The Curse of Skeleton Munroe

Category: extradimensional

  • MINOR SUPER-VILLAIN 419: PSYK

    (Funny Picture Stories v2 001-003, 1937)

    I think I recently mentioned the dreamlike quality of some Golden Age comics. This is one of them, and only partially because the villain operates out of some sort of pocket dimension in the collective human subconscious. 

    Psyk is a would-be world conqueror with three really good tricks in his arsenal: travel between Earth and the aforementioned Realm of the Subconscious, the ability to raise the dead and mental domination of both the raised dead and the living. His plan seems to be to raise an army of dead and living thralls and then transport them to strategic invasion points. It’s not a bad plan, even if the thralls are all armed with swords and nothing else.

    Psyk is opposed by Jack Strand, who ultimately prevails by exploiting Psyk’s two weaknesses: a power-sapping “ray” (and here I think they’re using ray in the not-much-used sense of a radiation rather than a beam of energy) and the fact that each person affected by Psyk’s power has a weak point where that power entered their body – this point is the only vulnerable place on a thrall’s body and so they cover it with a very obvious and easily removed green piece of metal. Strike a living thrall in the spot and they are freed from Psyk’s power; do the same to a dead thrall and they die for good.

    What’s odd is that Psyk himself has such a spot: his cheekbones (as you might be able to tell from his stylish green cheek armour). What does this imply? Is Psyk himself just a thrall to a more powerful being? Maybe! Doesn’t matter though because Jack Strand punches him right in the cheek and blows up his dream castle.

    He’s an interesting guy, Psyk – definitely has the feel of a character bridging the pulp/comic transition. I’d love to see him BRUNG BACK in a limited series told in a more modern style.

  • MINOR SUPER-VILLAIN 382: THE MAN

    (More Fun Comics 066, 1941) 

    Out of nowhere one day, giant monsters attack Cliffland, New Jersey!

    After driving them off a couple of times, the Spectre manages to follow them back to their base of operations, a weird painting of unknown provenance hanging in a Cliffland museum. There he finds that the monsters reside in a metal city ruled over by a man referred to only as the Man.

    The Man is clearly modeled after the fascist dictators of the day and spends his time whipping his monstrous subjects into a frenzy prior to a wholesale invasion of the real world. While I don’t appreciate the attempted-destruction-of-humanity of it all I must admit that he has some wonderful turns of phrase. Maybe being a fictional entity allows you to tap into a poetical mindset more easily.

    The Man‘s schemes all come to nothing as the Spectre invades his world and decimates his forces, then overcomes the Man himself (despite the Man deploying not only a variety of magical powers but a surprise eleventh-hour monster transformation) and destroys both the painting and the world it contains.

    I have to say that despite not particularly loving the monster designs here I do love the idea of an outsider artist putting so much of themself into a work that it gains a life of its own. BRING BACK the Man, I say, whether in another work by the same artist or as a fictional parasite who appears in other paintings until he can find one that he can use as a portal to the real world. He would be a great addition to the ranks of the DCU’s magical weirdos.

  • MINOR SUPER-VILLAIN 286: GROSSO

    MINOR SUPER-VILLAIN 286: GROSSO

    (Marvel Mystery Comics 024, 1941)

    It’s been a while since we’ve had a proper evil equivalent, so here’s Grosso to show us how it’s done! Golden Age Vision, see, is from an extradimensional realm usually called Smokeworld that’s full of smoke and that the Vision travels to and from via (you guessed it) clouds of smoke. Smoke is kind of his whole deal. Grosso, by contrast, is from the World of War-Dust, with war-dust being defined as clouds of metallic particulate like aluminum. Whether the dust strictly has to have been generated in the production of armaments isn’t really addressed – Grosso is a vocal enough fan of war as a concept that I reckon he wouldn’t appear in the dust produced by,  say, an electric fan factory even if he had the option.

    The fact that Grosso know the  Vision by sight raises further questions about Smokeworld and the World of War-Dust existing in some sort of particulate-based continuum – perhaps the aforementioned dust from electric fan production would open a portal to a world of morally neutral people obsessed with moderate breezes.

    The fact that Grosso’s hinder is so juicy merits further study.

    The back half of the story is taken up with a big fight between Grosso and the Vision where it becomes clear that Grosso is either made of metal dust or manifesting a body on Earth using metal dust: his primary attack (other than big punches) is firing busts of aluminum dust and his arm is disabled when Vision squirts some water on it. The full ramifications of this are left unexplored because the Vision subsequently ups the ante and employs the Ultimate Liquid: molten lead. Grosso hasn’t been seen since, probably due to being dead.

    Obviously I’m totally into this guy and  think he or some other representative of the World of War-Dust should be BRUNG BACK – it’s not like we up and stopped making weapons of war, after all. Having alien warmonger frat bros pop up in your factory from time to time should be a thing in the Marvel Universe. There should be insurance for it!

  • MINOR SUPER-VILLAIN 161: THE BLACK WITCH

    (Batman Comics v1 005, 1941)

    Batman and Robin’s first interdimensional jaunt took them to Fairyland, where they were tasked with rescuing the daughter of one Professor Anderson, who it seems he was using as a test subject for his narrative-dimensional travel device? There they face off against sundry giants and dragons and so forth before confronting the top evildoer of the realm: the Black Witch.

    One could argue that a villain whose existence is defined by peasant morality tales that have been passed through a series of bowdlerizations is not necessarily completely responsible for their evil nature, but Grant Morrison didn’t write this one, so Batman beats her up and she commits suicide.

  • MINOR SUPER-VILLAIN 109: XNON

    (More Fun Comics 060, 1940)

    Xnon is a guy I like. He lives an an extradimensional orb/city and seems to spend his time traveling from world to world looting and conquering, if his behavior on Earth is taken as an example. Then again, he seems to have recruited all of his henchmen from the Cliffland, New Jersey underworld so maybe this was his first outing as a transdimensional overlord.

    What can be said for certain is that Xnon (no idea if it’s pronounced “Znon” or “X-non”, though I prefer the latter) uses his advanced technology to perform a series of daring thefts including an entire train, then briefly mind controls the Spectre into doing his bidding. He almost gets away with it, but the Spectre manages to call for help from what would later be semi-explicitly defined as the Christian God. Xnon is swiftly stuck in a meteor and blasted into interdimensional space.

    I love Xnon. He looks great, has a great orb, is an arrogant jerk which I love in a villain… he has it all. Plus the manner of his defeat makes him someone who could conceivably be BRUNG BACK without any need for a new origin or anything. Just say that throughout all of the retcons and crises and every other dumb thing that DC has done in the last ~30 years, Xnon has been floating around in his meteor and then BAM it lands back in Cliffland (or wherever the Spectre hangs out nowadays) for some reason, and he’s ready to scrap with a Spectre who has absolutely no idea who he is.

    Also, this is what happens when you try to make the Spectre do a crime: pride flag explosion.