The Curse of Skeleton Munroe

Category: Flip Falcon

  • ALIENS AND SO FORTH ROUND-UP 018

    It’s time to return to spaaaaaace! 

    Urolians and Urians: 

    The “Blast Bennett” feature is set far enough in the future (5940 CE, according to the caption on a single panel that I’m taking as gospel until contradicted) that I generally assume that all of the human-looking aliens that Blast and his pal Red encounter are representative of far-flung Earth colonies rather than of lack of alien design imagination, but I just had to point out the fact that the two planets in this comic are named Urol and Ur. It’s very annoying!

    Anyway, Blast’s pal Red falls into the hands of the bearded and hostile peoples of Urol, then Blast shows up and frees both him and the princess of Ur, traditional enemies of the Urolians, and ultimately helps the Urians (never actually called that in-comic, but we must have a demonym) defeat the slow-but-powerful Urolian space fleet, ensuring peace at the barrel of a ray gun. (Weird Comics 008, 1940)

    Dwarf Men of Mars: 

    Flick Falcon (famously later changed to Flip because “Flick” and “Fuck” look very similar in comic book lettering) is a character who does all of his adventuring by jumping into an interdimensional teleporter in his laboratory and tooling around the universe. The first time he does this he ends up blasted to Mars so hard that his organs end up on the opposite sides of his body.

    Flick/Flip finds a Mars in conflict, with two native intelligent species under threat of conquest by invading aliens. He ends up allying with the so-called Dwarf-Men, who probably don’t call themselves that. They’re pretty standard humanoid aliens, with the obvious exception being their tininess. Plus they all wear hats with teacup handles on them for no stated reason. (Fantastic Comics 002, 1940) 

    Martian Slave-Giants: 

    The second of the Martian races are referred to as the Slave-Giants, as they have been subjugated by the invaders already. Their main duties seem to be wandering around looking for interesting things such as Flick Falcon to grab and throw toward the invaders’ headquarters. Please also note the wildly inconsistent scale.

    As mentioned in the last Divine Round-Up, the giants are controlled by way of their religious devotion, with the invaders delivering orders in the form of commandments issued by a radio receiver concealed inside of the idol of their goddess. Flick and his gal pal Adele disrupt this by smashing the idol and substituting her as a living replacement, and so the Giants are theoretically no longer enslaved. (Fantastic Comics 001, 1939)

    Three-Arm Invaders: 

    And what of the invaders themselves? These are appropriately known as the Three-Arm[ed] Invaders, and occasionally as the Three-Arm[ed] Ones, Tyrants, or at least once Swine. They are one or two steps more alien than the quite humanoid inhabitants of Mars, with little pig-trotter feet and tusks and that eponymous third arm emerging from their sternums. They also have the most distressing horns that I have ever seen, in that they are more akin to big hairy warts than anything else.

    The Three-Arm Invaders possess similar dimension-hopping technology to that used by Flick Falcon, which they intend to use to both comprehend and conquer the universe. They are held back somewhat by their comparatively frail physical forms, but I suppose that’s what the Slave-Giants are for.

    When the Three-Arm Invaders are last seen, they are reacting to the news of the Slave-Giants’ emancipation by raining hellacious destruction down on the Giants’ city in an attempt to destroy Flick and Adele. After escaping from this conflagration, the duo never bother to go back to Mars, so the struggle of the Martian peoples vs the Invaders is left unresolved. (Fantastic Comics 001, 1939)

     

    One more thing about the Three-Arm Invaders: they seem to be yet another species in which the males look like gross weirdos and the females like cute human women (they do have little pig trotter feet, but that can be cute!). Unfortunately for the Three-Arm women (who only have two arms, sure, but how else do I refer to them?) the whole deal with the Slave-Giants and their goddess means that having a bunch of cute girls around would only confuse things and break the Three-Arms’ control. Thus, the Three-Arm women are sealed inside of big fruits until they are too old to be cute any more. Three-Armed Invaders: not just evil conquerors, but also misogynists!

    The formerly fruit-bound Three-Arm woman in the above panels seems to be shaping up to be an ally to Flick Falcon, but somewhere in between issues 002 and 003 of Fantastic Comcis she disappears and Flick ends up allied with the formerly suspicious and hostile Dwarf-Men. Hopefully the unseen resolution to this whole invasion involves the liberation of the Three-Arm women, leading to an overthrow of Three-Arm society. (Fantastic Comics 002, 1940) 

  • DIVINE ROUND-UP 011

    Lookit’m go!

