The Curse of Skeleton Munroe

Category: extortionist

  • MINOR SUPER-VILLAIN 458: BARKO

    (Mystic Comics v1 002, 1940)

    Barko is a mere extortionist who has blown up one mineshaft already and is heavily implying that another can be blown up if the mining concern doesn’t see clear to paying him off. Beyond that he is remarkable mostly for how seriously and thoroughly he responds to the appearance of the Blue Blaze on the scene:

    Boulder.

    Sniper rifle.

    Attack dogs.

    And finally dual-wielded freeze ray guns. All of this during the Blue Blaze’s short drive to the second mineshaft. The Blue Blaze is captured after being frozen solid but of course…

    … freezing a fire-themed super-hero has a pretty low success rate.

  • MINOR SUPER-VILLAIN 447: THE MANX

    (Mystery Men Comics 026, 1941)

    It’s the Manx! Our second catsuit-clad cat-themed villain after the Cat’s Paw! This fella doesn’t share too much about himself but seems to be a bit of a criminal opportunist – here he’s attempting to steal a pistol used in a 25 year-old murder so that he can blackmail the murderer, now a wealthy and successful man. Given his sneaky climbing style of getting about I’d wager that he’s usually some sort of burglar. A cat burglar, natch.

    Mustn’t forget to note his themed weapon: a cat’s claw mounted on his wrist that he uses to slash up his foes in a surprisingly gory fashion. Also: no tail, just like a real manx!

    Ultimately, the Manx seems to have the wrong ratio of sneaking around vs committing horrific violence going on, particularly once he’s aware that he’s facing a super-powered foe in the Green Mask. With a little more creeping and a little less clawing he might have gotten away with some swag rather than being caught by an oaf.

  • MINOR SUPER-VILLAIN 430: THE DEVIL

    (Mystery Men Comics 007, 1940) 

    I can’t help but love this guy: yes he’s a cheap extortionist who gives himself a scary name to enhance his death threats but he goes to the trouble of dressing up in a devil outfit even while sneaking around so that nobody can see him. And since he’s the antagonist of a Wing Turner story and Wing Turner is a pilot-detective, the Devil is flying around in a fighter plane dressed in little horns and red briefs (and appears to be barefoot, which must be uncomfortable if flying a plane involves working any pedals). There’s just something about a costumed pilot that is wildly endearing.

    The Devil of course turns out to be Baldy Barry, a regular extortionist who jumps into a lava pit rather than be caught. Over the top for an extortion charge I reckon, but at least he was on brand to the end.

  • MINOR SUPER-VILLAIN 393: THE TENTACLE

    (More Fun Comics 069, 1941)

    We don’t get a lot of backstory on the Tentacle. Presumably he’s a botanist or at least a gifted amateur horticulturalist, as he has developed a type of plant that strangles folks to death and can be triggered remotely (or on a timer, possibly). He uses this creation to blackmail rich men until he is tracked down by the Spectre and of course meets his end at the fronds of his own creation.

  • MINOR SUPER-VILLAIN 356: OLBAID THE GREAT

    (Master Comics 016, 1941)

    I almost missed the fact that this guy is an evil equivalent of El Carim! I somehow read that opening blurb and thought that his name was Diablo but it’s not, it’s Olbaid – he has a backward name like El Carim!

    What’s more, Olbaid has roughly equivalent magical powers to El Carim, and uses magical items to supplement them just like him. In Olbaid’s case, this involves the Snake Pool, a magical pool of water that turns humans into constrictor snakes, suitable for use as snakey minions.

    While Olbaid is not a stage magician like El Carim, he does have a show business tie via his stable of ex-circus performer henchmen, including cowboy Rifle Ralph, lariat artist Roper Pete and an unnamed knife thrower.

    Sadly for Olbaid, the similarities between him and El Carim end when it comes to power levels and their magical duel ends with Olbaid in jail and the snakes restored to humans who hopefully can’t remember being used to squash a bunch of people.

  • MINOR SUPER-VILLAIN 356: OLBAID THE GREAT

    (Master Comics 016, 1941)

    I almost missed the fact that this guy is an evil equivalent of El Carim! I somehow read that opening blurb and thought that his name was Diablo but it’s not, it’s Olbaid – he has a backward name like El Carim!

    What’s more, Olbaid has roughly equivalent magical powers to El Carim, and uses magical items to supplement them just like him. In Olbaid’s case, this involves the Snake Pool, a magical pool of water that turns humans into constrictor snakes, suitable for use as snakey minions.

    While Olbaid is not a stage magician like El Carim, he does have a show business tie via his stable of ex-circus performer henchmen, including cowboy Rifle Ralph, lariat artist Roper Pete and an unnamed knife thrower.

    Sadly for Olbaid, the similarities between him and El Carim end when it comes to power levels and their magical duel ends with Olbaid in jail and the snakes restored to humans who hopefully can’t remember being used to squash a bunch of people.

  • MINOR SUPER-VILLAIN 355: MR MURDER

    (Master Comics 015, 1941) 

    Mr Murder is your “pay or die” style of extortionist and a) has a pretty great name and b) is presumably in an early stage of his career as there is a lot more “die” going on than “pay”.

    Mr Murder also has a great understated costume: tunic, hat, cape, scarf, gloves. Just a bit off of what you might see someone actually wearing – nice and menacing in a Shadow sort of way.

