The Curse of Skeleton Munroe

Category: fake undead – mummy

  • MINOR SUPER-VILLAIN 941: THE MUMMY MASTER

    (Silver Streak Comics 015, 1941)

    In a very comic book series of events, a rash of mummy thefts at the City Museum in NYC is followed by the emergence of a Nazi super-crook calling himself the Mummy Master.

    While my normal modus operandi is to lay out the story of the villains I cover in an abridged but linear fashion, here I must jump ahead to the reveal that the Mummy Master is in fact City Museum director Dr Kolb, because I need to talk about just what the heck is going on with this guy and what exactly he was thinking. 

    So: Kolb is a Nazi and he is either officially or unofficially working to hinder US defense production by targeting so-called “Dollar-a-Year Men” (a type of altruistic/patriotic rich guy explored recently in our discussion of the Death Battalion). On the surface his decision to become the Mummy Master is… not a good one, but one with a lot of thematic resonance and which uses a lot of close-at-hand resources: he has access to mummies and a ready-made HQ in the depths of the museum. He never really states it outright, but by stealing a bunch of mummies and then dressing his henchmen up like them he seems to be going for the same sort of shock factor as Herr Skull got with his Skull Men.

    The first Dollar-a-Year Man on the Mummy Master’s list is even kidnapped with the same mummy DIY philosophy: he receives a mummy case in the mail, is disturbingly cavalier about going to bed with it sitting about five feet away and is then captured by the very alive mummy inside and taken away in its former home.

    I would say that the first indication that Kolb/the Mummy Master is not a criminal genius comes at the culmination of the Henderson kidnapping. Surely the move is to dress up like movers and stick the mummy case in a truck, but the Mummy Master and his Mummy Gang just schlep the thing through the city streets. It’s like the idea of maintaining the theme is interfering with Kolb’s ability to do risk management.

    The abduction of the second man, Billings, is comparatively simple: just a bunch of fake mummies storming the guy’s office and grabbing him. It’s a dumb meathead plan, but it’s less dumb than the first, ostensibly clever plan so I must give it some credit.

    By this point, the Mummy Master’s haphazard approach to super-espionage has caught up to him and not only Captain Battle but Hale Battle and Battle associate Jane Lorrain are wandering around inside his lair – his capture is a foregone conclusion.

    Hale Battle of course takes a souvenir of the battle with the Mummy Master, in the form of a little mummy doll made out of some of his wrappings. Of note is the fact that Hale’s collection contains only the souvenirs that we have seen him collect, in contrast to other trophy displays like Green Arrow’s that are already stuffed full of trash upon their first appearance.

    Categorized in: Day Jobs (Museum Director), Fraud (Fake Mummy), Supranormal Beings (Mummies)

  • MINOR SUPER-VILLAIN 941: THE MUMMY MASTER

    (Silver Streak Comics 015, 1941)

    In a very comic book series of events, a rash of mummy thefts at the City Museum in NYC is followed by the emergence of a Nazi super-crook calling himself the Mummy Master.

    While my normal modus operandi is to lay out the story of the villains I cover in an abridged but linear fashion, here I must jump ahead to the reveal that the Mummy Master is in fact City Museum director Dr Kolb, because I need to talk about just what the heck is going on with this guy and what exactly he was thinking. 

    So: Kolb is a Nazi and he is either officially or unofficially working to hinder US defense production by targeting so-called “Dollar-a-Year Men” (a type of altruistic/patriotic rich guy explored recently in our discussion of the Death Battalion). On the surface his decision to become the Mummy Master is… not a good one, but one with a lot of thematic resonance and which uses a lot of close-at-hand resources: he has access to mummies and a ready-made HQ in the depths of the museum. He never really states it outright, but by stealing a bunch of mummies and then dressing his henchmen up like them he seems to be going for the same sort of shock factor as Herr Skull got with his Skull Men.

    The first Dollar-a-Year Man on the Mummy Master’s list is even kidnapped with the same mummy DIY philosophy: he receives a mummy case in the mail, is disturbingly cavalier about going to bed with it sitting about five feet away and is then captured by the very alive mummy inside and taken away in its former home.

    I would say that the first indication that Kolb/the Mummy Master is not a criminal genius comes at the culmination of the Henderson kidnapping. Surely the move is to dress up like movers and stick the mummy case in a truck, but the Mummy Master and his Mummy Gang just schlep the thing through the city streets. It’s like the idea of maintaining the theme is interfering with Kolb’s ability to do risk management.

