down to his namesake fangs. Part of me always wants to skip guys like this but they’re just as much a part of comic book history as the Big Wheel or the Hypno Hustler.

    EDIT: Just noticed that he wasn’t even actually technically hired by the Japanese! His employer was “an Asiatic aggressor nation” – Marvel seems to be a bit less inclined to name  and shame them than they were the Nazis.

  • MINOR SUPER-VILLAIN 300: THE RINGMASTER OF CRIME

    (Captain America Comics 005, 1941)

    Finally, FINALLY, after 300  of these guys an arbitrary milestone lines up with a reasonably cool character: the Ringmaster of Crime AKA the Ringmaster of Death. Compounding the fun of the circus of crime aesthetic is the fact that some of that good-style retconning has been going on and the Ringmaster in this tale has been made the father (and presumably later grandfather, per Marvel’s sliding timeline) of the mid-level super-villain the Ringmaster! Uh, if saying that someone is someone else’s grampaw is a retcon, that is.

    The practical upshot of this is that this Minor Super-Villain writeup also functions as Super-Villain Yearbook, 1941 for the Circus of Crime, which, as a family-owned business entity, is contiguous with the version that reappeared in the 60s even though no individual members reoccur.

    All that said, the Ringmaster himself is a fairly regular Nazi creep super-villain. Sure he’s got the Jack Kirby villain snake-man look that we all love to hate but compared to his descendant (or, indeed, a regular circus ringmaster) he’s a positively dour dresser – his actual theming is pretty weak, when you get right down to it.

    Although we must not neglect the Wheel of Death, a perfectly cromulent random victim generator that the Ringmaster presumably stole from one of the sideshow games and spends hours/day applying all the little faces to.

    The real star here is the burgeoning Circus of Crime. Not all of the classic archetypes are present (no tall man, no fat guy) but it’s a pretty good criminal circus lineup already. To whit:

    Omir the Snake Charmer

    the Missing Link putting in an appearance for the sideshow folk

    Tommy Thumb the circus dwarf who might be held against his will? He definitely does not want to be there

    the Trapeze Trio

    Zandow the Strong Man

    various unnamed clowns, roustabouts and elephant handlers

    It’s not quite Princess Python levels but it’s a good showing.

    The Ringmaster of course gets trounced by Captain America, and then according to lore he gets murdered after the war by Nazi loyalists for his failure. His circus endures to this day, however, so that’s something. Speaking of which:

    CIRCUS OF CRIME 1941 

    Body Count: 2

    End-of-year Status: Captured/ Defunct

  • MINOR SUPER-VILLAIN 300: THE RINGMASTER OF CRIME

    (Captain America Comics 005, 1941)

    Finally, FINALLY, after 300  of these guys an arbitrary milestone lines up with a reasonably cool character: the Ringmaster of Crime AKA the Ringmaster of Death. Compounding the fun of the circus of crime aesthetic is the fact that some of that good-style retconning has been going on and the Ringmaster in this tale has been made the father (and presumably later grandfather, per Marvel’s sliding timeline) of the mid-level super-villain the Ringmaster! Uh, if saying that someone is someone else’s grampaw is a retcon, that is.

    The practical upshot of this is that this Minor Super-Villain writeup also functions as Super-Villain Yearbook, 1941 for the Circus of Crime, which, as a family-owned business entity, is contiguous with the version that reappeared in the 60s even though no individual members reoccur.

    All that said, the Ringmaster himself is a fairly regular Nazi creep super-villain. Sure he’s got the Jack Kirby villain snake-man look that we all love to hate but compared to his descendant (or, indeed, a regular circus ringmaster) he’s a positively dour dresser – his actual theming is pretty weak, when you get right down to it.

    Although we must not neglect the Wheel of Death, a perfectly cromulent random victim generator that the Ringmaster presumably stole from one of the sideshow games and spends hours/day applying all the little faces to.

    The real star here is the burgeoning Circus of Crime. Not all of the classic archetypes are present (no tall man, no fat guy) but it’s a pretty good criminal circus lineup already. To whit:

    Omir the Snake Charmer

    the Missing Link putting in an appearance for the sideshow folk

    Tommy Thumb the circus dwarf who might be held against his will? He definitely does not want to be there

    the Trapeze Trio

    Zandow the Strong Man

    various unnamed clowns, roustabouts and elephant handlers

    It’s not quite Princess Python levels but it’s a good showing.

    The Ringmaster of course gets trounced by Captain America, and then according to lore he gets murdered after the war by Nazi loyalists for his failure. His circus endures to this day, however, so that’s something. Speaking of which:

    CIRCUS OF CRIME 1941 

    Body Count: 2

    End-of-year Status: Captured/ Defunct

  • MINOR SUPER-VILLAIN 299: DOCTOR GRIMM

    (Captain America Comics 004, 1941)

    Doctor Grimm is your regular-style mad scientist, subtype Owns a Private Hospital and Conducts Unethical Experiments on the Inmates and Staff. He comes to Captain America’s attention when Bucky gets bashed on the head real good (teen sidekick head trauma is no laughing matter and I hope we never get an earnest comic about it) and has to be admitted for observation. Things get predictably creepy, with disappearing nurses, strange cries in the night and deformed patients.

    The real star of the story is Gorro here. Just look at him! A real classic Kirby man-monster with a thirst for human blood. I love him, and mildly begrudge Bucky for shooting him in the face about a page later. At least I can rest easy in the knowledge that Kirby never met a comic he wouldn’t draw a monster in, so we’ll be seeing guys like this for years to come.