The Curse of Skeleton Munroe

Category: Detective Comics

  • MINOR SUPER-VILLAIN 027: SKULL-FACE

    (Detective v1 032, 1939)

    Skull-Face is a villain I love. He looks, predictably, like a guy with a skull-face, yet he runs a “beauty cult” which might just be a very intense spa? Whatever it is, he steals all of his clients’/ congregants’ money and then kills them with a special drug that makes them drown themselves/ have heart attacks. And he’s very proud of his villainy, which I love. Other salient Skull-Face features:

    -caveman butler named Sam

    -underground, partially-flooded castle in Maine

    -leaves tiny ivory skull as a calling card at the scene of his victims’ deaths, thus undermining his own careful planning of natural-seeming causes

    -hunted by the swimsuit-clad sister of one of his victims

    -despite living in a partially-flooded castle, cannot swim and thus drowns at the end of the story

    Just a really good weirdo villain who they should BRING BACK.

    EDIT TO ADD: Hadn’t really thought about what role Skull-Face would fill in the modern DCU but upon 5 minutes reflection you could absolutely make him the head of a beauty product Multi-Level Marketing scheme and keep everything else the same. 

    SECOND EDIT:

    SKULL SCORE: 3/5 Pretty skully but also unsettlingly fleshy.

  • MINOR SUPER-VILLAIN 026: THE MONK

    (Detective v1 031-032, 1939)

    The only reason this guy’s minor is that Batman shoots him dead in 1939. I know he’s made a few reappearances over the years but mostly they’re retellings of that first story. Also I guess they’re calling him the Mad Monk now? Weird.

    My point is that Batman deserves a vampire nemesis so they should BRING HIM BACK.

    ADDENDUM: it’s very strange to me that in Batman: Red Rain it’s Dracula who vampires Batman and not the Monk, an established vampiric Bat-villain.

  • MINOR SUPER-VILLAIN 025: THE MASTER

    (Detective v1 030, 1939)

    I like the Master because he is simultaneously brilliant enough to invent a mind control device capable of enslaving a significant portion of the US Government and dumb enough to brag about his machine to a federal agent not ten feet away from it. Machine smashing ensues.

  • MINOR SUPER-VILLAIN 025: THE MASTER

    (Detective v1 030, 1939)

    I like the Master because he is simultaneously brilliant enough to invent a mind control device capable of enslaving a significant portion of the US Government and dumb enough to brag about his machine to a federal agent not ten feet away from it. Machine smashing ensues.

  • MINOR SUPER VILLAIN 017: THE RAVEN

    (Detective v1 019, 1938)

    Nemesis of Inspector Kent of Scotland Yard with maybe three appearances – but he’s the kind of  dreaded evil mastermind who shows up already the most wanted man of all time, so he feels more significant.

  • MINOR SUPER-VILLAIN 016: THE HOODED HORDES

     (Detective v1 017, 1938)

    If there’s one thing that Golden Age comics have in great supply, it’s US fascist groups seeking to (variously) undermine the country’s war production, keep the US out of WWII, draw the US into WWII, or take over the country outright. And while most of these groups are just some guys called the Purple Shirts who rough up a shopkeeper for not loving the Fatherland more than his adopted land of AMERICA, a few, like the Hooded Hordes here, get their act together enough to be minor super-villain organizations.

    I mean, they don’t really get up to much more than the hypothetical Purple Shirts – mostly disrupting war production in a bid to take over the US – but there’s a lot to be said about doing so in a sheet ghost outfit with a skull and crossbones on the chest.

  • MINOR SUPER-VILLAIN 015: THE BROADWAY BANDIT

    (Detective v1 016, 1938)

    The Broadway Bandit is just a disgruntled actor who puts on a mask and robs box offices until Slam Bradley shows up to settle his hash but he might be out first illustration of the very basic level of super-villainy: a good name, a basic but distinctive costume and the commission of crimes while in the possession of both.

    SHOULD THEY BE BROUGHT BACK? No, but in a super-hero universe I reckon that there should be way more guys adopting this kind of persona to do basic crimes like armed robbery. In a world with cosmic threats named Molecule Man and such running around you might not even need a weapon to stick up a corner store if you strolled in in a plausible enough costume.

  • MINOR SUPER-VILLAIN 014: CHESTER GLASS

    (Detective v1 015, 1938)

    Chester Glass almost accidentally frames Slam Bradley and Shorty Morgan for murder, and that’s the main thrust of the story. As things develop, you learn that he has wooed and then murdered at least two dozen women for their money, which alone is enough to get him on this list, but then he captures Slam and Shorty in his murder dungeon basement, which is filled with “dozens” of bodies! And he has up to this point gone completely unnoticed by the Cleveland police!

    SHOULD THEY BE BROUGHT BACK? I mean, a century-old serial killer probably doesn’t have a place in the DCU, so no. He really should be acknowledged somewhere, though – the real berries would have been if there was a Chester Glass Lifetime Achievement Award at the Cereal Convention in Sandman, but alas and alack that ship has sailed.

  • MINOR SUPER-VILLAIN 013: MR DEATH

     (Detective v1 015, 1938)

    A serial killer who murders diplomats because without them there would be no wars. Brought in by Bart Regan and Sally Norris, protagonists of the early Siegel and Shuster strip Spy.

  • MINOR SUPER-VILLAIN 008: THE HUMAN FLY

     (Detective Comics 009, 1937)


    A very marginal entry on the list, but he really makes the concept of “guy who can climb” work as a masterful crime skill. Plus he’s an early Slam Bradley foe, so more charming Siegel and Shuster fun as Slam demonstrates his early tendency to be amazing at all tasks by following him up the side of a building for a trademark fight.