    And of course Mr Murder turns out to be Reilly, the loudmouthed lawyer from the beginning of the story, presumably using his position to determine opportune targets for extortion and employing my fave the rubberoid mask to disguise his identity. It’s a fine outing over all but nothing special. The interesting stuff comes with Mr Murders further appearances:

    Mr Murder reappears in Master Comics 027, 1942 and there are several weird things going on. The least of these is his decision to incorporate the rubberoid mask into his costume despite his identity no longer being a secret, but I guess that’s no weirder than villains who continue to wear regular style masks in such circumstances.

    More interesting is the fact that there seems to have been a Mr Murder/ Bulletman clash some time in between, during which a) Mr Murder found out Bulletman’s secret identity and b) Bulletman was thought to have killed Mr Murder. As far as I can tell, this story was never published (I reckon that it’s equally likely that a story was produced but never published or someone misremembered Mr Murder being in a story he wasn’t), but the upshot of it is that Mr Murder is out for revenge and armed with the knowledge to do the deed. He kidnaps Jim Barr and almost succeds in bumping him off but has seemingly forgotten about the existence of Bulletgirl, leading to him getting his but kicked and dying for real.

    OR DID HE? This marks our first encounter with the CRIME EXCHANGE, an organization run by future Minor Super-Villain the Crime Broker, the details of which are not germane other than the fact that at one point the Exchange members petition the Crime Broker to bump off Bulletman, a petition consisting mostly of deceased Bulletman villains. It’s madness! A huge (dead) portion of Bulletman and Bulletgirl’s rogues gallery, returned to life (or, less incredibly, sprung from prison) in a single panel! Madness!

    Okay, maybe this is more exciting to me than anyone else but it is neat. And as someone whose official stance is that super-villains are more interesting when they’re still alive I heartily approve.

  • MINOR SUPER-VILLAIN 339: THE FIREHAWK

    (Master Comics 004, 1940)

    The Firehawk is an extortionist of the particular kind that you get in comic book stories that have to clock in at under 5 pages: a dumb one. See, he has a pretty good threat to hold over the heads of his victims in that he can seemingly set them on fire at will. Since he’s operating on a movie set, he does so by mixing up batches of thermite-impregnated makeup that presumably self ignites after a set time. Like I said, a good threat. The problem lies with his timing: he dopes all of the makeup at once so that the actors are just igniting one after the other – there isn’t even enough time for them to consider paying up. Plus there’s the matter of his secret identity, the fourth lead in a film in which numbers 1 through 3 were set to be destroyed, which is at least a bit suspect.

    For all that, I love this guy for his costume if nothing else. “Green anthropomorphic cartoon bird” is an underrepresented theme in super-villainy.

    ****

    While thinking about this guy I suddenly had a revelation: in any given super-hero universe there would be a podcast about the super-villains of Old Hollywood. Without question! The only real question is just how many episodes would each villain generate. Sadly for the Firehawk, even though he is the genesis for the idea of the Super-Villains of Hollywood Podcast (an idea so powerful that it has propagated backward through the blog) he probably wasn’t fodder for more than one episode – neither Zarrow/ the Firehawk nor any of his victims seemed especially noteworthy in a “lurid true crime podcast” sense so I’ afraid that for the inaugural 

    Number of episodes of the “Super-Villains of Hollywood” podcast: segment, the answer must be one.

  • MINOR SUPER-VILLAIN 316: THE VAMPIRE

    (Daring Mystery Comics 002, 1940) 

    The Vampire has the distinction of appearing in the only Golden Age featuring Mister E, possibly the biggest nonentity in the collection of heroes brought back in The Twelve. He’s whatever: he has a drug that makes your heart explode and his major plot involves trying to get control of an oil company (and marry a woman against her will after killing her father, in case you though he might be a bit sympathetic). He is one of the few comic book super-villains to dress like the villains from 1940s super-hero movies though, so that’s something.

    Probably the most interesting thing about the Vampire is the fact that like so many features in Daring Mystery Comics Mister E was a one-off, which means that he is still at large to this day. Fun! BRING BACK this very very old man and his old machinations! Mister E has retired – who can save us from the Vampire?

  • MINOR SUPER-VILLAIN 259: THE POWER STEALERS

    (Hit Comics 008, 1941)

    I gotta say: I really like these guys. Now, obviously they’re stinkers of the highest order – their plan involves siphoning all electrical power in the US until they are paid an unspecified amount of big bucks or possibly even placed in charge – but when you spend a little (or a lot of) time thinking about supercrime in a super-hero universe you get opinions about these kinds of things. If these guys had developed this technology I’d have something to say about the risk/reward of crime vs commercial application, but they’re clearly a bunch of criminal goons and probably stole it, so using it for crime makes sense!

    Further, they are genre-savvy enough to recognize Hercules as the only super-hero in their particular pocket of the Quality Comics proto-universe. Setting out to preemptively take care of the super-opposition never actually works, but I always appreciate the effort involved.

    (also I love that they call Hercules a hick. So often the little interesting details about a character fall by the wayside – it’s great that Hercules is consistently the super-hero from the country)

    The guy in purple is a bad liar.

    The guy in green is a loveable jerk.

    The gang of shirtless goons is everything I could wish in a bunch of cannon-fodder henchmen, down to the guy with a knife clutched in his teeth.

    Finally (well, for my purposes. Finally finally, they get beat up), they actually have a plan! They manage to chuck Hercules into quick-drying cement and cheekily make him into a statue to be displayed on their front porch! And he’s there for weeks! Very good job, boys.

    (though if they hadn’t chiseled off all that extra cement then maybe he wouldn’t have managed to get free. Food for thought, dead fictional men)