The Curse of Skeleton Munroe

Category: Bulletman

  • MINOR SUPER-VILLAIN 355: MR MURDER

    (Master Comics 015, 1941) 

    Mr Murder is your “pay or die” style of extortionist and a) has a pretty great name and b) is presumably in an early stage of his career as there is a lot more “die” going on than “pay”.

    Mr Murder also has a great understated costume: tunic, hat, cape, scarf, gloves. Just a bit off of what you might see someone actually wearing – nice and menacing in a Shadow sort of way.

    And of course Mr Murder turns out to be Reilly, the loudmouthed lawyer from the beginning of the story, presumably using his position to determine opportune targets for extortion and employing my fave the rubberoid mask to disguise his identity. It’s a fine outing over all but nothing special. The interesting stuff comes with Mr Murders further appearances:

    Mr Murder reappears in Master Comics 027, 1942 and there are several weird things going on. The least of these is his decision to incorporate the rubberoid mask into his costume despite his identity no longer being a secret, but I guess that’s no weirder than villains who continue to wear regular style masks in such circumstances.

    More interesting is the fact that there seems to have been a Mr Murder/ Bulletman clash some time in between, during which a) Mr Murder found out Bulletman’s secret identity and b) Bulletman was thought to have killed Mr Murder. As far as I can tell, this story was never published (I reckon that it’s equally likely that a story was produced but never published or someone misremembered Mr Murder being in a story he wasn’t), but the upshot of it is that Mr Murder is out for revenge and armed with the knowledge to do the deed. He kidnaps Jim Barr and almost succeds in bumping him off but has seemingly forgotten about the existence of Bulletgirl, leading to him getting his but kicked and dying for real.

    OR DID HE? This marks our first encounter with the CRIME EXCHANGE, an organization run by future Minor Super-Villain the Crime Broker, the details of which are not germane other than the fact that at one point the Exchange members petition the Crime Broker to bump off Bulletman, a petition consisting mostly of deceased Bulletman villains. It’s madness! A huge (dead) portion of Bulletman and Bulletgirl’s rogues gallery, returned to life (or, less incredibly, sprung from prison) in a single panel! Madness!

    Okay, maybe this is more exciting to me than anyone else but it is neat. And as someone whose official stance is that super-villains are more interesting when they’re still alive I heartily approve.

  • MINOR SUPER-VILLAIN 347: TRIPLE THREAT

    (Master Comics 012, 1941)

    Triple Threat is in actuality a fellow named Theron who believes that due to his own scientific genius he is above such things as “regular jobs” and “not murdering and robbing at whim” and so develops an armoured multi-environment vehicle – also called Triple Threat, as is often the case with super vehicle types – with which to enact his plans.

    The obvious thing to lead with here is that great name: Triple Threat. Some cursory research seems to indicate that in the early 20th Century the term was used to refer to a person etc who could fill three different roles in sports, war etc (I even saw it used to refer to a breed of cow that was useful for meat, dairy and as a work animal). The more narrow entertainment-focused definition that is mostly used today seems to have gained prominence in the mid 20th Century, which is a shame, as it would have been a real fun time if Theron wasn’t just flying around in a land/air/sea vehicle but also singing, dancing and acting.

    That said, there is a real flair for the dramatic in ol’ Triple Threat. He’s your classic police taunter style of criminal genius, never missing an opportunity to fire up his radio and sling some mud at Sergeant Kent and the rest of the boys over at police HQ.

    It’s this kind of bravado that ultimately proves to be Triple Threat’s downfall, in fact: after escaping an initial encounter with Bulletman, he makes an attempt to eliminate top cop Sergeant Kent and in the subsequent fracas ends up smashing his own vehicle to pieces on Bulletman’s pointy head. A true loss to the community of folks like me who like to read comics about real jerks. On the positive side, Bulletman is knocked out in this collision, which leads to Susan Kent finally learning his secret identity, which then leads to her becoming Bulletgirl, by far the best of the half-dozen or so members of the Bullet-family.

  • GENERIC COSTUMED VILLAIN ROUND-UP 006

    MORE! MORE!