    Thor: 

    This particular version of Thor, Norse God of Thunder invests mortal man Grant Farrel with his powers, but while most ancient gods who get up to that sort of thing in comics are looking for an agent to fight against or promote a cause or agenda, Thor seems to just seems to want to see his powers being used in adventures. It’s kind of wholesome!

    Please also note the weird discs on Thor’s helmet. What the heck is up with those? 

    God style: real (Weird Comics 001, 1940)

    the Slave Giants’ Goddess: 

    Space-time adventurer Flip Falcon (back when he was called Flick Falcon, before someone realized that “flick” in comic book block lettering is awful close to “fuck”) spent his first few escapades getting in the middle of a conflict between various Martian races and an invading three-armed species. As a part of this, Fli(ck/p) and his companion Adele come up with a scheme to substitute her for the idol that the Three-Arms had been using to control the credulous Martian Giants.

    This works well enough that it causes a minor holy war among the Giants, but I suppose that all’s fair in planetary defense. 

    God style: idol/ fake (Fantastic Comics 003, 1940) 

    the Sun God: 

    A big tree worshipped by a group of hominids known as “flat heads” via human hominid sacrifice. Fortunately for Og, Son of Fire and his companions, they represent a slightly more quick-witted type of hominid and manage to escape this grisly fate. 

    God style: animist (The Funnies 013, 1937)

    Zagu: 

    Source of conflict between a local tribe who insist that he lives in a mine site and the guy who really wants to mine there. Unsurprisingly, the Red Panther shows up to take the mine owner’s side.

    God style: invoked (Jungle Comics 003, 1940) 

  • MINOR SUPER-VILLAIN 637: CHANG

    MINOR SUPER-VILLAIN 637: CHANG

    (Fantastic Comics 013, 1940)

    It finally happened: Flip Falcon told the world that travel between Earth and the Fourth Dimension was possible (I haven’t been highlighting it because there aren’t super-villains etc but a fair few of his adventures have just been commissions from randos to go back in time and find out where pirates hid some treasure and whatnot. Everyone knows about the Fourth Dimension, Billy.) and someone has finally replicated his findings. Too bad for the world in general and Flip Falcon in particular that that person was Chang.

    Chang is a Tibetan Lama for some reason (the reason is that Tibet is far away and Tibetan Buddhism was exotic so virtually any secret knowledge could be ascribed to them. And also Tibetans are Asians, so racism) and is notably more cautious than Flip. Rather than dive headfirst into what could reasonably be called a Hell Dimension, Chang has chosen to communicate with the various spirits and demonoids who reside there. Details are sparse but it seems that he was attempting to recruit them as an invasion force before Flip Falcon cottoned onto him.

    The real stars of the adventure are the creeps and ghouloids that slither out of the landscape to take Chang up on his offer. For such a fun and diverse collection of creepos they certainly get little enough page time in favour of a guy in a robe and a widow’s peak.

    Chang’s caution proves to be his ultimate undoing, however, as while he has not been placing himself into the same danger as Flip Falcon, he has also not been charged up with the same extradimensional energies that Flip is when he does and which allow him to, for example, easily escape from a deathtrap and then fly off after blowing up Chang and his entire lamasery. A valuable lesson, learned too late.

  • MINOR SUPER-VILLAIN 637: CHANG

    MINOR SUPER-VILLAIN 637: CHANG

    (Fantastic Comics 013, 1940)

    It finally happened: Flip Falcon told the world that travel between Earth and the Fourth Dimension was possible (I haven’t been highlighting it because there aren’t super-villains etc but a fair few of his adventures have just been commissions from randos to go back in time and find out where pirates hid some treasure and whatnot. Everyone knows about the Fourth Dimension, Billy.) and someone has finally replicated his findings. Too bad for the world in general and Flip Falcon in particular that that person was Chang.

    Chang is a Tibetan Lama for some reason (the reason is that Tibet is far away and Tibetan Buddhism was exotic so virtually any secret knowledge could be ascribed to them. And also Tibetans are Asians, so racism) and is notably more cautious than Flip. Rather than dive headfirst into what could reasonably be called a Hell Dimension, Chang has chosen to communicate with the various spirits and demonoids who reside there. Details are sparse but it seems that he was attempting to recruit them as an invasion force before Flip Falcon cottoned onto him.