    The abduction of the second man, Billings, is comparatively simple: just a bunch of fake mummies storming the guy’s office and grabbing him. It’s a dumb meathead plan, but it’s less dumb than the first, ostensibly clever plan so I must give it some credit.

    By this point, the Mummy Master’s haphazard approach to super-espionage has caught up to him and not only Captain Battle but Hale Battle and Battle associate Jane Lorrain are wandering around inside his lair – his capture is a foregone conclusion.

    Hale Battle of course takes a souvenir of the battle with the Mummy Master, in the form of a little mummy doll made out of some of his wrappings. Of note is the fact that Hale’s collection contains only the souvenirs that we have seen him collect, in contrast to other trophy displays like Green Arrow’s that are already stuffed full of trash upon their first appearance.

    Categorized in: Day Jobs (Museum Director), Fraud (Fake Mummy), Supranormal Beings (Mummies)

  • MINOR SUPER-VILLAIN 905: THE MISSING MUMMY

    (Whiz Comics 020, 1941)

    Racing to the Hayten Museum in New York City in response to a plea for assistance, super-detective Dan Dare discovers a body upon arrival and is immediately accused of being the murderer by what turns out to be his employers, once everything is cleared up.

    It turns out that these men are either archaeologists or the kind of genteel looters who supplied museums back in the day, and that they recently opened a cursed Egyptian tomb along with four others who have since been murdered. The murderer: someone claiming to be the former occupant of that tomb and calling themself the Missing Mummy, who is demanding the return of an emerald that was stolen by one of the expedition members.

    The Missing Mummy’s depredations are clearly designed to flush the emerald thief out of hiding, and it works, as that night one of the remaining four (named Stackley, fyi) retrieves the gem from its hiding place in the museum (did I mention that these guys all live in the museum? Because they do) and makes a break for it, only to be killed and relieved of his prize before he can get away. Meanwhile, assistant Carol Clews is kidnapped out from under Dan Dare’s nose while he is examining the mysterious return of the lower-case missing mummy, because the upper-case Missing Mummy is of course one of the remaining three expedition members.

    Dan manages to literally stumble into the Mummy’s secret lair and is forced to shoot him dead rather than allow him to kill Carol (and just why did he kidnap her in the first place? Love of the game I guess). Upon unmasking the Missing Mummy, he is revealed to be Hector Brown, the man who hired Dan in the first place, and as someone who has read all of the Dan Dare stories let me tell you: I was not shocked. I’d estimate that up to a quarter of all of Dare’s clients are actually the guilty party attempting to give themselves a veneer of innocence. It never works of course, but just like the fact that dressing up like a mummy and killing off the members of a group that you also belong to only serves to reduce the pool od suspects to a manageable level until you are caught, it’s the kind of lesson that you only learn after it’s too late.

    Terrific as always to see a fake mummy running around in a comic. No note, keep them coming.

  • MINOR SUPER-VILLAIN 780: THE MUMMY

    (Funny Picture Stories v3 002, 1939)

    Like every other of my long-term projects, writing this blog has been an exercise in taking a simple premise (writing fairly succinctly about minor DC Comics super-villains) and expanding the scope until the seams start to creak (writing somewhat extensively about all super-villains and super-heroes and a bunch of other comics things and also maintaining a set of variably-useful indices about them all). This is all to lead into the fact that a comic I was just reading (Super Spy 001, 1940) contained a reprint of a story from a comic I read back when I started doing this and I was absolutely flummoxed that I had not written about the Mummy.

    We open in the palatial home of amateur Egyptologist Professor Stone, just in time to see him get murdered by someone with a creepy hand.

    Cops are soon swarming over the Professor’s residence, but that doesn’t stop the culprit from creeping back in to eliminate a potential witness in the victim’s niece and incidentally give us our first look at his mummy outfit. Not the most convincing getup with that huge exposed swath of visible and well-moisturized head, but I appreciate the green.

    This particular fake mummy also has mind control abilities thanks to the copy of the Egyptian Book of the Dead that he stole after murdering Professor Stone. These allow him to abduct Miss Stone and Police Detective Bull with ease.