    Another Nazi spy-cell headed by a guy in a cloth mask called the Leader, this time in Switzerland for a bit of variety. (Captain America Comics 009, 1941)

    Having just read a year’s worth of Jumbo Comics, I can tell you that this guy here, name of Sam Bradford, is the closest thing to a super-villain in them and it’s mostly because of the decent outfit. He’s an agent who kills a producer or something because of professional reasons – strictly snoozeville. (Jumbo Comics 033, 1941)

    This creep is Mark Giddings, who kidnaps Eve Scott, daughter of NYC Mayor Scott because she turned down his advances. Somehow he thought that extorting the mayor to resign via threats of dismembering his daughter would net him both the job and the girl but in reality he just got socked by Bulletman. (Master Comics 011, 1941)

    This fella answers to the name of Operator G-6, and he’s the very first foe faced by patriotic hero Minute-Man. Also the first person summarily thrown off a train to his death by Minute-Man. (Master Comics 011, 1941)

  • GENERIC COSTUMED VILLAIN ROUND-UP 006

    MORE! MORE!

    Another Nazi spy-cell headed by a guy in a cloth mask called the Leader, this time in Switzerland for a bit of variety. (Captain America Comics 009, 1941)

    Having just read a year’s worth of Jumbo Comics, I can tell you that this guy here, name of Sam Bradford, is the closest thing to a super-villain in them and it’s mostly because of the decent outfit. He’s an agent who kills a producer or something because of professional reasons – strictly snoozeville. (Jumbo Comics 033, 1941)

    This creep is Mark Giddings, who kidnaps Eve Scott, daughter of NYC Mayor Scott because she turned down his advances. Somehow he thought that extorting the mayor to resign via threats of dismembering his daughter would net him both the job and the girl but in reality he just got socked by Bulletman. (Master Comics 011, 1941)

    This fella answers to the name of Operator G-6, and he’s the very first foe faced by patriotic hero Minute-Man. Also the first person summarily thrown off a train to his death by Minute-Man. (Master Comics 011, 1941)

  • GENERIC COSTUMED VILLAIN ROUND-UP 006

    MORE! MORE!

    Another Nazi spy-cell headed by a guy in a cloth mask called the Leader, this time in Switzerland for a bit of variety. (Captain America Comics 009, 1941)

    Having just read a year’s worth of Jumbo Comics, I can tell you that this guy here, name of Sam Bradford, is the closest thing to a super-villain in them and it’s mostly because of the decent outfit. He’s an agent who kills a producer or something because of professional reasons – strictly snoozeville. (Jumbo Comics 033, 1941)

    This creep is Mark Giddings, who kidnaps Eve Scott, daughter of NYC Mayor Scott because she turned down his advances. Somehow he thought that extorting the mayor to resign via threats of dismembering his daughter would net him both the job and the girl but in reality he just got socked by Bulletman. (Master Comics 011, 1941)

    This fella answers to the name of Operator G-6, and he’s the very first foe faced by patriotic hero Minute-Man. Also the first person summarily thrown off a train to his death by Minute-Man. (Master Comics 011, 1941)

  • MINOR SUPER-VILLAIN 175: THE MAN WITHOUT A FACE

    (Bulletman 002, 1941) 

    Gangster Scar Malone was convicted of murder and sentenced to the electric chair. He swore revenge against the judge and jury, as you do. And once you’ve done that kind of thing, you only have a few options: fake your own death so you can come back as a fake ghost to kill your enemies; arrange for your body to be taken to a scientist or magic man for post execution revival so you can slay your enemies; have your secret twin pose as your vengeful spirit to kill your enemies, or do what Malone opts for: simply escape while on the way from trial to prison, (optionally searing your face off with hot steam while doing so) and come back months later to kill your enemies.

    If I’m to judge (haha) a judge and jury revenge killer’s relative quality, it’s going to be a numbers game – just how many of their self-assigned targets did they manage to take out. Even though he was a master of escape and disguise, the Man Without a Face managed a mere 2/13 or 15% before being thrown off a roof by Bulletman. A poor showing indeed.