    The real stars of the adventure are the creeps and ghouloids that slither out of the landscape to take Chang up on his offer. For such a fun and diverse collection of creepos they certainly get little enough page time in favour of a guy in a robe and a widow’s peak.

    Chang’s caution proves to be his ultimate undoing, however, as while he has not been placing himself into the same danger as Flip Falcon, he has also not been charged up with the same extradimensional energies that Flip is when he does and which allow him to, for example, easily escape from a deathtrap and then fly off after blowing up Chang and his entire lamasery. A valuable lesson, learned too late.

  • MINOR SUPER-VILLAIN 633: CHONGO

    (Fantastic Comics 012, 1940)

    Flip Falcon’s Fourth Dimension Machine has served various roles as a sort of all-purpose portal to adventure over the course of his tenure in Fantastic Comics, starting out as an interplanetary teleporter allowing access to the various planets of the Solar System and later acting as a time machine. Now it is entering what I believe to be its final form as a gateway to the Fourth Dimension itself, a weird hellscape of the imagination briefly seen in Flip’s encounter with Lucifer.

    In addition to bordering on all times and places, the Fourth Dimension seems to also contain if not the entire afterlife then at least some version of Hell, occupied by the Demi-Things. Ar the Demi-Things demons? The souls of the damned? Some sort of third thing? Whatever they are, Chongo is the worst of the bunch and thanks to the bizarre dimensional pseudo-physics he is able to steal a radio beam and re-purpose it into a death ray/ surf board.

    He immediately attacks Earth with this ray and unfortunately I must report that it looks very cool. It’s a skeletonizing ray!

    Flip Falcon of course sets out to defeat the evil Chongo but the ultimate victory must go to the greater society of Demi-Things, who rally together and basically beat him to death once he is removed from the shelter of his death ray. I guess this might be considered some sort of redemptive act – does this lend credence to the Demi-Things = lost souls theory? I believe that we’ll be seeing more of them in the future, so we’ll just note that down without drawing any conclusions just yet..

  • MINOR SUPER-VILLAIN 633: CHONGO

    (Fantastic Comics 012, 1940)

    Flip Falcon’s Fourth Dimension Machine has served various roles as a sort of all-purpose portal to adventure over the course of his tenure in Fantastic Comics, starting out as an interplanetary teleporter allowing access to the various planets of the Solar System and later acting as a time machine. Now it is entering what I believe to be its final form as a gateway to the Fourth Dimension itself, a weird hellscape of the imagination briefly seen in Flip’s encounter with Lucifer.

    In addition to bordering on all times and places, the Fourth Dimension seems to also contain if not the entire afterlife then at least some version of Hell, occupied by the Demi-Things. Ar the Demi-Things demons? The souls of the damned? Some sort of third thing? Whatever they are, Chongo is the worst of the bunch and thanks to the bizarre dimensional pseudo-physics he is able to steal a radio beam and re-purpose it into a death ray/ surf board.

    He immediately attacks Earth with this ray and unfortunately I must report that it looks very cool. It’s a skeletonizing ray!

    Flip Falcon of course sets out to defeat the evil Chongo but the ultimate victory must go to the greater society of Demi-Things, who rally together and basically beat him to death once he is removed from the shelter of his death ray. I guess this might be considered some sort of redemptive act – does this lend credence to the Demi-Things = lost souls theory? I believe that we’ll be seeing more of them in the future, so we’ll just note that down without drawing any conclusions just yet..

  • MINOR SUPER-VILLAIN 609: LUCIFER

    (Fantastic Comics 006, 1940)

    Scientist-adventurer Flip Falcon has a machine that allows him to enter the Fourth Dimension and come out, effectively, anywhere. He’s used it to visit various other planets and will use it to travel through time – it’s an adventure machine, basically. The fact that it can detect something as vague as “a disturbance somewhere” is both on point and completely meaningless – when you can go anywhere and anywhen, you can always find a disturbance (he does sometimes let Adele come along, by the way).

    This turns out to be Flip’s first adventure to take place in the Fourth Dimension itself and the first time that the Fourth Dimension is suggested to have a supernatural element, as he encounters Lucifer himself! And his magical mouth!

    Perhaps I gave the disturbance-detector too hard of a time, because the disturbance it somehow detected was Lucifer getting ready (did he finally accrue enough power or just make the decision?) to destroy planet Earth!