    The super powers weren’t even the motivation for the murder of Professor Stone, it turns out. No, Stone was killed when he figured out that his fellow Egyptologist Dr Carver had been using Stone’s regular shipments of mummies from England as a way of smuggling drugs into the US, possibly because Carver’s plan doesn’t seem to include replacing the fake mummy after he steals and hollows it out each time.

    Also, Carver has built an entire acid pit in Stone’s basement, which is impressive but must have provided plenty of opportunities for Stone to cotton on to the fact that something was going on.

    Ultimately it all comes down to that old adage: no matter how well-prepared and capable of performing Ancient Egyptian mind control you are, you’re never ready to be shot in the back by a cop and dumped into your own acid pit.

  • MINOR SUPER-VILLAIN 780: THE MUMMY

    MINOR SUPER-VILLAIN 780: THE MUMMY

    (Funny Picture Stories v3 002, 1939)

    Like every other of my long-term projects, writing this blog has been an exercise in taking a simple premise (writing fairly succinctly about minor DC Comics super-villains) and expanding the scope until the seams start to creak (writing somewhat extensively about all super-villains and super-heroes and a bunch of other comics things and also maintaining a set of variably-useful indices about them all). This is all to lead into the fact that a comic I was just reading (Super Spy 001, 1940) contained a reprint of a story from a comic I read back when I started doing this and I was absolutely flummoxed that I had not written about the Mummy.

    We open in the palatial home of amateur Egyptologist Professor Stone, just in time to see him get murdered by someone with a creepy hand.

    Cops are soon swarming over the Professor’s residence, but that doesn’t stop the culprit from creeping back in to eliminate a potential witness in the victim’s niece and incidentally give us our first look at his mummy outfit. Not the most convincing getup with that huge exposed swath of visible and well-moisturized head, but I appreciate the green.

    This particular fake mummy also has mind control abilities thanks to the copy of the Egyptian Book of the Dead that he stole after murdering Professor Stone. These allow him to abduct Miss Stone and Police Detective Bull with ease.

    The super powers weren’t even the motivation for the murder of Professor Stone, it turns out. No, Stone was killed when he figured out that his fellow Egyptologist Dr Carver had been using Stone’s regular shipments of mummies from England as a way of smuggling drugs into the US, possibly because Carver’s plan doesn’t seem to include replacing the fake mummy after he steals and hollows it out each time.

    Also, Carver has built an entire acid pit in Stone’s basement, which is impressive but must have provided plenty of opportunities for Stone to cotton on to the fact that something was going on.

    Ultimately it all comes down to that old adage: no matter how well-prepared and capable of performing Ancient Egyptian mind control you are, you’re never ready to be shot in the back by a cop and dumped into your own acid pit.

  • MINOR SUPER-VILLAIN 751: THE MUMMY

    MINOR SUPER-VILLAIN 751: THE MUMMY

    (Smash Comics 015, 1940) 

    Strange things are happening at the museum: knives are flying through the air, suits of armour are wandering around in a menacing fashion and things are getting pretty spooky. Head Curator Robbins asks his pal Kent Thurston (aka the Invisible Hood) to check things out, at which point the Mummy enters the picture, knocks out Thurston and kidnaps Robbins’ plucky daughter Betty.

    After grabbing Robins as well, the Mummy reveals his devious plan: Robbins must resign as curator. And that’s it. Unsurprisingly, the Mummy turns out to be Nolan, the Assistant Curator, who has admittedly hacked the whole promotion process with this bold scheme but who also has not done a particularly great job of deflecting suspicion from himself as the only person who is going to benefit from the scheme.

    As usual, the Invisible Hood’s power of invisibility is a real asset and he cleans up the gang with relative ease. He even does a bit of a challenge run by initially approaching dressed up as a second mummy, with a spooky twist once he removes his wrappings to reveal the nothingness within.

    Not the greatest fake mummy in comics history, but I’m happy to get any fake mummies.

  • GENERIC COSTUMED VILLAIN ROUND-UP 012

    Management not responsible if some of the villains are not technically costumed.