  • MINOR SUPER-VILLAIN 174: THE LIMPING MUMMY

    (Bulletman 002, 1941)

    I cannot tell a lie: I love a fake mummy. I can’t help it – there’s something about a crook going to the trouble of wrapping themself up in old linen that is very endearing to me. And as with our friend here, they often have a modifier to distinguish them from the workaday mummies that you see everywhere. They’re a Golden Mummy or a Missing Mummy, or, as with our boy here, a Limping Mummy.

    The actual reason for mummying up is usually the same: disguise yourself so that you can rob a museum or steal some Egyptian artifacts or steal some Egyptian artifacts from a museum. The reason our guy is a limping mummy is that he decided to add another layer to his disguise and throw suspicion on Benhurst the museum director, who walks with a cane.

    And then, he attempts a third layer of obfuscation by using his civilian identity, newspaper editor Jason Hilder, to slam the police for not being able to deal with all these mummy crimes! This is actually a terrible idea, since Hilder wasn’t at all involved before and he actually ends up getting caught because he takes it too far and attacks Sergeant Kent of the police for… some reason? The Limping Mummy’s plot doesn’t really hold together is I guess what I’ve been trying to lay out here.

  • MINOR SUPER-VILLAIN 173: THE HUNCHBACK

    (Bulletman 002, 1941)

    There are many Hunchbacks, both actual and fake, in the ranks of the minor super-villain, alas. Victor Hugo has much to answer for. This Hunchback is a former actor whose back (and presumably mind) was injured in a fall and thereafter resolved to kill all leading men at a particular theatre via dart to the neck.

    The real standout of the story is not the Hunchback but rather red herring murder suspect Matt Benson, seen here being a completely unsuspicious witness:

    And here being careful not to make himself seem like he might have done it:

    I sincerely think that in all my years of reading this kind of story I have not seen a suspect with less chill. The man could not order a cup of coffee without implying that he had strangled someone for the cash he was using to pay for it.

  • MINOR SUPER-VILLAIN 172: THE LARGEST MAN IN THE WORLD

    (Bulletman 001, 1941)

    The Largest Man in the World is exactly what it says on the tin: an unfeasibly enormous dude. By himself, not much of a threat so long as he gets a regular supply of molasses to eat. It’s just too bad for society that he is spotted by crooks and used as a living siege weapon to rob and kill.

    The really remarkable thing about the Largest Man in the World is that his gangster pal is Machine Gun Kelly. Like, the real guy – the actual real-world crook. This is completely wild to me for two reasons. Firstly, Machine Gun Kelly was jailed in 1933 and died in prison, so when this comic came out he had not been a real-world crime concern in over 8 years.

    Secondly, I think I’ve mentioned how Golden Age comics frequently went out of their way not to use actual country names, and with people, even criminal people, it’s even more pronounced. Al Capone isn’t going to show up in a comic, but Al Tyrone, Al Maloney or Andy Carpon will. Hell, Adolf Hitler largely appears under light pseudonyms before the US enters WWII. It’s weird and wild to see Machine Gun Kelly just running around talking about his machine gun, and that’s before they kill him – a man who will go on to live for another 13 years in prison, remember – off!

  • MINOR SUPER-VILLAIN 171: THE VOICE

    (Bulletman 001, 1940)

    There is a pretty broad swath of the super-villain community (and an even larger cohort of generic costumed villains) who have the common origin of being respectable members of society who need a second identity to head a gang or catburgle or do murders under the guise of.

    The gang leaders tend to stick to a few different styles of dress: there’s the domino mask wearers, the executioners-style hood guys and the more cautious head-to-toe robe wearers. The Voice here is part of a very specific type of these guys who only appear in silhouette – not particularly common, probably because it ends up tying them pretty thoroughly to a specific locale.

    The Voice doesn’t have too much to distinguish him: he’s running for district attorney and making a lot of political hay out of all the crimes being committed by the gang he himself is running. The really unusual thing about him is that he and his gang find out Bulletman’s secret identity over the course of the story and then… nothing. They go to jail, with none of the usual mind-wipes, elaborate deceptions or gruesome deaths that usually ensure that those who learn a hero’s secrets do not retain them. Just between 4 and 10 hardened crooks nursing that knowledge as they are taken away by the police. Remarkable stuff!