    Lucky for the Earth and all who dwell on her, the trail of energy that Flip leaves behind as he travels not only functions as a lifeline to his home but in a bit of a deus ex machina turns out to have anti-demonic properties! Flip securely ties up Lucifer and then… just goes home. It’s a very confident move, assuming that the Great Adversary, a being capable of destroying whole planets, will never escape from your improvised knot, and if he does (he does, we’ll be seeing him again) he won’t bother blowing up the planet out of embarrassment or something. And just because that’s exactly what happens is no reason not to ask questions.

    Update 1941

  • MINOR SUPER-VILLAIN 609: LUCIFER

    (Fantastic Comics 006, 1940)

    Scientist-adventurer Flip Falcon has a machine that allows him to enter the Fourth Dimension and come out, effectively, anywhere. He’s used it to visit various other planets and will use it to travel through time – it’s an adventure machine, basically. The fact that it can detect something as vague as “a disturbance somewhere” is both on point and completely meaningless – when you can go anywhere and anywhen, you can always find a disturbance (he does sometimes let Adele come along, by the way).

    This turns out to be Flip’s first adventure to take place in the Fourth Dimension itself and the first time that the Fourth Dimension is suggested to have a supernatural element, as he encounters Lucifer himself! And his magical mouth!

    Perhaps I gave the disturbance-detector too hard of a time, because the disturbance it somehow detected was Lucifer getting ready (did he finally accrue enough power or just make the decision?) to destroy planet Earth!

    Lucky for the Earth and all who dwell on her, the trail of energy that Flip leaves behind as he travels not only functions as a lifeline to his home but in a bit of a deus ex machina turns out to have anti-demonic properties! Flip securely ties up Lucifer and then… just goes home. It’s a very confident move, assuming that the Great Adversary, a being capable of destroying whole planets, will never escape from your improvised knot, and if he does (he does, we’ll be seeing him again) he won’t bother blowing up the planet out of embarrassment or something. And just because that’s exactly what happens is no reason not to ask questions.

    Update 1941

  • CREEPS OF THE WORLD: HUMANS OF THE YEAR 1001939

    (Fantastic Comics 004, 1940)

    Scientist Flip (formerly Flick) Falcon, along with gal pal Adele, usually find themselves contending with problems on the planet Mars thanks to Flip’s discovery of interplanetary teleportation based on transit through the Fourth Dimension. In this particular adventure, Flip and Adele flee Mars through a similar device created by Mars’ three-armed alien overlords and find themselves not back on the bucolic Earth of 1940 but…

    THE FUTURISTIC HELLSCAPE OF 1 001 939 CE! And not only do they find themselves captured by the humans of that far-flung era but those same humans turn out to be a bunch of smug jerks!

    These future-jerks follow the familiar sci-fi trope of the species that is all mind, no body BUT instead of taking the more familiar form of a big head with a shrivelled little body, these fellows are regular-sized if emaciated human heads atop bodies that are just skeletons with a bit of skin to hold them together! It’s an amazing design choice!

    Flip and Adele get away by the simple expedient of removing one of these withered husks from his life support system and blackmailing him into sending them home. It’s truly one of the more remarkable sequences in comics history.

  • CREEPS OF THE WORLD: HUMANS OF THE YEAR 1001939

    (Fantastic Comics 004, 1940)

    Scientist Flip (formerly Flick) Falcon, along with gal pal Adele, usually find themselves contending with problems on the planet Mars thanks to Flip’s discovery of interplanetary teleportation based on transit through the Fourth Dimension. In this particular adventure, Flip and Adele flee Mars through a similar device created by Mars’ three-armed alien overlords and find themselves not back on the bucolic Earth of 1940 but…

    THE FUTURISTIC HELLSCAPE OF 1 001 939 CE! And not only do they find themselves captured by the humans of that far-flung era but those same humans turn out to be a bunch of smug jerks!

    These future-jerks follow the familiar sci-fi trope of the species that is all mind, no body BUT instead of taking the more familiar form of a big head with a shrivelled little body, these fellows are regular-sized if emaciated human heads atop bodies that are just skeletons with a bit of skin to hold them together! It’s an amazing design choice!

    Flip and Adele get away by the simple expedient of removing one of these withered husks from his life support system and blackmailing him into sending them home. It’s truly one of the more remarkable sequences in comics history.