    This fellow, known as the Boss, was the masked publisher of a newspaper known as the Weekly Tattler which functioned as a vehicle for his blackmail business: pay up or get your secrets printed in the next edition. He turned out to be the husband of one of the paper’s victims, which makes little enough sense that I reckon that they got to the end of the story without adding any good suspects so went with the only possibility. Also he gets shot by his very gullible underling after the Fox barely implies that there’s a double cross on. (Blue Ribbon Comics 011, 1941)

    Inferno tangles with crook Jake the Fake and his henchmen as they make a break for the Mexican border disguised as a shipment of mummies, a top tier thing to pretend to be. (Blue Ribbon Comics 017, 1941)

    If you have to be a very generic pirate so hard up you have to kidnap guys from the US Navy to run your radio equipment in a mid-level (by Golden Age standards) racist adventure well then you’d better have a great name like the Scourge because that’s really all you have going for you. (Wonderworld Comics 003, 1939)

    Like the Scourge, the Obermaster here is a real waste of a good villain name on a real damp squib of a character. He is Samson Gorth, a criminal mastermind with no real plan. No, that’s not accurate. He has a plan to incite war between the US and Japan by attacking their respective shipping using planes with false insignia but beyond that his goals are a mystery. Is he hoping for plunder? A chance for war profiteering? No clue and thanks to special agent Bruce McKay, Sky Master, we’ll never find out. Because the Obermaster is dead. In case that wasn’t clear. (The Funnies 035, 1939)

  • GENERIC COSTUMED VILLAIN ROUND-UP 008

     

    The Scar was a spymaster encountered and captured by adventurer Biff Bronson and maybe if he dressed like that all of the time he’d have an entry of his own but no, he had just left the opera. (More Fun Comics 067, 1941)

    This bunch work for the villainous Count Parla and his pal Eddie in a classic case of “work your way into polite society in order to set up a big score”. If there’s a non-evil Count in comics I have yet to encounter him. Beaten up by Captain Desmo in a rare unhelmeted appearance. (More Fun Comics 069, 1941) 

    This unnamed fellow got up to all kinds of hijinks on a train, including murder, espionage and impersonating a conductor. Seen here inadvertently unmasking a crossdressing thief – it was a very busy adventure for Captain Desmo. (More Fun Comics 070, 1941)

    Johnny Quick’s first outing features one of my favourite comic book things: a series of vignettes of prior cases to establish Johnny’s bona fides vis-a-vis crimefighting. Two of the adventures in question involve what would almost certainly have been Minor Super-Villain entries if they were featured players, so here’s to you, the Pharaoh’s Mummy and the Murderous Musician (and the Money-Mad Miser, not pictured) (More Fun Comics 071, 1941)

  • MINOR SUPER-VILLAIN 307: RA THE AVENGER

    MINOR SUPER-VILLAIN 307: RA THE AVENGER

    (Captain America Comics 008, 1941) 

    Ra the Avenger is actually Henry Sanders, an explorer who discovered and eventually sold the fabulous Egyptian Ruby of the Nile, then dressed up in faux Ancient Egyptian gear to murder all who stood in his way on a quest to steal it back again.

    That is, unfortunately, about all we can say about this guy because he’s one of those fellas who gets punched out and hauled off to jail without really spelling out the Why of their turn to costumed villainy.  An educated guesser might suppose that he sold the gem unwillingly due to some critical need and was determined to get it back. Or maybe the gem holds some sort of  curse that drives him to recover and return it? That’s fun, let’s go with that! It even clears up some of the fuzziness about the distinction between Ra  the god and the pharaoh who was buried with the gem: they must be the same, a magician powerful enough to be conflated with a god and to impose his will on a tomb robber thousands of years in the future. What a cool story I’ve read into this (though a bit of a bleak future for Sanders, possessed and locked up in a US prison)!

  • MINOR SUPER-VILLAIN 307: RA THE AVENGER

    (Captain America Comics 008, 1941) 

    Ra the Avenger is actually Henry Sanders, an explorer who discovered and eventually sold the fabulous Egyptian Ruby of the Nile, then dressed up in faux Ancient Egyptian gear to murder all who stood in his way on a quest to steal it back again.

    That is, unfortunately, about all we can say about this guy because he’s one of those fellas who gets punched out and hauled off to jail without really spelling out the Why of their turn to costumed villainy.  An educated guesser might suppose that he sold the gem unwillingly due to some critical need and was determined to get it back. Or maybe the gem holds some sort of  curse that drives him to recover and return it? That’s fun, let’s go with that! It even clears up some of the fuzziness about the distinction between Ra  the god and the pharaoh who was buried with the gem: they must be the same, a magician powerful enough to be conflated with a god and to impose his will on a tomb robber thousands of years in the future. What a cool story I’ve read into this (though a bit of a bleak future for Sanders, possessed and locked up in a US prison)!